Audio Realism Bass Line Pro v1.0.1

Audio Realism Bass Line Pro v1.0.1

Audio Realism Bass Line Pro is a monophonic/polyphonic semi-modular synthesizer plug-in with an integrated pattern sequencer. While the unique sound of the Bass Line is well known and has become a standard in the music industry, the Semi modular version builds on its strengths and extends on them to reach new sonic possibilities without losing any of its original expression. Some of the most eye and ear catching features are: Intuitive patch cord interface which allows freedom in modulation routing Extensive range on oscillators and filters Audio rate modulation Oscillators can be swept from bass up to treble ceiling while retaining low aliasing and without any other digital artefacts The modulation generator can be used as a third oscillator while routed to multiple destinations A stereo delay unit with modulatable delay times for interesting and atmospheric sounds With 32 notes polyphony it becomes powerful general purpose virtual analog synthesizer

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Focusrite Saffire Bundle VST v2.0

Focusrite Saffire Bundle VST v2.0

Focusrite Saffire VST plug-in effects Compressor mono / stereo ------------------------ Modeled on the Focusrite's hardware devices, using the measurement of custom optos to achieve the signature Focusrite sound. All Focusrite optos are tuned by ear, just like in the old days of analog design, ensuring a faithful recreation of those classic vintage 1960s optical compressors. EQ mono / stereo ---------------- With the same signature as the original Focusrite EQ curves. Focusrite's R&D team used state-of-the-art numerical transform techniques to create an authentic response across the entire audible frequency spectrum. Reverb ------ Based on classic algorithmic studio reverb designs. Amp Modeling ------------ Overdrive, speaker simulation and classic passive guitar EQ-Emulation. more info available at: http://www.focusrite.com

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Bitshift Audio Releases pHATmatik PRO VST Instrumen v. 1.51

Bitshift Audio Releases pHATmatik PRO VST Instrumen v. 1.51

Bitshift Audio announced the immediate availability of pHATmatik PRO, a virtual instrument that turns any Windows-based VST 2.0-compliant host into a sophisticated, next-generation loop workstation. pHATmatik PRO is the first tool of its kind that can effortlessly play back any loop locked to tempo in your host environment. No more artificial impediments to creativity: pHATmatik PRO puts you in control. Use loops at any tempo, in any key, instantly from within your digital audio workstation. No more switching back and forth between unreliable tools and dealing with confusing, proprietary file formats. pHATmatik PRO loads any loop in industry-standard wav or aiff format, and supports import of ACID-ized wav files. pHATmatik PRO works for the musician, not the other way around. But that's just the beginning Once your loop is loaded into pHATmatik PRO, it becomes an expressive instrument in its own right. Love the sound of the original groove, but the timing isn't quite right? Change it. Quickly, seamlessly, and without effort. If the groove thumps but you can't stand the snare, swap it out. Use the groove of one loop to trigger the samples of another. Create entirely new grooves from stale loop libraries that you thought would never again see the light of day. pHATmatik PRO picks up where your DAW leaves off: Instead of just playing back a loop as static audio, pHATmatik PRO lets you play your loop. Create fills, breakdowns, or completely new grooves from your loops. pHATmatik PRO gives the musician an unprecedented amount of control over each sound in the loop. Did you ever think you could put reverb on just the snares? Well now you can. With pHATmatik PRO's four stereo outs, you can buss each snare, kick, or syllable to a different channel in your host and process it to your heart's content. Your way. Your music. No boundaries. Each 'slice' in your loop has independent settings for gain, pan, pitch, and a super-pHAT 2-pole multimode resonant filter. There are fully independent ADSR envelopes for gain, pitch, and filter cutoff per slice. In addition, each slice has an independent loop mode and loop points: reverse slices on the fly, ping-pong them back and forth, or turn that trash-can snare into a haunting granular soundscape. No limits. If playing back audio seamlessly at any tempo and mind-boggling per-slice options aren't enough, each of pHATmatik PRO's sixteen channels features a comprehensive master section: tempo-synced delay, two sample-accurate, tempo-synced LFOs, a truly mind-bending comb filter, evil distortion and an analog-modeled multi-mode resonant filter. Of course everything can be controlled by envelopes, and pHATmatik PRO's simple but powerful modulation matrix makes any routing configuration you can imagine a snap. With all this sound mangling power, a single loop can generate hundreds of unrecognizable variations in just a few minutes of tweaking. If one pHATmatik PRO is good, sixteen must be better, right? pHATmatik PRO breaks the constraints of limited virtual instrument slots in your host with a sixteen-part multitimbral implementation that gives musicians the power of sixteen pHATmatik PRO's in one VSTi slot. Load up sixteen loops, play them all back at the same time, all in tempo, all ready to be twisted to your creative needs. And don't worry about having to choose between another loop and that killer vocal reverb: Finally, pHATmatik PRO makes all this power easy and intuitive to use. pHATmatik PRO's interface provides streamlined workflow, dead-easy midi learn automation, and an integrated loop browser that gives you the ability to preview entire directories of loops in just seconds. Working with loop-based content has never been easier or more integrated with your creative process.

