Audio Realism Bass Line Pro v1.0.1

Audio Realism Bass Line Pro v1.0.1

Audio Realism Bass Line Pro is a monophonic/polyphonic semi-modular synthesizer plug-in with an integrated pattern sequencer. While the unique sound of the Bass Line is well known and has become a standard in the music industry, the Semi modular version builds on its strengths and extends on them to reach new sonic possibilities without losing any of its original expression. Some of the most eye and ear catching features are: Intuitive patch cord interface which allows freedom in modulation routing Extensive range on oscillators and filters Audio rate modulation Oscillators can be swept from bass up to treble ceiling while retaining low aliasing and without any other digital artefacts The modulation generator can be used as a third oscillator while routed to multiple destinations A stereo delay unit with modulatable delay times for interesting and atmospheric sounds With 32 notes polyphony it becomes powerful general purpose virtual analog synthesizer

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Focusrite Saffire Bundle VST v2.0

Focusrite Saffire Bundle VST v2.0

Focusrite Saffire VST plug-in effects Compressor mono / stereo ------------------------ Modeled on the Focusrite's hardware devices, using the measurement of custom optos to achieve the signature Focusrite sound. All Focusrite optos are tuned by ear, just like in the old days of analog design, ensuring a faithful recreation of those classic vintage 1960s optical compressors. EQ mono / stereo ---------------- With the same signature as the original Focusrite EQ curves. Focusrite's R&D team used state-of-the-art numerical transform techniques to create an authentic response across the entire audible frequency spectrum. Reverb ------ Based on classic algorithmic studio reverb designs. Amp Modeling ------------ Overdrive, speaker simulation and classic passive guitar EQ-Emulation. more info available at: http://www.focusrite.com

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Bitshift Audio Releases pHATmatik PRO VST Instrumen v. 1.51

Bitshift Audio Releases pHATmatik PRO VST Instrumen v. 1.51

Bitshift Audio announced the immediate availability of pHATmatik PRO, a virtual instrument that turns any Windows-based VST 2.0-compliant host into a sophisticated, next-generation loop workstation. pHATmatik PRO is the first tool of its kind that can effortlessly play back any loop locked to tempo in your host environment. No more artificial impediments to creativity: pHATmatik PRO puts you in control. Use loops at any tempo, in any key, instantly from within your digital audio workstation. No more switching back and forth between unreliable tools and dealing with confusing, proprietary file formats. pHATmatik PRO loads any loop in industry-standard wav or aiff format, and supports import of ACID-ized wav files. pHATmatik PRO works for the musician, not the other way around. But that's just the beginning Once your loop is loaded into pHATmatik PRO, it becomes an expressive instrument in its own right. Love the sound of the original groove, but the timing isn't quite right? Change it. Quickly, seamlessly, and without effort. If the groove thumps but you can't stand the snare, swap it out. Use the groove of one loop to trigger the samples of another. Create entirely new grooves from stale loop libraries that you thought would never again see the light of day. pHATmatik PRO picks up where your DAW leaves off: Instead of just playing back a loop as static audio, pHATmatik PRO lets you play your loop. Create fills, breakdowns, or completely new grooves from your loops. pHATmatik PRO gives the musician an unprecedented amount of control over each sound in the loop. Did you ever think you could put reverb on just the snares? Well now you can. With pHATmatik PRO's four stereo outs, you can buss each snare, kick, or syllable to a different channel in your host and process it to your heart's content. Your way. Your music. No boundaries. Each 'slice' in your loop has independent settings for gain, pan, pitch, and a super-pHAT 2-pole multimode resonant filter. There are fully independent ADSR envelopes for gain, pitch, and filter cutoff per slice. In addition, each slice has an independent loop mode and loop points: reverse slices on the fly, ping-pong them back and forth, or turn that trash-can snare into a haunting granular soundscape. No limits. If playing back audio seamlessly at any tempo and mind-boggling per-slice options aren't enough, each of pHATmatik PRO's sixteen channels features a comprehensive master section: tempo-synced delay, two sample-accurate, tempo-synced LFOs, a truly mind-bending comb filter, evil distortion and an analog-modeled multi-mode resonant filter. Of course everything can be controlled by envelopes, and pHATmatik PRO's simple but powerful modulation matrix makes any routing configuration you can imagine a snap. With all this sound mangling power, a single loop can generate hundreds of unrecognizable variations in just a few minutes of tweaking. If one pHATmatik PRO is good, sixteen must be better, right? pHATmatik PRO breaks the constraints of limited virtual instrument slots in your host with a sixteen-part multitimbral implementation that gives musicians the power of sixteen pHATmatik PRO's in one VSTi slot. Load up sixteen loops, play them all back at the same time, all in tempo, all ready to be twisted to your creative needs. And don't worry about having to choose between another loop and that killer vocal reverb: Finally, pHATmatik PRO makes all this power easy and intuitive to use. pHATmatik PRO's interface provides streamlined workflow, dead-easy midi learn automation, and an integrated loop browser that gives you the ability to preview entire directories of loops in just seconds. Working with loop-based content has never been easier or more integrated with your creative process.

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LinPlug Alpha VSTi v3.0

LinPlug Alpha VSTi v3.0

Focussed on the essential modules of an analogue synthesizer Alpha 3 offers true hands on operation. Everything is where you would expect it, nothing is more complex as it needs to be. Nothing is less powerfull as it needs to be. Alpha 3 is the sum of all our experience in synthesizer manufacturing. 2 Oscillators with numerous waveforms PWM (symmetry of all waveforms modulatable) Switchable freerun for both oscillators Extended Ringmodulation (modulatable Off-AM-RM) Noise Oscillator Spread (5 detuned oscillators per voice, adjustable) Rich sounding multimode filter with saturation dedicated filter ADSFR envelope Amplifier section with dedicated ADSFR envelope 7 slot Modulation Matrix, 19 sources, 18 destinations Alpha 3 allows Frequency Modulation of the Filters Cutoff, a feature only found in very few Synthesizers. The source of the Filter FM can be any oscillator, even noise. Together with the Ringmodulator which can be gradually morphed from pure Oscillator 2 over Amplitude-Modulation to Ring-Modulation this is a guaratee for some of very finest and most excotic sounds a classic subtractive synth can produce. Alpha 3 has two oscillators with each producing a continuously adjustable mix of 2 from 30 waveforms. Taking into account that both basic waveform can have a different pitch already allows for thousands of resulting waveforms. But dont worry, our concept of handling is dead easy, pick the waveforms and adjust the mix. Done. 3 individual LFOs with tweakable attack time, speed (syncable), multiple shapes, switchable freerun Portamento / Glide with various modes adjustable Chorus, no other effects (intentionally) Adjustable analogness Global tuning and Microtonal support Powerfull ECS (MIDI learn for almost all Controllers) sample accurate processing, total recall all controls automatable direct access to all banks and presets 32 voice polyphonic (adjustable), true mono mode The license fee is 99 US$ / 79 Euro More Info...

