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lunes, 16 de junio de 2008

Audio Damage - plug-in is a model of a famous vintage fuzz pedal,

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The FuzzPlus plug-in is a model of a famous vintage fuzz pedal, and features an algorithm used in several of the Mayhem plug-ins. There are three controls:

  • Fuzz knob: This controls exactly how much fuzz is applied to the signal.
  • Output knob: This is the output volume of the device, when it is active.
  • Bypass button: This works just like the switch on a stomp box. When the blue light is lit, you're money. When it's not, the input is passed directly to the output. This can be automated for a slightly different vibe than automating the effect bypass of your host.

Audio Damage - Kombinat



Kombinat

From mild tone-shaping or adding a bit of grit to full-on total waveform destruction, Kombinat is a complete toolbox of sonic warfare.

With seven different options in each of the three distortion engines (plus pass-through), Kombinat is capable of sophisticated and unique sounds. Want to add a ring mod to the low end, a mild saturation to the mids, and a bit-reduction algorithm to the high end? No problem. Want to run your signal through three sine-warps in series? This is your box.

Kombinat's signal structure allows for a fairly broad palette of sounds, as each segment of the overall effect is a versatile tool in its own right. The Isolator is a full "DJ-style" band-killer EQ; this leads to the three distortion engines, which may be used in multi-band mode for subtle surgery, or in series mode for complete signal destruction. The engines go in to a four-pole lowpass filter of Audio Damage's own design, and then in to a compressor which is configured for one-knob operation.

Taken as a whole, Kombinat is a tweaker's paradise, yet designed so that it is easy to just grab one of the hundred presets and touch it up a bit to suit the source material.

Features:

  • "DJ" style three-band isolator EQ for band-killing effects.
  • Three distortion engines, consisting of seven algorithms each (plus pass-through) that can operate per-band or in series. The included algorithms are Fuzz, Distortion, Saturation, Warp, Clip, Bit/Sample-Rate Reduction, and Ring Mod.
  • Self-Resonating Four-pole lowpass filter.
  • Compressor, configured for one-knob operation for ease of use.
  • Full MIDI learn (VST version only) for hardware control of all parameters.

Audio Damage - Liquid



Liquid

Liquid is an analog-style through-zero flanger. Unlike traditional flangers, which are just short delays with a bit of feedback, Liquid models the original flanging method, where two tape machines were used to create artificial double-tracking effects.

The difference in sound between this type of flanger and what is commonly available is significant, and Liquid provides a much more usable effect. Perfect for "stereo-izing" monophonic signals like voice and vintage analog synths, Liquid also provides more mind-bending flanging at higher feedback settings.

Features:

  • True through-zero flanging.
  • Perfect for "stereo-izing" analog synths, electric pianos, and other mono sources.
  • Capable of extreme vintage-style flanging effects.
  • Full MIDI learn on every parameter for hardware control (VST version only).
http://www.audiodamage.com/downloads/

 
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