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LinPlug Alpha VSTi v3.0

LinPlug Alpha VSTi v3.0

Focussed on the essential modules of an analogue synthesizer Alpha 3 offers true hands on operation. Everything is where you would expect it, nothing is more complex as it needs to be. Nothing is less powerfull as it needs to be. Alpha 3 is the sum of all our experience in synthesizer manufacturing. 2 Oscillators with numerous waveforms PWM (symmetry of all waveforms modulatable) Switchable freerun for both oscillators Extended Ringmodulation (modulatable Off-AM-RM) Noise Oscillator Spread (5 detuned oscillators per voice, adjustable) Rich sounding multimode filter with saturation dedicated filter ADSFR envelope Amplifier section with dedicated ADSFR envelope 7 slot Modulation Matrix, 19 sources, 18 destinations Alpha 3 allows Frequency Modulation of the Filters Cutoff, a feature only found in very few Synthesizers. The source of the Filter FM can be any oscillator, even noise. Together with the Ringmodulator which can be gradually morphed from pure Oscillator 2 over Amplitude-Modulation to Ring-Modulation this is a guaratee for some of very finest and most excotic sounds a classic subtractive synth can produce. Alpha 3 has two oscillators with each producing a continuously adjustable mix of 2 from 30 waveforms. Taking into account that both basic waveform can have a different pitch already allows for thousands of resulting waveforms. But dont worry, our concept of handling is dead easy, pick the waveforms and adjust the mix. Done. 3 individual LFOs with tweakable attack time, speed (syncable), multiple shapes, switchable freerun Portamento / Glide with various modes adjustable Chorus, no other effects (intentionally) Adjustable analogness Global tuning and Microtonal support Powerfull ECS (MIDI learn for almost all Controllers) sample accurate processing, total recall all controls automatable direct access to all banks and presets 32 voice polyphonic (adjustable), true mono mode The license fee is 99 US$ / 79 Euro More Info...

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NUSofting Peti Harmonium Accordion v0.5b VSTi

NUSofting Peti Harmonium Accordion v0.5b VSTi

** NOTE: This is NOT a demo, this plugin is fully functional. You can save and load presets! ** An 11 presets bank is included as FXB files along with "cloned" individual factory presets, and soundbank. ** Special note: The original "cloned" individual factory presets, and 41 Preset factory bank are included for your enjoyment. ** "Mono" is not implemented yet in this version. The only difference with the current 1.0 Release version has an animated keyboard GUI, and minor graphics changes such as removal of the words "FREE BETA" from the Interface. ======================================================================= Peti uses hybrid FM synthesis technology and was developed primarily to emulate the sounds of the Harmonium, a member of the Reed Organ family, which is also known as the "pump organ". The Harmonium, in its smaller form, is widely used in north Indian music, and its full, sweet sound is often used in pop and rock music, but Peti is not limited to this instrument alone. Peti is also capable of emulating a wide variety of reed organ variants, and can model timbres which resemble the many instruments in this family, ranging from from accordions to pipe organs, and even the famous melodica often used in reggae dub music. Peti was designed to allow the user complete control over a simulated Bellows mechanism, with 11 different modes providing 'automatic' or 'manual' pumping, with appropriate modulation of the sound-generation engine's parameters. It also features two separate 'reed bank' simulators, allowing it to create the widest possible range of reed organ timbres via its sophisticated hybrid-synthesis system. Peti's sound engine is also capable of emulating other key features of the Harmonium, including the body resonance of the instrument itself, the noise of air in the bellows and chambers, a 'musette' tremolo feature, and 'key coupling', which traditionally allows a single note to trigger two voices.

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Native Instruments Reaktor v5.12 VSTi DXi RTAS PROPER