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NUSofting Peti Harmonium Accordion v0.5b VSTi

NUSofting Peti Harmonium Accordion v0.5b VSTi

** NOTE: This is NOT a demo, this plugin is fully functional. You can save and load presets! ** An 11 presets bank is included as FXB files along with "cloned" individual factory presets, and soundbank. ** Special note: The original "cloned" individual factory presets, and 41 Preset factory bank are included for your enjoyment. ** "Mono" is not implemented yet in this version. The only difference with the current 1.0 Release version has an animated keyboard GUI, and minor graphics changes such as removal of the words "FREE BETA" from the Interface. ======================================================================= Peti uses hybrid FM synthesis technology and was developed primarily to emulate the sounds of the Harmonium, a member of the Reed Organ family, which is also known as the "pump organ". The Harmonium, in its smaller form, is widely used in north Indian music, and its full, sweet sound is often used in pop and rock music, but Peti is not limited to this instrument alone. Peti is also capable of emulating a wide variety of reed organ variants, and can model timbres which resemble the many instruments in this family, ranging from from accordions to pipe organs, and even the famous melodica often used in reggae dub music. Peti was designed to allow the user complete control over a simulated Bellows mechanism, with 11 different modes providing 'automatic' or 'manual' pumping, with appropriate modulation of the sound-generation engine's parameters. It also features two separate 'reed bank' simulators, allowing it to create the widest possible range of reed organ timbres via its sophisticated hybrid-synthesis system. Peti's sound engine is also capable of emulating other key features of the Harmonium, including the body resonance of the instrument itself, the noise of air in the bellows and chambers, a 'musette' tremolo feature, and 'key coupling', which traditionally allows a single note to trigger two voices.

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Native Instruments Reaktor v5.12 VSTi DXi RTAS PROPER

Native Instruments Reaktor v5.12 VSTi DXi RTAS PROPER

Price (MSRP): $449 / €399 Version Download Avail? 5.1.5 Download 5.1.5 Download Виртуальный модульный синтезатор. Характеристики: 32-битный синтез вреальном времени. Назначаемая внутренняя скорость выполнения операцийот 22,05 кГц до 132,3 кГц. Свободная коммутация модулей обработкисигнала. Максимальное число инструментов: 16. Максимальное числоголосов каждого инструмента: 64. 128 снепшотов для каждого инструмента.Полное управление по MIDI (In/Out) всеми элементами панели.Аудио-запись и экспорт аудио в форматах WAV (PC) / AIFF (MAC). Типысинтеза: Analogue Modelling, Waveshaping, FM, Waveset, & GranularSynthesis, Sampling. Импорт файлов WAV и AIFF (PC и Mac), а такжеSoundDesigner II (Mac). Включена библиотека пресетов Premium Library(25 ансамблей синтезаторов, сэмплеров и процессоров эффектов).Библиотека Reaktor - 300 инструментов и процессоров эффектовПолномодульная система - пользователь может создавать собственныесинтезаторы, сэмплеры, драм-машины, процессоры эффектов свободнокоммутируя между собой простейшие элементы, модули, макросы,инструменты и т.п. ===================================== An-all-in-one synthesis, sampling, and effects powerhouse. REAKTOR 5 is the ultimate tool for sound design and synthesis, allowing you to design your own instruments and tools as well as access an award-winning palette of synthesis, sampling, and effects. REAKTOR 5 includes an upgraded sound library with more than 20 new sound tools and effects, as well as Reaktor-class additions: Skrewell (soundscape generator), Splitter (grain sampler), and Aerobic, (drum machine). Several Reaktor classics have been updated including Carbon 2 (synthesis workstation), Steampipe 2 (acoustic modeling synth), and Spacemaster 2 (reverb). Core Technology, new for REAKTOR 5, breaks ground by supplying you with the power and flexibility to create new types of instruments! 3 years in development, Core Technology opens up the innovative sound generators, effects, and sounds of the Reaktor architecture to allow the building of custom modules from Core Cells. These building blocks include oscillators, filters, EQs, delays, and more, with 40 included in the core library. A tweaked user interface gives a much faster and more transparent workflow for creation. Mac users will doubtlessly enjoy the more Apple-like feeling of the OS X version. Instruments can now be connected within the panel, as can Audio and MIDI channels. In version 5 Screensets have been reworked into Panel sets, which can be set up for indiviudal working styles to customize views of REAKTOR projects. Sequencing has also been improved with a piano-roll editor and 2 additional drum sequencers. REAKTOR 5 also implements versatile multibreakpoint envelopes. Native Instruments REAKTOR 5 Modular Synth Studio Features: Completely modular, realtime sound synthesis, sampling, and effects Pristine, top-quality sound Huge library of unique instruments and sounds Synthesizers: subtractive synths, acoustic modeling synths, wavetable retro sound generator, subharmonic synths Grooveboxes: 2 analog-modeling drum synths, 2 sample-based drum and performance machines Sound generators: 2 unique soundscape generators Sample transformer: loop remixers and re-arrangers; granular sample transformer Sample player: loop slicer and drum sampler Sequencers: 4 sequencers for various application purposes Effects: compressor, reverb, sequenced hybrid effect Preset morphing and preset randomization Easy construction of personalized instruments and effects Core Technology for custom module design New modules include: anti-aliased oscillators, over-sampled structures, and high-quality interpolation delays Redesigned, skinnable interface Multi-breakpoint envelopes with slope control, tempo grid, and looping Live sampling and effect modules with auto-normalisation and tempo-synchronous beat juggling Native Instruments REAKTOR 5 Modular Synth Studio Specifications: Mac requirements: OS 10.2.6, G4 1GHz, 512MB RAM PC requirements: Windows XP, P III 1GHz, Athlon XP 1.33GHz, 512MB RAM REAKTOR only runs on processors supporting SSE or AltiVec Mac recommendations: Mac OS 10.3 or higher, G4 1.67GHz, 512MB RAM PC recommendations: Windows XP, P4 2GHz, Pentium-M 1.5GHz, 512MB RAM Import and compatibility: AIFF, WAV Interfaces: Audio Units, VST, RTAS, DXi, Open Sound Control, Core Audio, ASIO, DirectSound

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AudioRealism Bass Line VSTi v2.0.6

AudioRealism Bass Line VSTi v2.0.6

Новейшая версия известного VST-инструмента для создания басов. AudioRealism Bass Line 2 The legendary silver box which is hallmark in electronic music has been recreated in AudioRealism Bass Line. Analog modeling techniques have been employed to create a DSP-algorithm that accurately emulates every aspect of the original Bass Line, from growling basses to hollow middles and beeping highs with metal rattling accen ts. Patterns are composed in a fashion similar to the original Bass Line using the integrated step sequencer with easy to use manipulation functions such as transpose and randomization. All controls such at cutoff and resonance have an effective range that is unmatched by most other software synthesizers. The characteristic 18dB/Octave low-pass filter can resonate from 20Hz to 22kHz covering the whole spectrum of sounds that the original Bass Line produces. Patterns are selected via MIDI and played in perfect sync with the host sequencer. In addition an alternative Midi mode allows you to play the synthesizer like a normal device via keyboard or external sequencer. User assignable Midi CC’s ensures full controllability. Cost: ?95 Features: Authentic Bass Line emulation (Monophonic - 1 VCO/1 VCF/1 VCA) Synth: Tone generator: 5 Octaves range (C1-C5). Two waveforms (Sawtooth and Square wave). Filter type: Low pass resonant. Filter range: 20Hz-22kHz resonance frequency. Filter slope: 18 or 24dB/octave. Envelope control: Modulation, Decay and Accent. Decay time approx 0.2 - 3.5 sec. Internal step sequencer: Pattern memory: 128 Patterns. 1 to 64 steps per Pattern. Effects per step: Accent, Slide and transpose (up/down). Time modes: 16th notes and rest. Tempo range: 25-250 BPM or 1-500 BPM in Host sync mode. Full Midi CC control with learning function. Analog tuning mode. Integrated distortion unit. High pass filter (low cut). Rebirth RB-338 pattern import. Freebee pattern import/export. Two Midi modes (Pattern or Note). Sample accurate sync to VST host.

