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jueves, 3 de julio de 2008

Download Humanoid Sound Systems descargar ratis

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Scanned Synth Mini
Product Scanned Synth Mini
Developer Humanoid Sound Systems
Primary Type Synth (Unclassified)
Price (MSRP) Free
Plug-in Formats
Instrument(s)VST
Operating System Availability
Operating
System
Latest
Version
Download Is it
Available?
Windows 1.1.1 Free DownloadReleased
Mac OS XMac OS X Universal BinaryN/A-Not Released

Scanned Synth Mini features the same synthesis engine as used by Scanned Synth Pro (they sound the same when using the same presets) but only allows new sounds to be programmed through randomisation. The user can set the amounts by which each group of parameters will be randomised but does not have direct access to the parameters themselves.

Scanned Synth Mini can load and save presets through the host application that are compatible with Scanned Synth Pro and vice versa. This means that Scanned Synth Mini can actually produce the full range of sounds that Scanned Synth Pro is capable of. Only the amount of control the user has over the sound is limited when compared to Scanned Synth Pro.


Scanned Synth Pro
Product Scanned Synth Pro
Developer Humanoid Sound Systems
Primary Type Synth (Unclassified)
Price (MSRP) $99.99 / €59.99
Plug-in Formats
Instrument(s)VST
Effect(s)VST
Operating System Availability
Operating
System
Latest
Version
Download Is it
Available?
Windows 2.0.2 Demo / TrialReleased
Mac OS XMac OS X Universal BinaryN/A-Not Released

Scanned Synth Pro offers "Scanned Synthesis" - until now, this new synthesis technology has only been available to users of Csound and Max.

Scanned Synthesis represents a powerful and efficient technique for animating wavetables and controlling them in real-time. Developed by Bill Verplank, Rob Shaw, and Max Mathews between 1998 and 1999 at Interval Research, Inc. it is based on the psychoacoustics of how we hear and appreciate timbres and on our motor control (haptic) abilities to manipulate timbres during live performance.

Scanned Synthesis involves a slow dynamic system whose frequencies of vibration are below about 15 Hz. The ear cannot hear the low frequencies of the dynamic system. So, to make audible frequencies, the "shape" of the dynamic system, along a closed path, is scanned periodically. The "shape" is converted to a sound wave whose pitch is determined by the speed of the scanning function. Pitch control is completely separate from the dynamic system control. Thus timbre and pitch are independent. This system can be looked upon as a dynamic wave table. The model can be compared to a slowly vibrating string, or a two dimensional surface obeying the wave equation.

 
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