Native Instruments Reaktor v5.12 VSTi DXi RTAS PROPER

Price (MSRP): $449 / €399 Version Download Avail? 5.1.5 Download 5.1.5 Download Виртуальный модульный синтезатор. Характеристики: 32-битный синтез вреальном времени. Назначаемая внутренняя скорость выполнения операцийот 22,05 кГц до 132,3 кГц. Свободная коммутация модулей обработкисигнала. Максимальное число инструментов: 16. Максимальное числоголосов каждого инструмента: 64. 128 снепшотов для каждого инструмента.Полное управление по MIDI (In/Out) всеми элементами панели.Аудио-запись и экспорт аудио в форматах WAV (PC) / AIFF (MAC). Типысинтеза: Analogue Modelling, Waveshaping, FM, Waveset, & GranularSynthesis, Sampling. Импорт файлов WAV и AIFF (PC и Mac), а такжеSoundDesigner II (Mac). Включена библиотека пресетов Premium Library(25 ансамблей синтезаторов, сэмплеров и процессоров эффектов).Библиотека Reaktor - 300 инструментов и процессоров эффектовПолномодульная система - пользователь может создавать собственныесинтезаторы, сэмплеры, драм-машины, процессоры эффектов свободнокоммутируя между собой простейшие элементы, модули, макросы,инструменты и т.п. ===================================== An-all-in-one synthesis, sampling, and effects powerhouse. REAKTOR 5 is the ultimate tool for sound design and synthesis, allowing you to design your own instruments and tools as well as access an award-winning palette of synthesis, sampling, and effects. REAKTOR 5 includes an upgraded sound library with more than 20 new sound tools and effects, as well as Reaktor-class additions: Skrewell (soundscape generator), Splitter (grain sampler), and Aerobic, (drum machine). Several Reaktor classics have been updated including Carbon 2 (synthesis workstation), Steampipe 2 (acoustic modeling synth), and Spacemaster 2 (reverb). Core Technology, new for REAKTOR 5, breaks ground by supplying you with the power and flexibility to create new types of instruments! 3 years in development, Core Technology opens up the innovative sound generators, effects, and sounds of the Reaktor architecture to allow the building of custom modules from Core Cells. These building blocks include oscillators, filters, EQs, delays, and more, with 40 included in the core library. A tweaked user interface gives a much faster and more transparent workflow for creation. Mac users will doubtlessly enjoy the more Apple-like feeling of the OS X version. Instruments can now be connected within the panel, as can Audio and MIDI channels. In version 5 Screensets have been reworked into Panel sets, which can be set up for indiviudal working styles to customize views of REAKTOR projects. Sequencing has also been improved with a piano-roll editor and 2 additional drum sequencers. REAKTOR 5 also implements versatile multibreakpoint envelopes. Native Instruments REAKTOR 5 Modular Synth Studio Features: Completely modular, realtime sound synthesis, sampling, and effects Pristine, top-quality sound Huge library of unique instruments and sounds Synthesizers: subtractive synths, acoustic modeling synths, wavetable retro sound generator, subharmonic synths Grooveboxes: 2 analog-modeling drum synths, 2 sample-based drum and performance machines Sound generators: 2 unique soundscape generators Sample transformer: loop remixers and re-arrangers; granular sample transformer Sample player: loop slicer and drum sampler Sequencers: 4 sequencers for various application purposes Effects: compressor, reverb, sequenced hybrid effect Preset morphing and preset randomization Easy construction of personalized instruments and effects Core Technology for custom module design New modules include: anti-aliased oscillators, over-sampled structures, and high-quality interpolation delays Redesigned, skinnable interface Multi-breakpoint envelopes with slope control, tempo grid, and looping Live sampling and effect modules with auto-normalisation and tempo-synchronous beat juggling Native Instruments REAKTOR 5 Modular Synth Studio Specifications: Mac requirements: OS 10.2.6, G4 1GHz, 512MB RAM PC requirements: Windows XP, P III 1GHz, Athlon XP 1.33GHz, 512MB RAM REAKTOR only runs on processors supporting SSE or AltiVec Mac recommendations: Mac OS 10.3 or higher, G4 1.67GHz, 512MB RAM PC recommendations: Windows XP, P4 2GHz, Pentium-M 1.5GHz, 512MB RAM Import and compatibility: AIFF, WAV Interfaces: Audio Units, VST, RTAS, DXi, Open Sound Control, Core Audio, ASIO, DirectSound

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AudioRealism Bass Line VSTi v2.0.6

AudioRealism Bass Line VSTi v2.0.6

Новейшая версия известного VST-инструмента для создания басов. AudioRealism Bass Line 2 The legendary silver box which is hallmark in electronic music has been recreated in AudioRealism Bass Line. Analog modeling techniques have been employed to create a DSP-algorithm that accurately emulates every aspect of the original Bass Line, from growling basses to hollow middles and beeping highs with metal rattling accen ts. Patterns are composed in a fashion similar to the original Bass Line using the integrated step sequencer with easy to use manipulation functions such as transpose and randomization. All controls such at cutoff and resonance have an effective range that is unmatched by most other software synthesizers. The characteristic 18dB/Octave low-pass filter can resonate from 20Hz to 22kHz covering the whole spectrum of sounds that the original Bass Line produces. Patterns are selected via MIDI and played in perfect sync with the host sequencer. In addition an alternative Midi mode allows you to play the synthesizer like a normal device via keyboard or external sequencer. User assignable Midi CC’s ensures full controllability. Cost: ?95 Features: Authentic Bass Line emulation (Monophonic - 1 VCO/1 VCF/1 VCA) Synth: Tone generator: 5 Octaves range (C1-C5). Two waveforms (Sawtooth and Square wave). Filter type: Low pass resonant. Filter range: 20Hz-22kHz resonance frequency. Filter slope: 18 or 24dB/octave. Envelope control: Modulation, Decay and Accent. Decay time approx 0.2 - 3.5 sec. Internal step sequencer: Pattern memory: 128 Patterns. 1 to 64 steps per Pattern. Effects per step: Accent, Slide and transpose (up/down). Time modes: 16th notes and rest. Tempo range: 25-250 BPM or 1-500 BPM in Host sync mode. Full Midi CC control with learning function. Analog tuning mode. Integrated distortion unit. High pass filter (low cut). Rebirth RB-338 pattern import. Freebee pattern import/export. Two Midi modes (Pattern or Note). Sample accurate sync to VST host.