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Image-Line DirectWave VST v1.25

Image-Line DirectWave VST v1.25

DirectWave is an inline multi-layer multi-timbral sampler, capable of playing and recording samples through real input sampling. All parameters and effects may be automated or modulated through a 16-slot modulation matrix. Features: 16 part multi-timbral, 32-bit VSTi sampler. 128 Voice Polyphony. 128 programs. Unlimited zones per program. All samplerates supported. Realtime SINC-64 point interpolation (HQ Audiophile). Poly, Mono, Legato operation, with glide / auto mode. 2*24 dB 5 mode filters serial or parallel. Flexible 16 slot freely assignable Modulation Matrix. 2 mod. ADSR envelopes, 2 zone-independent mod. LFOs 2 global program mod. LFOs. Automatable loop points, reverse loop points supported. Loop modes: fwd, one-shot, sustained, bounce looping. Automatable sample start offset (available as mod. destination parameters, as well as the loop points). Built-in voice Insert FX with independent settings for each zone: ring mod. samplerate decimator, bitcrusher, phaser. All of them available as destination parameters in the mod. matrix. Built-in send effects: chorus, reverb, delay (with filtered feedback, sync to host tempo). Independent send amounts per zone. Freely assignable 16 stereo outputs. Multi-editor with channel list, mixer, expression, modulation and pitchbend GUI controls. Built-in sample editor with destructive editing (cut / copy / paste / trim functions), loop finding tool, normalize, vertical / horizontal zooming, etc). Realtime sampling / recording of whatever is connected to DirectWave inputs (needs modular host or host with assignable plug-in routing). Record Threshold: sampling input will wait until signal peak arises (-40dB). Built-in VSTi host to easily automate "sampling" of your vst instruments directly into DirectWave. Total Recall operation mode: DirectWave will enclose all the required sample data in the project files created by your host: it creates totally portable projects without worrying about needed sample files. Import: DWP (proprietary), WAV (any), SF2 (Soundfont), AKP (Akai), Propellerheads Recycle, Native Instruments Battery, Kontakt *(nki), GIGA *(gig). Several importing methods: built-in browsing, drag&drop, menu options. Built-in fast library browser list and tree-arranged menu program selector. Zone editor with visual zone arrangement map and list with all zone properties. All program/zone parameters of all channels can be automated as VST parameters. Cost: $99 More Info...

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Gmedia - M-Tron 4.1 VSTi

Gmedia - M-Tron 4.1 VSTi

The M-Tron™ is modelled on the legendary British instrument, the Mellotron®. This instrument was manufactured in various guises between 1963 and 1986 and was used by artists including The Beatles, The Moody Blues' Mike Pinder, Black Sabbath, Rick Wakeman and Genesis' Tony Banks. The instrument faded into semi-obscurity during the late 80's and early 90's but due to its ability to impart instant nostalgia, more recently it's been used by Oasis, Radiohead and countless others. The principle of the Mellotron was simple - Utilising a 35 note keyboard, each key plays it's own piece of tape which contains recordings of real players and, arguably, it was the world's first sampler. The recordings varied from single notes (as in the Flutes sound used on 'Strawberry Fields Forever') or entire musical motifs (as in The Beatles 'Bungalow Bill'). Each sound played for a maximum of eight seconds before the tape returned to the begining. This forced the player to adopt a new and different technique and allowed the music to truly breathe. However, while the sound was magnificent, because of the huge array of moving parts the instrument's reliability was questionable and the price was expensive. Purchasing an original M400 now would cost several thousand dollars and would probably only come with the default three sounds, Cello, Flutes and Violins. The M-Tron, on the other hand, costs a fraction of this price and now comes with a minimum of 28 sounds that don't require the instrument to be dismantled in order to hear them. The M-Tron captures all of the character of the original instrument by sampling every note of every key and adhering to the eight second limit of each note. This way, not only do the resultant sounds ebb and flow, all the inherent and nostalgic magic of each sound is closely observed - minor imperfections and all. GMedia M-Tron - Классический "старинный" сэмплер с оригинальными сэмплами

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sound Guy SFX Machine Pro VST 1.1

sound Guy SFX Machine Pro VST 1.1

The most advanced member of the SFX Machine family of audio effectsplug-ins, SFX Machine Pro allows you to create your own audio effectsfrom scratch. See what our customers say! SFX Machine Pro includes: A modular synthesis Preset Editor Host Tempo Sync An Output Limiter Over 300 Presets With over 50 New Presets! and a new interface ======================================================== Саунд-дизайнеры получили в свое распоряжение Universal-версию плагинов обработки звука SFX Machine RT и SFX Machine Pro, которые выпускаются компанией The Sound Guy. Теперь эти плагины могут использоваться на компьютерах Macintosh с процессором PowerPC или Intel, а также на Windows PC. SFX Machine Pro — это более 300 эффектов (в том числе 50 новых) в формате VST Audio Unit, плюс редактор пресетов Modular Preset Editor, при помощи которого можно создавать собственные эффекты с нуля, а также функции синхронизации частоты LFO и времени задержки с мастер-темпом секвенции, выходной лимитер и многое другое. SFX Machine с успехом применяется для создания оригинальных звуков для радиопередач и телешоу, кинофильмов и видеоигр. Помимо поддержки OS X Universal, в версии 1.01 исправлен баг, который возникал при использовании SFX Machine Pro в аудио/MIDI-секвенсере MOTU Digital Performer.

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Speedsoft Virtual Sampler v3.52 VSTi

Speedsoft Virtual Sampler v3.52 VSTi

VSampler transforms your Windows-PC into a 255-voice software sampler, turning any recorded noise into a musical instrument. VSampler provides all of the classical sampler features in excellent sound quality, and also offers you a multitude of new opportunities. In cooperation with the users of its award-winning predecessor an intelligent software sampler has been created, which beneath a truly transparent surface combines extensive editing abilities with simplest handling. Drag&drop and context menus allow quick access to all functions and provide for a smooth workflow. VSampler can operate either as a plugin (VSTi or Dxi) in your sequencer, or it can run as standalone version, connecting via Rewire or MIDI. The included ovirtual MIDI-cable also connects VSampler with classical MIDI sequencers. VSampler loads instruments in the industry standard sampler formats AKAI (S1000/3000 CD and S5000/6000 .AKP), SoundFont (.SF2), HALion (.FXB, .FXP), Gigastudio (.GIG) as well as LM4 drumkits and samples (.WAV, .AIF). The unique instrument preview allows you to test different sounds with a single mouse-click on-the-fly during playback. Owners of an SB Live! or Audigy soundcard will be pleased that VSampler is able to save files in SF2 format as an option. VSampler's various tempo-synchronizable envelope types and LFO's, and its velocity sensitive filters ranging from subtle to aggressive are all inducive to sound editing. Instruments can be further refined using either the included effects (Reverb, Delay, Phaser, Distortion, EQ) or any VST-plugin. The animation of all effect-, envelope- and filter-parameters in a mutual modulation matrix, creates instruments with extraordinary dynamics and impressive, realistic playability. The included presets for effects, envelopes and modulation will get you off to a good start. Whether quick playback module for everyday use or creative tool with synthesizer qualities - VSampler fuses both in a versatile instrument.

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Virtual Aelita v 1.0

Virtual Aelita v 1.0
Emulator SOVIET ANALOG SYNTH "АЭЛИТА" (AELITA) -------------------------------------------------------------------------------------- Плагин моделирует работу советского аналогового синтезатора «Аэлита», выпускавшегося в 80-х годах. Кроме обычного набора возможностей, добавлена поддержка 6-голосного полифонического режима, портаменто и эффект задержки. DEMO MP3

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PSP Audioware MasterQ VST

PSP Audioware MasterQ VST

PSP MasterQ is a high quality parametric equalizer designed to operateat sampling rates ranging from 44.1 to 192kHz .The plug-in (VST,DirectX and RTAS for Windows; AudioUnit, VST, RTAS for Mac OS X(Universal Binary) contains seven filters: 12 or 24 dB/oct low cut andhigh cut filters, low shelf and high shelf filters, and low mid, middleand high mid peaking filters all of them with adjustable frequency andQ factor over a wide range. The plug-in also includes a high precisionEQ graph to display an overview of the EQ curve, as well as display theindividual characteristics of each filter. Features: * high quality processing using 64 double precision floating point computations * up to 192kHz sample rates supported * 7 filters with pre-configured parameter ranges for easy use * EQ graph that displays an overall EQ curve and individual curves for each active filter * FAT ultimate quality double sampling algorithm * a set of example presets Minimum system requirements: * Windows XP or later * VST, DirectX or RTAS compatible host application * 256 MB RAM * Pentium III 600 MHz * High Color S-VGA, 1024x768 * Tiger MacOS X 10.4.0 or later * IntelMac or G4 or G5 * 512 MB RAM * AudioUnit, VST or RTAS compatible host application

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Xponaut VoiceTweaker VST v4.1.0.4

Xponaut VoiceTweaker VST v4.1.0.4

Xponaut VoiceTweaker VST v4.1.0.4 | Windows | 2.1 MB Voice Tweaker is a harmonic pitch transposer designed for monophonic signals such as voice, spoken or sung, or solo instruments. It can transpose the pitch and formants independently, thus enabling both formant preserving pitch transpose and other more unusual effects. The Voice Tweaker also features an automatic pitch correction function and auto vibrato. Read more about VoiceTweakers pitch shift methods. This is new from previous versions (Voice Tweaker 4.0) * Completely redone user interface with a more logical and clean disposition of parameters. * MIDI controllable wave hold or "freeze" * Pannable original signal and processed output * New presets Technical facts... * Independent control of pitch and formant in a range of +/- 2 octaves * Automatic correction of pitch to selected scale and key. Over 60+ preset scales and possibility to create user scales via Scala * Automatic correction of pitch to current MIDI notes. Allows instant key and scale change * Auto vibrato with delay and ramp time * LFO with 6 waveforms * 4 target modulation matrix * Adjustable reference frequency (middle A) * Processed output with settable delay and mix with original signal * Pannable original signal and processed output * Settable MIDI control of parameters * MIDI controllable wave hold or "freeze" (see manual for details) * Configurable pitch detection engine You can use it as a... * High quality harmonic pitch shifter voice, spoken or sung, or solo instruments * Automatic pitch corrector for voice, spoken or sung, or solo instruments * MIDI controlled pitch changer Example of supported Vst and AU plug-in hosts * Cubase * Ableton Live * Logic * Sony Soundforge * Project Five * Synapse Orion * Garage band Graphical Editor ? As many have asked where the graphical edit mode is, we thought we'd comment on it here. The current version available should be likened to the VT3 Lite (with added MIDI mode). The graphical mode is in planning for a Pro version, but here we need your support. You can give that plus comments and suggestions on the Pro thread on the forums. See 'ya there!

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GTG Synths Kwop 7

GTG Synths Kwop 7
A synth that reminds of the wellknown Juno hardware-model from the early 80`s.

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Syntheway Realistic Virtual Piano VSTi

Syntheway Realistic Virtual Piano VSTi

Виртуальный рояль Realistic Virtual Piano , плагин формата VST 2.0 (Windows), содержит семплы рояля Kawai (полный сустейн, без лупов, разрядность 16 бит, частота дискретизации 44,1 кГц). Есть генератор огибающей (ADSR), имитатор акустики помещения (регулируются глубина и ширина помещения, характеристики поглощения, баланс прямого и обработанного сигналов). Поддерживается MIDI-автоматизация параметров. Заявлена оптимизация использования памяти и процессора. Прилагаются 16 пэтчей. Системные требования: Windows 98/ME/2000/XP, процессор 500 МГц, 64 Мб RAM. ====================================================================== Realistic Virtual Piano is an acoustic grand piano emulation designed to offer "a breathtakingly rich and realistic sound" - particular care has been taken in the reproduction of the original realism and touch response of a Grand Piano. Features: Modeled on mastered Piano samples, based on PCM recordings of a Kawai Grand Piano after it has been meticulously tuned and adjusted. Full length sustain samples, no loops (natural decay); 16 bits / 44.100 KHz. ADSR envelope generator with several modulation targets. Optimized CPU and memory usage. Integrated, variable room simulation. Free variation of acoustic ambience thanks to complete separation of piano and room. Small rooms can be modeled just as accurately as larger spaces. Customizable with user controls for: size room, width room, damping factor & mixer, used to create psycho-acoustic models in the DSP environment, without having to load up any other plug-ins. Cost: $35

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Kiesel Software Helga VSTi v1.0.2

Kiesel Software Helga VSTi v1.0.2

Виртуальный аналоговый синтезатор Helga, плагин формата VST 2.0 для Windows, является продуктом Kiesel Software — единственной компании в Исландии, производящей аудиопрограммы. Helga имеет полифонию 32 голоса, два осциллятора с защитой от наложения спектра (пилообразная и прямоугольная формы волны в любых пропорциях, возможна модуляция ширины импульса, поддерживаются синхронизация и кольцевая модуляция), генератор шума, аудиовход, резонансный фильтр (пропускающий высоких или низких частот, 24 дБ/окт), два генератора огибающей (ADSR), два синхронизируемых LFO (синусоидальная, два вида пилообразной, прямоугольная и случайная формы волны). Есть режим портаменто, дилей, виртуальные клавиатура, колеса высоты тона и модуляции. Все параметры управляются по MIDI. Поддерживается микронастройка, есть 12 пресетных строев. Системные требования: Windows 98SE/ME/2000/XP, Pentium II, 128 Мб RAM. Есть демонстрационная версия. ===================================================================== Two Low Frequency Oscillators (LFO) Generates sine, up and down ramps, a square wave and a random waveform. Frequency is midi syncable as well as syncable to an external pulse. Two alias-free Oscillators (VCO) Generates any mix of a ramp and a variable duty cycle pulse wave. The pulse wave duty cycle can be modulated with an LFO or an ENV generator. The output of both VCO's can be integrated to generate different waveforms. Sync and ring modulation. Envelope generators (ENV) ADSR type (Attach, Decay, Sustain, Release). Velocity and aftertouch sensitive. Filter Four-pole resonant low-pass/high-pass filter. Has its own ENV generator for cutoff modulation. Cutoff frequency can be further modulated with the LFO's and can track the keyboard pitch. Source Mixer White-noise source. External input. Keyboard processor 32 voice polyphony max. Polyphonic and unison mode with portamento. Pitchbend and modulation wheels. Delay Effect LFO modulated. Cost: ?97