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Image-Line DirectWave VST v1.25

Image-Line DirectWave VST v1.25

DirectWave is an inline multi-layer multi-timbral sampler, capable of playing and recording samples through real input sampling. All parameters and effects may be automated or modulated through a 16-slot modulation matrix. Features: 16 part multi-timbral, 32-bit VSTi sampler. 128 Voice Polyphony. 128 programs. Unlimited zones per program. All samplerates supported. Realtime SINC-64 point interpolation (HQ Audiophile). Poly, Mono, Legato operation, with glide / auto mode. 2*24 dB 5 mode filters serial or parallel. Flexible 16 slot freely assignable Modulation Matrix. 2 mod. ADSR envelopes, 2 zone-independent mod. LFOs 2 global program mod. LFOs. Automatable loop points, reverse loop points supported. Loop modes: fwd, one-shot, sustained, bounce looping. Automatable sample start offset (available as mod. destination parameters, as well as the loop points). Built-in voice Insert FX with independent settings for each zone: ring mod. samplerate decimator, bitcrusher, phaser. All of them available as destination parameters in the mod. matrix. Built-in send effects: chorus, reverb, delay (with filtered feedback, sync to host tempo). Independent send amounts per zone. Freely assignable 16 stereo outputs. Multi-editor with channel list, mixer, expression, modulation and pitchbend GUI controls. Built-in sample editor with destructive editing (cut / copy / paste / trim functions), loop finding tool, normalize, vertical / horizontal zooming, etc). Realtime sampling / recording of whatever is connected to DirectWave inputs (needs modular host or host with assignable plug-in routing). Record Threshold: sampling input will wait until signal peak arises (-40dB). Built-in VSTi host to easily automate "sampling" of your vst instruments directly into DirectWave. Total Recall operation mode: DirectWave will enclose all the required sample data in the project files created by your host: it creates totally portable projects without worrying about needed sample files. Import: DWP (proprietary), WAV (any), SF2 (Soundfont), AKP (Akai), Propellerheads Recycle, Native Instruments Battery, Kontakt *(nki), GIGA *(gig). Several importing methods: built-in browsing, drag&drop, menu options. Built-in fast library browser list and tree-arranged menu program selector. Zone editor with visual zone arrangement map and list with all zone properties. All program/zone parameters of all channels can be automated as VST parameters. Cost: $99 More Info...

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Gmedia - M-Tron 4.1 VSTi

Gmedia - M-Tron 4.1 VSTi

The M-Tron™ is modelled on the legendary British instrument, the Mellotron®. This instrument was manufactured in various guises between 1963 and 1986 and was used by artists including The Beatles, The Moody Blues' Mike Pinder, Black Sabbath, Rick Wakeman and Genesis' Tony Banks. The instrument faded into semi-obscurity during the late 80's and early 90's but due to its ability to impart instant nostalgia, more recently it's been used by Oasis, Radiohead and countless others. The principle of the Mellotron was simple - Utilising a 35 note keyboard, each key plays it's own piece of tape which contains recordings of real players and, arguably, it was the world's first sampler. The recordings varied from single notes (as in the Flutes sound used on 'Strawberry Fields Forever') or entire musical motifs (as in The Beatles 'Bungalow Bill'). Each sound played for a maximum of eight seconds before the tape returned to the begining. This forced the player to adopt a new and different technique and allowed the music to truly breathe. However, while the sound was magnificent, because of the huge array of moving parts the instrument's reliability was questionable and the price was expensive. Purchasing an original M400 now would cost several thousand dollars and would probably only come with the default three sounds, Cello, Flutes and Violins. The M-Tron, on the other hand, costs a fraction of this price and now comes with a minimum of 28 sounds that don't require the instrument to be dismantled in order to hear them. The M-Tron captures all of the character of the original instrument by sampling every note of every key and adhering to the eight second limit of each note. This way, not only do the resultant sounds ebb and flow, all the inherent and nostalgic magic of each sound is closely observed - minor imperfections and all. GMedia M-Tron - Классический "старинный" сэмплер с оригинальными сэмплами

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sound Guy SFX Machine Pro VST 1.1

sound Guy SFX Machine Pro VST 1.1

The most advanced member of the SFX Machine family of audio effectsplug-ins, SFX Machine Pro allows you to create your own audio effectsfrom scratch. See what our customers say! SFX Machine Pro includes: A modular synthesis Preset Editor Host Tempo Sync An Output Limiter Over 300 Presets With over 50 New Presets! and a new interface ======================================================== Саунд-дизайнеры получили в свое распоряжение Universal-версию плагинов обработки звука SFX Machine RT и SFX Machine Pro, которые выпускаются компанией The Sound Guy. Теперь эти плагины могут использоваться на компьютерах Macintosh с процессором PowerPC или Intel, а также на Windows PC. SFX Machine Pro — это более 300 эффектов (в том числе 50 новых) в формате VST Audio Unit, плюс редактор пресетов Modular Preset Editor, при помощи которого можно создавать собственные эффекты с нуля, а также функции синхронизации частоты LFO и времени задержки с мастер-темпом секвенции, выходной лимитер и многое другое. SFX Machine с успехом применяется для создания оригинальных звуков для радиопередач и телешоу, кинофильмов и видеоигр. Помимо поддержки OS X Universal, в версии 1.01 исправлен баг, который возникал при использовании SFX Machine Pro в аудио/MIDI-секвенсере MOTU Digital Performer.