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ikMultimedia T-Racks VST/DXi Plugin

ikMultimedia T-Racks VST/DXi Plugin

• State-of-the-art 6 band Mastering EQ • Tube modeled stereo Compressor • Multi-band Master Limiter • Soft clipping output stage • Complete Mastering Suite Description T-RackS® plug-in has everything you need to create superb, tube-toned masters with your sequencer. Its rich, warm sound starts with algorithms based on true analog circuitry. Its familiar interface makes it easy to control five powerful processors: EQ, compressor, limiter, soft-clipping output stage, and a complete mastering suite. Enhances mix frequencies, stereo images, dynamic range and gives your audio a seamless, top notch sound. T-RackS® plug-in includes: - a state-of-the-art EQ - a classic tube modeled compressor - a multi band master limiter - a soft-clipping stage - a complete mastering suite containing all the plugs in one efficient, "gold sounding" mastering plug-in built with actual physical models of tube circuitry. With its separate processors, astonishing warmth and ease-of-use, you'll be putting a polish on your tracks you may have never thought possible. All this, while adding the beautiful warmth and space of the tube devices it emulates. No other plug-in offers this kind of dedicated environment for such an important task and none sounds like T-RackS®. • 5 sound processors: with its great sounding, analog-modeled Equalizer, Compressor, Limiter and the Soft-clipping output stage, T-RackS® includes everything you need to create final masters. • Specially Developed for Mastering: no other single software processor sounds like T-RackS® and none make mastering so easy. It can vastly enhance mix frequencies, broaden the stereo image as well as boost or precisely level the dynamic range. All this, while adding the beautiful warmth and space of the tube-devices it emulates. • Outstanding "Analog-Modeled" Sound: T-RackS®' astonishing sound is created with algorithms based on real analog circuitry. This is what makes T-RackS® sound so similar to real analog audio hardware, and so unique when compared to other software. Click here to see what user say about T-RackS' unique sound. • High Order 32 bit Internal Resolution: with 32 Bit floating point resolution, T-RackS® uses the best possible method to physically model analog components, resulting in an amazingly real tube sound. Only without the noise! • High Productivity, Ease of Use: not only does it sound analog, it acts analog! T-RackS® is so easy to use because its interface resembles a typical rack of hardware with analog controls. • Superior Quality: T-RackS® has the best quality-to-price ratio of any top-selling sound processor, is an incredible value and is an indispensable mastering tool for any studio, be it pro or project.

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Zero-G Altered States VSTi - PC

Zero-G Altered States VSTi - PC

ALTERED STATES is an instrument that will inspire you!! First, it is absolutely MASSIVE (almost 5 Gb, with 3499 instrument patches and thousands of unique source sounds). Second, it is a plug-in virtual instrument powered by a custom high-performance NATIVE INSTRUMENTS interface for shaping and manipulating the sound. Third, the source material is extremely organic, unique, ultra-creative, and virtuoso sound design. And the diversity and flexibility of this stunning resource has to be experienced to be believed. The contents of all of the following 10 libraries, all of which scored either 4 or 5 stars in review in Sound On Sound magazine (UK), are integrated into this mind-bogglingly powerful instrument: - Zero-G Ambient Volume 1 - Zero-G Ambient Volume 2 (and ProSamples Volume 36 ‘Chillout’) - Zero-G Cuckooland Unhinged - Zero-G Cuckooland Ghost In The Machine - Zero-G Cuckooland Asylum (and ProSamples Volume 6 ‘Experimental & FX’) - Zero-G Cuckooland Ambience - Zero-G Malice In Wonderland - Zero-G Fields of Motion (and ProSamples Volume 9 ‘Future Beats 2′) - Zero-G Junk Percussion - Zero-G Dream Zone (from Creative Essentials) - Ibiza Chillout (approx 1 Gb of extra brand new material) The programming, conversion, and organisation of this vast product has been expertly carried out by IAN BODDY, one of the UK’s leading synthesists, and has been designed to be as user friendly and logically creative as possible. ALTERED STATES is simply the single most powerfully creative sample-based virtual instrument ever created, a claim which can be justified, even in the face of competition like Spectrasonics’ very fine ‘Atmosphere’. How? ALTERED STATES has an extremely large and incredibly diverse library of sounds; it has the best software interface, created by NATIVE INSTRUMENTS, the leaders in software synthesis; it’s engine is based on the KONTAKT audio engine (the same as in the world’s finest and most highly-acclaimed sampler); and all the sounds can also be loaded into NI KONTAKT if desired (see below), meaning it is NOT a closed system. Also, the loops, the LFOs, the FX, everything can be automatically synced to the tempo of your song (making other techniques like Groove Control look cumbersome!), and you have total recall of everything you do, in your sequencer. The whole of the ALTERED STATES library is presented within a stunning new state-of-the-art plug-in interface by NATIVE INSTRUMENTS which is specifically optimized for, among other things, rhythmic loop playback, manipulation, and creative mayhem. The convenient one-screen interface (a version of NI INTAKT) provides tremendous sound shaping abilities without disrupting the creative flow, including a first-class multimode filter, an envelope follower, two LFOs, effects, and much more. All of the loops in the library have been set up so that they can be automatically synced to tempo, either via the Beat Machine or the Time Machine. The Beat Machine has loops divided into their individual hits (slices) which means they can be played at a wide range of tempos without change in pitch. It also allows the user to give each hit individual settings for pitch, playback direction, pitch envelope, amp envelope, distortion, delay, and more; a MIDI file of each loop can be easily exported so that groove, accent, and feel can be manipulated in any host sequencer. The Time Machine time-stretches or compresses loops in real time. Not only can you sync, stretch, and pitch the loops, but also filter, effect and modulate them as well! A powerful sound-shaping filter, flexible envelopes, syncable LFOs, and distortion, syncable delay, and lo-fi effects can inject even more energy and individuality into the loops, as well as into the synths, pads, textures and everything else in this absolutely vast and inspiring sound library. Since the software interface is a version of NI’s superb INTAKT engine, working with it is fast, easy, and sounds great!

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Fabfilter timeless

Fabfilter timeless

At a first glance, FabFilter Timeless is a perfectly modelled classic tape delay. Look further and you’ll discover that its unique high quality filters and many creative options turn it into the ultimate sound-mangling machine. Create echo, chorus, flanger, phaser, scratch effects and much more! Modulation is a breeze, thanks to the unique drag-and-drop modulation matrix. And over 200 presets will.

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HERCs Music Systems - Abakos PRO Version 1.5 AIR

HERCs Music Systems - Abakos PRO Version 1.5 AIR
HERCs Music Systems Abakos PRO version 1.5. The Abakos soft synth now offers improved waveforms for clearer and fuller sound, and a bug that caused audible clicking on some instrument settings has been fixed.

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XLN Audio Addictive Drums DVDR

XLN Audio Addictive Drums DVDR

XLN Audio ADDICTIVE DRUMS description: XLN Addictive Drums is a Complete Drum Production Studio. XLN Addictive Drums has everything you need to make a professional drumtrack production. It's flexible, yet very quick to learn and use. Addictive Drums is built on three major, and equally important, building blocks. You really need ALL three of them to get a complete drum production: Samples of the best brands available, in a studio with great acoustics, with a multi-mic setup. Stored in a multichannel format. Mixing, insert Effects, reverbs - the Know-How of a sound technician / producer. And last but not least, the grooves, beats and fills of a good dummer! Addictive Drums offers all this, in ONE easy-to-use plugin, compatible with all the major host softwares out there! With one click, you can load up a complete drum production. The settings for the Kit, the Insert Effects and the 2 built in Reverbs are recalled in a split second. Save your own presets, and organize them in folders for quick access in any project. They appear automatically in the preset menu. So many production styles are covered that you are bound to find something that works with your music production. Even if this is not the case you can easily start out with a preset that is close to what you want, and then tweak your way to a drum production that suits your music perfectly. When you are done, just save the preset, and it will be there for you to recall instantly in your other projects. Addictive Drums is very easy to learn and use, and it works for just about anybody. The User Interface is straight-forward and gives you lots of flexibility. All settings can be tweaked and changed to perfection, and Addictive Drums introduces some very neat features that haven't even been seen or heard until now! Addictive Drums ships with 3 complete kits, and lots of extra drums and cymbals. The samples include every nuance from the softest to the hardest hits, many stroke variations (hihat has 12 variations, snare has 6 for example) Alternating samples through-out bring unparalleled realism. All sampled drum/cymbal sounds are recorded with a multi channel mic setup, just as you would record a real drum kit. XLN Addictive Drums system requirements: Addictive Drums is compatible with PC and Mac, including the new IntelMacs. Formats: VST, AU and RTAS. PC: Windows XP, 2 GHz Pentium 4, 1 GB RAM, 3 GB free harddrive space, DVD drive Mac: OS X 10.4, G5 or IntelMac, 1 GB RAM, 3 GB free harddrive space, DVD drive More Info...