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Speedsoft Virtual Sampler v3.52 VSTi

Speedsoft Virtual Sampler v3.52 VSTi

VSampler transforms your Windows-PC into a 255-voice software sampler, turning any recorded noise into a musical instrument. VSampler provides all of the classical sampler features in excellent sound quality, and also offers you a multitude of new opportunities. In cooperation with the users of its award-winning predecessor an intelligent software sampler has been created, which beneath a truly transparent surface combines extensive editing abilities with simplest handling. Drag&drop and context menus allow quick access to all functions and provide for a smooth workflow. VSampler can operate either as a plugin (VSTi or Dxi) in your sequencer, or it can run as standalone version, connecting via Rewire or MIDI. The included ovirtual MIDI-cable also connects VSampler with classical MIDI sequencers. VSampler loads instruments in the industry standard sampler formats AKAI (S1000/3000 CD and S5000/6000 .AKP), SoundFont (.SF2), HALion (.FXB, .FXP), Gigastudio (.GIG) as well as LM4 drumkits and samples (.WAV, .AIF). The unique instrument preview allows you to test different sounds with a single mouse-click on-the-fly during playback. Owners of an SB Live! or Audigy soundcard will be pleased that VSampler is able to save files in SF2 format as an option. VSampler's various tempo-synchronizable envelope types and LFO's, and its velocity sensitive filters ranging from subtle to aggressive are all inducive to sound editing. Instruments can be further refined using either the included effects (Reverb, Delay, Phaser, Distortion, EQ) or any VST-plugin. The animation of all effect-, envelope- and filter-parameters in a mutual modulation matrix, creates instruments with extraordinary dynamics and impressive, realistic playability. The included presets for effects, envelopes and modulation will get you off to a good start. Whether quick playback module for everyday use or creative tool with synthesizer qualities - VSampler fuses both in a versatile instrument.

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Virtual Aelita v 1.0

Virtual Aelita v 1.0
Emulator SOVIET ANALOG SYNTH "АЭЛИТА" (AELITA) -------------------------------------------------------------------------------------- Плагин моделирует работу советского аналогового синтезатора «Аэлита», выпускавшегося в 80-х годах. Кроме обычного набора возможностей, добавлена поддержка 6-голосного полифонического режима, портаменто и эффект задержки. DEMO MP3

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PSP Audioware MasterQ VST

PSP Audioware MasterQ VST

PSP MasterQ is a high quality parametric equalizer designed to operateat sampling rates ranging from 44.1 to 192kHz .The plug-in (VST,DirectX and RTAS for Windows; AudioUnit, VST, RTAS for Mac OS X(Universal Binary) contains seven filters: 12 or 24 dB/oct low cut andhigh cut filters, low shelf and high shelf filters, and low mid, middleand high mid peaking filters all of them with adjustable frequency andQ factor over a wide range. The plug-in also includes a high precisionEQ graph to display an overview of the EQ curve, as well as display theindividual characteristics of each filter. Features: * high quality processing using 64 double precision floating point computations * up to 192kHz sample rates supported * 7 filters with pre-configured parameter ranges for easy use * EQ graph that displays an overall EQ curve and individual curves for each active filter * FAT ultimate quality double sampling algorithm * a set of example presets Minimum system requirements: * Windows XP or later * VST, DirectX or RTAS compatible host application * 256 MB RAM * Pentium III 600 MHz * High Color S-VGA, 1024x768 * Tiger MacOS X 10.4.0 or later * IntelMac or G4 or G5 * 512 MB RAM * AudioUnit, VST or RTAS compatible host application

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Xponaut VoiceTweaker VST v4.1.0.4

Xponaut VoiceTweaker VST v4.1.0.4

Xponaut VoiceTweaker VST v4.1.0.4 | Windows | 2.1 MB Voice Tweaker is a harmonic pitch transposer designed for monophonic signals such as voice, spoken or sung, or solo instruments. It can transpose the pitch and formants independently, thus enabling both formant preserving pitch transpose and other more unusual effects. The Voice Tweaker also features an automatic pitch correction function and auto vibrato. Read more about VoiceTweakers pitch shift methods. This is new from previous versions (Voice Tweaker 4.0) * Completely redone user interface with a more logical and clean disposition of parameters. * MIDI controllable wave hold or "freeze" * Pannable original signal and processed output * New presets Technical facts... * Independent control of pitch and formant in a range of +/- 2 octaves * Automatic correction of pitch to selected scale and key. Over 60+ preset scales and possibility to create user scales via Scala * Automatic correction of pitch to current MIDI notes. Allows instant key and scale change * Auto vibrato with delay and ramp time * LFO with 6 waveforms * 4 target modulation matrix * Adjustable reference frequency (middle A) * Processed output with settable delay and mix with original signal * Pannable original signal and processed output * Settable MIDI control of parameters * MIDI controllable wave hold or "freeze" (see manual for details) * Configurable pitch detection engine You can use it as a... * High quality harmonic pitch shifter voice, spoken or sung, or solo instruments * Automatic pitch corrector for voice, spoken or sung, or solo instruments * MIDI controlled pitch changer Example of supported Vst and AU plug-in hosts * Cubase * Ableton Live * Logic * Sony Soundforge * Project Five * Synapse Orion * Garage band Graphical Editor ? As many have asked where the graphical edit mode is, we thought we'd comment on it here. The current version available should be likened to the VT3 Lite (with added MIDI mode). The graphical mode is in planning for a Pro version, but here we need your support. You can give that plus comments and suggestions on the Pro thread on the forums. See 'ya there!