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Steinberg Model-E v1.1 - ArCTiC VSTi

Steinberg Model-E v1.1 - ArCTiC VSTi
* 3 Oscillators & Noise generator * 6 Waveforms per oscillator * 32' - 2' range * 2 Envelope generators * 2 & 4-pole LPF's * Filter modulation & key tracking * Glide * Mono mode * Assignable velocity routing * Stereo spread and Pan controls * 16 part multi-timbral * 64 voice polyphonic * 8 outputs * 128 memories

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GWave Ver. 1.00 BETA

GWave Ver. 1.00 BETA

Another favourite from G-Force. I think this one has a given place in your VST-folder. Good for techno. Feature 10 Voice Polyphony 10 Detuner 2 Oscillators (7 type Waves/Voice) 1 Noise Oscillator Filter(Low pass,High pass,Band pass,Band reject) EG for Amp & Filter LFO (7 type Waves) Delay 3 Band EQ (2 variable Knobs for Frequency) Distortion Portamento Poly/Mono Pitch Bend Range(1-12) Tuner Pan MIDI Control

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ArtsAcoustic Reverb VST v1.2.1.1

ArtsAcoustic Reverb VST v1.2.1.1

ArtsAcoustic Reverb ArtsAcoustic has released the ArtsAcoustic Reverb, an algorithmic reverb designed for everyday use, featuring extensive editability and low CPU usage. The ArtsAcoustic Reverb is designed to give the user the ability to edit the room/reverb to suit any given situation. This editability is split into 7 categories: Time design, Room design, Level, EQ, Damping, Echo and Misc. All parameters are accessible from within one window. The plug-in includes over 200 presets which are categorized into different room styles and signal types for easier preset browsing. Specification: Algorithmic reverb. 7 different room characteristics. Supports all sample rates. Low quality mode for CPU saving. Over 200 presets. Full automation. More Info...

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Sonicbytes Phrazor v1.02 VSTi and Standalone

Sonicbytes Phrazor v1.02 VSTi and Standalone

Phrazor is a Plugin Chainer / Rack / Sequencer combination with 64 Tracks, each providing up to 8 Plugin-Slots. Phrazor allows you to play and sequence your plugins in one intuitive interface: Rack style GUI providing 64 Tracks, each with 8 Plugin-Slots. Build reusable Racks, Sounds, Clips. Efficient workflow with Drag 'n Drop and customizable Browsers. Categorize your Racks, Sounds and Clips. Move your work between systems (Host/OS-independent file formats). Semi-Modular Routing. Horizontal Mixer supporting Sends and Effect Racks. Provides Sound design on a higher level. Full-featured Sequencer with Playlist, Pianoroll and Fullscreen-modes. Ready for Live-Performances providing Snapshots and Scenes. Cost: ?45

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Cheeze Machine VST

Cheeze Machine VST
This little synth generates sound by feeding a simple, saw-like waveform, into a chorus ensemble emulator, a 6-stages phaser, and a Reverb Up to 32 notes polyphony, with the same note stealing algorithm as EP-Station Fully midi-controlled Supports Doepfer Pocket Control midi controller Available with 2 different GUI's

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Anwidasoft GEQ31V

Anwidasoft GEQ31V

Le GEQ31V est une connexion graphique professionnelle d'egaliseur. Il permet l'addition du DB 12 de poussee ou de coupe a n'importe laquelle de 31 bandes concentrees sur des frequences d'octave d'OIN 1/3 de 20Hz a 20kHz. Ceci comporte font au GEQ31V l'outil ideal pour egaliser des melanges et des voies audio. La perspective utilisee en concevant le GEQ31V etait d'obtenir la chaleur d'une unite analogique classique avec la clarte et l'exactitude du traitement numerique de domaine. Ceci a ete realise adoptant la meilleure topologie analogue d'equipement.

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Sugar Bytes Robotronic v1.0

Sugar Bytes Robotronic v1.0

.......Sugar.Bytes.Robotronic.VST.v1.0....... The perfect Vocoder! Thanks to many hours of research in the Sugar Bytes Sound Laboratory, we are proud to present a Vocoder that provides Sounds you could not produce with virtual gear so far. Speech response is incredible, the sound is crisp and clear, here is our new favorite. Robotronic can vocode stereo signals with the internal synthesizer, Samples can be processed, a signal can even be processed with its own with shifted formants! Each of the audio inputs has a complete channelstrip with Gate, Compressor and gain stage. On the outputs youґve got a 3 Band EQ, Compressor and a multi effects unit with four lovely signal-pimpers.This unit brings you the desired vocoding sound which no other software vocoder is capable of. - ROBOTRONIC - Features: Carrier: Stereo Input oder Mono R/L Gate, Compressor, 12db Gain Stereo Sampler (wav, aiff) Modulator: Mono Input L/R Gate, Compressor, 12db Gain Synthesizer (4 Waveforms, 24db Multimode Filter, Noise) Vocoder: Frequency Focussing Formant Shifting Variable Response Output: 3 Band EQ, Compressor, Multieffect, Master 12b Gain - Multieffect: Delay Reverb Phaser Retro

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Novation BassStation v1.4

Novation BassStation v1.4

Description: RE-INVENTION OF THE CLASSICS, IN A CLASSIC Bass Station re-invents the classic sound of analogue and provides you with all the prerequisite building blocks of the sound generation process, with total control. * Two oscillators that have been carefully modelled to preserve the precise tonal character of the classic sawtooth and square waveforms of the original instruments. * * Low-pass filtering with all the warmth and resonance often lacking in today’s modern digital synthesis methods * Intuitive ADSR envelopes - no need to calculate the complex interaction of endless rate and level parameters * Low Frequency Oscillation which can directly control the harmonic content of the sound by pulse width modulation or filter cut-off * Oscillator Sync for the most complex and expressive timbres, and most importantly of all, an individual knob or switch for each parameter to allow you to control it manually as you play or program ANALOGUE MODELLED OSCILLATORS AND THAT SPECIAL BASS STATION SOUND The character of the two oscillators has been carefully crafted to provide the classic sawtooth and square waveforms of the original instruments. The filter has been designed to deliver the elusive character from of the original Bass Station. Switch from 24dB to 12dB mode and the filter controls behave in the same manner as the controls of Roland’s classic TB303. ENHANCED CLASSIC PANEL FOR GREATER TWEAKABILITY The simplicity of the original Bass Station panel was a key factor in the popularity of the instrument. The original front panel has been 3D modelled and additional controls have been added for ease of use. The Filter envelope has its own set of ADSR controls and OSC1 and OSC2 have their own section for pitch modulation and PWM control. Finally, all controls receive MIDI controller numbers for the recording and replay of tweaks during a performance. SETUP SCREEN Accessing the additional parameter editing screen is a single mouse click away. On the setup screen you’ll find extra functions such as Wheel, Aftertouch and Breath control along with a variety of system-wide settings. INSTANCES LIMITED ONLY BY THE POWER OF THE PC OR MAC IN USE The Bass Station delivers a monophonic voice for each instance that is used. Call up an instance of the Bass Station and there is immediately a new bass or lead sound available that will sit beautifully in the mix. The ability to use multiple ‘instances’ allows the Bass Station to run as many multi-timbral parts as the power of the host computer will allow. 100 STUNNING SOUNDS CAREFULLY CRAFTED FROM THE NOVATION FACTORY The multi-award-winning Bass Station Rack came packed with awesome presets that became the soundtrack for many of the dance hits of the 90s. The Bass Station plug-in is shipped with the classic originals along with many more totalling 100 sounds for immediate gratification. The patches cover a huge sonic range from screaming leads to phatt funky basses.