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GTG Synths Kwop 7

GTG Synths Kwop 7
A synth that reminds of the wellknown Juno hardware-model from the early 80`s.

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Syntheway Realistic Virtual Piano VSTi

Syntheway Realistic Virtual Piano VSTi

Виртуальный рояль Realistic Virtual Piano , плагин формата VST 2.0 (Windows), содержит семплы рояля Kawai (полный сустейн, без лупов, разрядность 16 бит, частота дискретизации 44,1 кГц). Есть генератор огибающей (ADSR), имитатор акустики помещения (регулируются глубина и ширина помещения, характеристики поглощения, баланс прямого и обработанного сигналов). Поддерживается MIDI-автоматизация параметров. Заявлена оптимизация использования памяти и процессора. Прилагаются 16 пэтчей. Системные требования: Windows 98/ME/2000/XP, процессор 500 МГц, 64 Мб RAM. ====================================================================== Realistic Virtual Piano is an acoustic grand piano emulation designed to offer "a breathtakingly rich and realistic sound" - particular care has been taken in the reproduction of the original realism and touch response of a Grand Piano. Features: Modeled on mastered Piano samples, based on PCM recordings of a Kawai Grand Piano after it has been meticulously tuned and adjusted. Full length sustain samples, no loops (natural decay); 16 bits / 44.100 KHz. ADSR envelope generator with several modulation targets. Optimized CPU and memory usage. Integrated, variable room simulation. Free variation of acoustic ambience thanks to complete separation of piano and room. Small rooms can be modeled just as accurately as larger spaces. Customizable with user controls for: size room, width room, damping factor & mixer, used to create psycho-acoustic models in the DSP environment, without having to load up any other plug-ins. Cost: $35

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Kiesel Software Helga VSTi v1.0.2

Kiesel Software Helga VSTi v1.0.2

Виртуальный аналоговый синтезатор Helga, плагин формата VST 2.0 для Windows, является продуктом Kiesel Software — единственной компании в Исландии, производящей аудиопрограммы. Helga имеет полифонию 32 голоса, два осциллятора с защитой от наложения спектра (пилообразная и прямоугольная формы волны в любых пропорциях, возможна модуляция ширины импульса, поддерживаются синхронизация и кольцевая модуляция), генератор шума, аудиовход, резонансный фильтр (пропускающий высоких или низких частот, 24 дБ/окт), два генератора огибающей (ADSR), два синхронизируемых LFO (синусоидальная, два вида пилообразной, прямоугольная и случайная формы волны). Есть режим портаменто, дилей, виртуальные клавиатура, колеса высоты тона и модуляции. Все параметры управляются по MIDI. Поддерживается микронастройка, есть 12 пресетных строев. Системные требования: Windows 98SE/ME/2000/XP, Pentium II, 128 Мб RAM. Есть демонстрационная версия. ===================================================================== Two Low Frequency Oscillators (LFO) Generates sine, up and down ramps, a square wave and a random waveform. Frequency is midi syncable as well as syncable to an external pulse. Two alias-free Oscillators (VCO) Generates any mix of a ramp and a variable duty cycle pulse wave. The pulse wave duty cycle can be modulated with an LFO or an ENV generator. The output of both VCO's can be integrated to generate different waveforms. Sync and ring modulation. Envelope generators (ENV) ADSR type (Attach, Decay, Sustain, Release). Velocity and aftertouch sensitive. Filter Four-pole resonant low-pass/high-pass filter. Has its own ENV generator for cutoff modulation. Cutoff frequency can be further modulated with the LFO's and can track the keyboard pitch. Source Mixer White-noise source. External input. Keyboard processor 32 voice polyphony max. Polyphonic and unison mode with portamento. Pitchbend and modulation wheels. Delay Effect LFO modulated. Cost: ?97

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ikMultimedia T-Racks VST/DXi Plugin

ikMultimedia T-Racks VST/DXi Plugin

• State-of-the-art 6 band Mastering EQ • Tube modeled stereo Compressor • Multi-band Master Limiter • Soft clipping output stage • Complete Mastering Suite Description T-RackS® plug-in has everything you need to create superb, tube-toned masters with your sequencer. Its rich, warm sound starts with algorithms based on true analog circuitry. Its familiar interface makes it easy to control five powerful processors: EQ, compressor, limiter, soft-clipping output stage, and a complete mastering suite. Enhances mix frequencies, stereo images, dynamic range and gives your audio a seamless, top notch sound. T-RackS® plug-in includes: - a state-of-the-art EQ - a classic tube modeled compressor - a multi band master limiter - a soft-clipping stage - a complete mastering suite containing all the plugs in one efficient, "gold sounding" mastering plug-in built with actual physical models of tube circuitry. With its separate processors, astonishing warmth and ease-of-use, you'll be putting a polish on your tracks you may have never thought possible. All this, while adding the beautiful warmth and space of the tube devices it emulates. No other plug-in offers this kind of dedicated environment for such an important task and none sounds like T-RackS®. • 5 sound processors: with its great sounding, analog-modeled Equalizer, Compressor, Limiter and the Soft-clipping output stage, T-RackS® includes everything you need to create final masters. • Specially Developed for Mastering: no other single software processor sounds like T-RackS® and none make mastering so easy. It can vastly enhance mix frequencies, broaden the stereo image as well as boost or precisely level the dynamic range. All this, while adding the beautiful warmth and space of the tube-devices it emulates. • Outstanding "Analog-Modeled" Sound: T-RackS®' astonishing sound is created with algorithms based on real analog circuitry. This is what makes T-RackS® sound so similar to real analog audio hardware, and so unique when compared to other software. Click here to see what user say about T-RackS' unique sound. • High Order 32 bit Internal Resolution: with 32 Bit floating point resolution, T-RackS® uses the best possible method to physically model analog components, resulting in an amazingly real tube sound. Only without the noise! • High Productivity, Ease of Use: not only does it sound analog, it acts analog! T-RackS® is so easy to use because its interface resembles a typical rack of hardware with analog controls. • Superior Quality: T-RackS® has the best quality-to-price ratio of any top-selling sound processor, is an incredible value and is an indispensable mastering tool for any studio, be it pro or project.