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Virtuasonic Mijoy VSTi v1.6

Virtuasonic Mijoy VSTi v1.6
MIJOY is a VSTi MIDI plug-in that allows you to use a joystick to add MIDI controller information to a MIDI track. Features: MIDI Channel Setup. Smoothness (from 1 to 5). Assignable MIDI controllers for X and Y axis, and for Z rotation. Presets memory to save different configurations. Display showing X, Y status. Z Rotation status. ON/OFF for each MIDI controller. Price: $ 17.95 More Info...

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WWAYM NWBass VSTi v2.0

WWAYM NWBass VSTi v2.0

Features: * Analogue modelled high quality oscillators with 2 waveforms (saw and square) and 2 characteristics (NWbass and 303-like). * 2 different filter models (NWbass and 303-like). * 3 selectable resonance correction characteristics. * Filter gain control. * Extra highpass filter for cutting lows. * Distorter section containing effects like soft clipping and foldback distortion. * Adjustable keyboard tracking. * Velocity sensitive accent. * Note slide. * Full MIDI control with MIDI learn. * Interpolated knobs for step-less editing. * Parameter fine-tune via right mouse button.

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Edirol HQ Orchestral VSTi v1.03

Edirol HQ Orchestral VSTi v1.03

Edirol HQ Orchestral Несмотря на то, что этот плагин был выпущен достаточно давно, он по сей день остается одним из лучших эмуляторов симфонического оркестра. Здесь есть вся раскладка оркестра: струнные, медь, деревянные, ударные, перкуссия? Одновременно в плагин можно загрузить до 16 инструментов. Имеется высококачественный встроенный ревер и хорус. Приличное количество пресетов, учитывающих различные составы ансамблей и различные расположение музыкантов на сцене (меняются настройки реверов, панорамы, громкости?). Не смотря на маленький (чуть меньше 200 Мб) по нынешним временам размер (размеры банков современных оркестровых эмуляторов измеряются десятками, а в особо тяжелых случаях и сотнями гигабайт) плагин выдает очень чистый, плотный, и что, пожалуй, наиболее ценно в данном случае ? достоверный звук. Плагин ощутимо нагружает процессор, и с пятисотым ?целером? ставить его бессмысленно. Хотя на Atlon 2500 XP+ можно безболезненно загрузить пару ?Orchestralов?, и еще на мастеринговые выкрутасы ресурсов останется? Имеет четыре стерео выхода (что вообще-то для такого плагина мало). Инструмент настроен на очень серьезную профессиональную работу. Одним из показателей этого является наличие встроенной системы микротюнинга (с большим количеством пресетов). Для тех кто не в курсе: Кроме стандартного хроматического строя, которым пользуется большинство музыкантов, построенном на четкой математической формуле (частота звука каждой последующей ноты, независимо то того диез это или нет, вычисляется как частота предыдущей ноты умноженная на константу 12 32) существует множество других строев, как подчиняющихся математическим зависимостям, так и построенных эмпирически, т.е. е как Бог на душу положит (в основном этнические лады). С помощью микротюнинга, можно настроить ваш виртуальный инструмент нестандартным образом, что позволяет музыканту работать со всякой экзотикой типа пифагорийский лад, арабский, японский, и еще черт знает что?. Достоинства: Шикарный звуковой модуль, содержащий практически все, что необходимо для написания симфонической музыки на компьютере. Недостатки: Самым печальным является то, VST- версия плагина не сохраняет свои настройки в проекте. Т. е после работы с плагином необходимо сохранить все ?накрутки? в конфигурационных файлах, и загружать их в начале каждого нового сеанса. Нудно? Но звук плагина того стоит. Еще один минус ? четыре стерео выхода ? это конечно мало. Кроме того, насколько мне известно, официальных обновлений плагина так и не выходило. Жаль? Кому нужен: Всем, кто надумал писать на компе классику, поклонникам ?Апокалиптики?, и любителям смешивать классические звуки? с чем угодно?

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IK Multimedia Classik Studio Reverb VST / RTAS v1.1

IK Multimedia Classik Studio Reverb VST / RTAS v1.1

PRODUCT DESCRIPTION Four High-Quality Reverbs in One! IK Multimedia's Classik Studio Reverb is a suite of four high-end studio-quality reverbs modeled after popular outboard classics. Now anyone can afford the quality sound of a signature reverb in their studio. All are designed to give the same sound of an acclaimed high-quality outboard reverb unit. With a myriad of options and parameters to choose from, Classik Studio Reverb is truly a complete, great sounding package that can adapt to any mix situation with ease. IK Multimedia Classik Studio Reverb at a Glance: Four high-quality reverb plug-ins A sound that sits perfectly in any mix Easy to use with advanced editing features Ideal for the beginning musician Depth and complexity for the professional engineer A new level of texture and innovative programming potential Programming flexibility with less strain on your CPU Four high-quality reverb plug-ins IK Multimedia Classik Studio Reverb offers in a single product, a suite of four high-quality reverb plug-ins: an incredibly accurate plate, a fully configurable room, a rich hall, and a creativity-inviting inverse. All four are of the highest quality, matching even expensive individual products. A sound that sits perfectly in any mix Classik Studio Reverb offers high-quality, musical reverb processing with the flexibility previously available only in extremely expensive signature hardware reverb units. It carries the quality and character that top engineers have utilized for years. Classik Studio Reverb is designed to get the maximum musicality, recreate the character that has made your favorite hit records, and that classic sound that sits perfectly in any mix. Easy to use with advanced editing features Classik Studio Reverb has been designed for ease of use with advanced editing features. With the look and feel of a typical effects rack on the interface, all the necessary controls are laid out for an immediate great sound. All knobs and macro controls can be automated through your host's sequencer. From the beginner to professional engineer, you won't have a problem getting your desired result from Classik Studio Reverb. Ideal for the beginning musician Classik Studio Reverb offers two modes: Easy and Advanced, coupled with more than 100 parameters. Easy Mode puts the most commonly changed controls on the front panel of the plug-in, making Classik Studio Reverb an easy to use and quick solution when a high-quality reverb is needed. You shape the sound using only six parameters: Mix, Diffusion, Reverb Time, Low Frequency Gain, High Frequency Cutoff, and High Frequency Dampening; giving you full control over the main character of the reverb. Depth and complexity for the professional engineer In Advanced Mode, you will find an array of highly developed modeling and shaping controls that are hard to find in any reverb. All parameters, the Modulation Matrix, and Macro Controls, can be adjusted and changed to create the reverb effect that you need, tailored to the very finest detail. The Modulation Matrix is an 8x8 structure; meaning that 8 modulation sources can manipulate 8 destinations. For example, to apply an envelope to your reverb time, you can fine-tune the tail for a specific reverb sound. Or, use an LFO to modulate the reverb image, creating movement in the acoustic space. A new level of texture and innovative programming potential Macro controls can be created allowing complex sweeping changes in Classik Studio Reverb's effects, virtually transferring environments at your command. You can associate up to 8 different Classik Studio Reverb controls to a simple Macro slider, therefore making morphing between different reverb settings easier than ever. In both Easy and Advanced Modes, it is always simple to find that perfect sound. A convenient A/B comparison allows you to quickly apply modifications and compare between two reverb settings in a snap. Programming flexibility with less strain on your CPU While impulse reverbs have gained a lot of popularity because of their particular emulation of environment reverberation, they are inherently CPU-intensive. They typically lack the particular musical sound and editing possibilities that famous studio digital reverbs have always offered. Classik Studio Reverb is not only less demanding in your processor, but much more flexible than impulse-based technologies. Now you have the ability to manipulate and shape reverbs from a number of angles, giving you performance that mirrors high-end studio quality. Compatibility and Flexibility for Any Studio Classik Studio Reverb offers a reverb solution for virtually any computer-based musician. VST, RTAS, and Audio Unit formats are included for Mac and PC, allowing Classik Studio Reverb to work as a plug-in with popular virtual studio environments such as: Cubase, Logic, Pro Tools, Digital Performer, Sonar, Ableton Live, and more. IK Multimedia Classik Studio Reverb Features: Suite of 4 separate reverb units: Plate, Room, Hall, and Inverse State of the art DSP based reverb algorithms 2 operational modes: Easy and Advanced 6 easy to use controls in Easy Mode More than 100 Parameters in Advanced Mode Highly customizable 8x8 Modulation Matrix per unit 4 assignable Macros per unit Full automation through host sequencer

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Dash Signature The Abstract Guitar VSTi v1.26

Dash Signature The Abstract Guitar VSTi v1.26

Dash Signature The Abstract Guitar VSTi v1.26 - H2O theAbstractGuitar is a physical modeled plucked string synthesizer, featuring: * Timbre and Decay switches by velocity for the easiest guitar patterns sequencing. * The Alternate Legato function for a unique solo mode. * "Board ring" and "Smooth string" variations for the expressive buzzings you get with many acoustic instruments. * A flexible Distortion unit with Low Pass filter and envelope sensitive to dynamics. * Special filter for speaker emulation. * Stereo Chorus and smooth Reverb. * Accurate preset generator. * 100 presets. A physical modeled plucked string synthesizer which features: * Timbre and Decay switches by velocity for the easiest guitar patterns sequencing. * Alternate Legato function for a unique solo mode. * "Board ring" and "Smooth string" variations for the expressive buzzings you get with many acoustic instruments. * A flexible Distortion unit with Low Pass filter and envelope sensitive to dynamics. * Special filter for speaker emulation. * Stereo Chorus and smooth Reverb. * Accurate preset generator. Model Section: * 10 different basic timbres with velocity switch function for dynamic timbre changes. * Timbre gain. * Pitch tuning: coarse (semi-tone) and fine. * Envelope controls: decay and release (Damp). * Decay velocity switch function for dynamic note muting. * Velocity sensitivity (adjustable). * Pluck control: how much and where the string is pulled. * Cavity: resonance for all strings. * Special modeling effects: "Board Ring" switch and sliders. "Wave invert" switch. "Smooth String" switch. "More harmonics" switch. * Voices from 1 (Mono) to 16 max. * Mono biphonic: Unison detune, 4th interval, 5th interval, OctaveUp interval. * Mono performance: Retrigger, Legato, Alternate. * PitchBend range: 1..12 semitone. Effects and Master section: * Distortion: Amount. Tone : filter cutoff. Filter resonance. Gain reduction. * Filter envelope: Attack, decay, envelope delay, "Touch" for dynamic envelope response. * Stereo Chorus. * Stereo Reverb: smooth reverb with Mix and Space controls. * Filter for Speaker emulation: with Frequency and Band Width controls. * Feedback effect to simulate amplifier to pickup loop: with Distance and Level controls. (Feedback effect switches automatically to a mono echo effect when Distortion is off) * Master Volume control. Options: * MIDI learn function. * Deviation feature allows to set a small random deviation on pitch and pluck parameters for a more expressive performance. * Presets large menu and ability to set the custom default bank or restore the factory one. 100 presets bank ready to use

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Native Instruments Spektral Delay 1.57 free downloads

Native Instruments Spektral Delay 1.57

Price (MSRP): €339 Version Download Avail? 1.6.0 Download 1.6.0 Download New and Exceptional DELAY Effects The NI-SPEKTRAL DELAY differs from the many other audio effects in that it uses real-time FFT (Fast Fourier Transformation) to split up each channel of a stereo signal in up to 160 separately modifiable frequency bands (even up to 1024 bands internally). The level, delay time and feedback amount for each of this bands can be set separately. Additionally, various modulation effects can be applied to the signal in the frequency domain, which allows for even further sound manipulation. The NI-SPEKTRAL DELAY offers exceptionally great possibilities for creative sound design - from subtle corrections and rich effects to the total alienation of the input signal. Never the less, the NI-SPEKTRAL DELAY is easy to use since all parameters are controlled intuitively and comfortably from a sophisticated graphical user interface. The NI-SPEKTRAL DELAY runs either stand-alone or as a plug-in. It offers professional sound quality and can be fully controlled by MIDI. Creativity and Comfort Edit Graphs which are intuitive to use and packed with comfortable edit functions are used to set up the delay times and feedback levels for the bands: each of the up to 160 bands per side can be delayed separately and fed back to the delay input with an individual amount. The delay times can be set freely or according to the rhythm via a selectable note grid. The maximum delay time is 12 seconds. The effects achievable with this band delay include rather subtle colorings as well as rhythmic courses of the partial tones and dense, atmospheric sound textures. The modulation effects of the NI-SPEKTRAL DELAY which are expandable by plug-ins are applied in the frequency domain of the audio signal and offer many unusual processing options - such as rotation of the frequency bands or reverb simulation by 'smearing' the amplitude courses of the bands. The modulation effects make a big contribution to the unique sound possibilities of the NI-SPEKTRAL DELAY. The amplitudes of the bands are also controlled intuitively by drawing in an Edith Graph with the mouse. In opposite to those of conventional filters, the filter curves resulting from this can have any shape and therefor make possible even very extreme filter settings and sweeps. It is for example possible to completely filter all frequencies while some very narrow frequency bands are still audible. The filter curves can be drawn commonly or separately for the two channels of a stereo signal. Effects Processor and Performance Tool Separate feedback delays for up to 160 bands per stereo side, unique modulation effects and freely drawable filter curves make the NI-SPEKTRAL DELAY an exceptional flexible, powerful and creative effects tool. All parameters such as filter, delay and feedback settings can be modulated with an integrated LFO or via MIDI. This makes it possible to create very organic and lively effects which can easily be played live. The NI-SPEKTRAL DELAY runs on Macintosh or under Windows, either stand-alone with MME, Direct Sound, Sound Manager and ASIO or as a plug-in with a VST- or DirectX - compatible host program. Many presets for different applications (e.g. guitar, vocals, drums, ambiences, reverberations, spacial effects) are included. FEATURES: * Effects processor for real-time manipulation of audio material of any kind * Produces unique delay effects * Real-time Fast Fourier Transformation is used to split up each side of a stereo signal in up to 160 separately modifiable frequency bands * Level, delay time and feedback level for each of the bands can be set separately * Up to 1024 bands are calculated internally * Intuitive Edit Graphs with comfortable edit functions for setting up the parameters * Modulation effects applied in the frequency domain offer many processing options * Any frequencies of the signal can be attenuated or filtered completely * Runs stand-alone with MME, Direct Sound, DirectX, Sound Manager and ASIO or as a VST plug-in * Completely MIDI-controllable SYSTEM REQUIREMENTS: Mac OS 8.6 or higher, G3 300 MHz, 64 MB RAM Windows 98, Pentium 400 MHz, 64 MB RAM

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