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Zero-G Altered States VSTi - PC

Zero-G Altered States VSTi - PC

ALTERED STATES is an instrument that will inspire you!! First, it is absolutely MASSIVE (almost 5 Gb, with 3499 instrument patches and thousands of unique source sounds). Second, it is a plug-in virtual instrument powered by a custom high-performance NATIVE INSTRUMENTS interface for shaping and manipulating the sound. Third, the source material is extremely organic, unique, ultra-creative, and virtuoso sound design. And the diversity and flexibility of this stunning resource has to be experienced to be believed. The contents of all of the following 10 libraries, all of which scored either 4 or 5 stars in review in Sound On Sound magazine (UK), are integrated into this mind-bogglingly powerful instrument: - Zero-G Ambient Volume 1 - Zero-G Ambient Volume 2 (and ProSamples Volume 36 ‘Chillout’) - Zero-G Cuckooland Unhinged - Zero-G Cuckooland Ghost In The Machine - Zero-G Cuckooland Asylum (and ProSamples Volume 6 ‘Experimental & FX’) - Zero-G Cuckooland Ambience - Zero-G Malice In Wonderland - Zero-G Fields of Motion (and ProSamples Volume 9 ‘Future Beats 2′) - Zero-G Junk Percussion - Zero-G Dream Zone (from Creative Essentials) - Ibiza Chillout (approx 1 Gb of extra brand new material) The programming, conversion, and organisation of this vast product has been expertly carried out by IAN BODDY, one of the UK’s leading synthesists, and has been designed to be as user friendly and logically creative as possible. ALTERED STATES is simply the single most powerfully creative sample-based virtual instrument ever created, a claim which can be justified, even in the face of competition like Spectrasonics’ very fine ‘Atmosphere’. How? ALTERED STATES has an extremely large and incredibly diverse library of sounds; it has the best software interface, created by NATIVE INSTRUMENTS, the leaders in software synthesis; it’s engine is based on the KONTAKT audio engine (the same as in the world’s finest and most highly-acclaimed sampler); and all the sounds can also be loaded into NI KONTAKT if desired (see below), meaning it is NOT a closed system. Also, the loops, the LFOs, the FX, everything can be automatically synced to the tempo of your song (making other techniques like Groove Control look cumbersome!), and you have total recall of everything you do, in your sequencer. The whole of the ALTERED STATES library is presented within a stunning new state-of-the-art plug-in interface by NATIVE INSTRUMENTS which is specifically optimized for, among other things, rhythmic loop playback, manipulation, and creative mayhem. The convenient one-screen interface (a version of NI INTAKT) provides tremendous sound shaping abilities without disrupting the creative flow, including a first-class multimode filter, an envelope follower, two LFOs, effects, and much more. All of the loops in the library have been set up so that they can be automatically synced to tempo, either via the Beat Machine or the Time Machine. The Beat Machine has loops divided into their individual hits (slices) which means they can be played at a wide range of tempos without change in pitch. It also allows the user to give each hit individual settings for pitch, playback direction, pitch envelope, amp envelope, distortion, delay, and more; a MIDI file of each loop can be easily exported so that groove, accent, and feel can be manipulated in any host sequencer. The Time Machine time-stretches or compresses loops in real time. Not only can you sync, stretch, and pitch the loops, but also filter, effect and modulate them as well! A powerful sound-shaping filter, flexible envelopes, syncable LFOs, and distortion, syncable delay, and lo-fi effects can inject even more energy and individuality into the loops, as well as into the synths, pads, textures and everything else in this absolutely vast and inspiring sound library. Since the software interface is a version of NI’s superb INTAKT engine, working with it is fast, easy, and sounds great!

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Fabfilter timeless

Fabfilter timeless

At a first glance, FabFilter Timeless is a perfectly modelled classic tape delay. Look further and you’ll discover that its unique high quality filters and many creative options turn it into the ultimate sound-mangling machine. Create echo, chorus, flanger, phaser, scratch effects and much more! Modulation is a breeze, thanks to the unique drag-and-drop modulation matrix. And over 200 presets will.

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HERCs Music Systems - Abakos PRO Version 1.5 AIR

HERCs Music Systems - Abakos PRO Version 1.5 AIR
HERCs Music Systems Abakos PRO version 1.5. The Abakos soft synth now offers improved waveforms for clearer and fuller sound, and a bug that caused audible clicking on some instrument settings has been fixed.

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XLN Audio Addictive Drums DVDR

XLN Audio Addictive Drums DVDR

XLN Audio ADDICTIVE DRUMS description: XLN Addictive Drums is a Complete Drum Production Studio. XLN Addictive Drums has everything you need to make a professional drumtrack production. It's flexible, yet very quick to learn and use. Addictive Drums is built on three major, and equally important, building blocks. You really need ALL three of them to get a complete drum production: Samples of the best brands available, in a studio with great acoustics, with a multi-mic setup. Stored in a multichannel format. Mixing, insert Effects, reverbs - the Know-How of a sound technician / producer. And last but not least, the grooves, beats and fills of a good dummer! Addictive Drums offers all this, in ONE easy-to-use plugin, compatible with all the major host softwares out there! With one click, you can load up a complete drum production. The settings for the Kit, the Insert Effects and the 2 built in Reverbs are recalled in a split second. Save your own presets, and organize them in folders for quick access in any project. They appear automatically in the preset menu. So many production styles are covered that you are bound to find something that works with your music production. Even if this is not the case you can easily start out with a preset that is close to what you want, and then tweak your way to a drum production that suits your music perfectly. When you are done, just save the preset, and it will be there for you to recall instantly in your other projects. Addictive Drums is very easy to learn and use, and it works for just about anybody. The User Interface is straight-forward and gives you lots of flexibility. All settings can be tweaked and changed to perfection, and Addictive Drums introduces some very neat features that haven't even been seen or heard until now! Addictive Drums ships with 3 complete kits, and lots of extra drums and cymbals. The samples include every nuance from the softest to the hardest hits, many stroke variations (hihat has 12 variations, snare has 6 for example) Alternating samples through-out bring unparalleled realism. All sampled drum/cymbal sounds are recorded with a multi channel mic setup, just as you would record a real drum kit. XLN Addictive Drums system requirements: Addictive Drums is compatible with PC and Mac, including the new IntelMacs. Formats: VST, AU and RTAS. PC: Windows XP, 2 GHz Pentium 4, 1 GB RAM, 3 GB free harddrive space, DVD drive Mac: OS X 10.4, G5 or IntelMac, 1 GB RAM, 3 GB free harddrive space, DVD drive More Info...

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Steinberg Model-E v1.1 - ArCTiC VSTi

Steinberg Model-E v1.1 - ArCTiC VSTi
* 3 Oscillators & Noise generator * 6 Waveforms per oscillator * 32' - 2' range * 2 Envelope generators * 2 & 4-pole LPF's * Filter modulation & key tracking * Glide * Mono mode * Assignable velocity routing * Stereo spread and Pan controls * 16 part multi-timbral * 64 voice polyphonic * 8 outputs * 128 memories

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GWave Ver. 1.00 BETA

GWave Ver. 1.00 BETA

Another favourite from G-Force. I think this one has a given place in your VST-folder. Good for techno. Feature 10 Voice Polyphony 10 Detuner 2 Oscillators (7 type Waves/Voice) 1 Noise Oscillator Filter(Low pass,High pass,Band pass,Band reject) EG for Amp & Filter LFO (7 type Waves) Delay 3 Band EQ (2 variable Knobs for Frequency) Distortion Portamento Poly/Mono Pitch Bend Range(1-12) Tuner Pan MIDI Control

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ArtsAcoustic Reverb VST v1.2.1.1

ArtsAcoustic Reverb VST v1.2.1.1

ArtsAcoustic Reverb ArtsAcoustic has released the ArtsAcoustic Reverb, an algorithmic reverb designed for everyday use, featuring extensive editability and low CPU usage. The ArtsAcoustic Reverb is designed to give the user the ability to edit the room/reverb to suit any given situation. This editability is split into 7 categories: Time design, Room design, Level, EQ, Damping, Echo and Misc. All parameters are accessible from within one window. The plug-in includes over 200 presets which are categorized into different room styles and signal types for easier preset browsing. Specification: Algorithmic reverb. 7 different room characteristics. Supports all sample rates. Low quality mode for CPU saving. Over 200 presets. Full automation. More Info...

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Sonicbytes Phrazor v1.02 VSTi and Standalone

Sonicbytes Phrazor v1.02 VSTi and Standalone

Phrazor is a Plugin Chainer / Rack / Sequencer combination with 64 Tracks, each providing up to 8 Plugin-Slots. Phrazor allows you to play and sequence your plugins in one intuitive interface: Rack style GUI providing 64 Tracks, each with 8 Plugin-Slots. Build reusable Racks, Sounds, Clips. Efficient workflow with Drag 'n Drop and customizable Browsers. Categorize your Racks, Sounds and Clips. Move your work between systems (Host/OS-independent file formats). Semi-Modular Routing. Horizontal Mixer supporting Sends and Effect Racks. Provides Sound design on a higher level. Full-featured Sequencer with Playlist, Pianoroll and Fullscreen-modes. Ready for Live-Performances providing Snapshots and Scenes. Cost: ?45

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Cheeze Machine VST

Cheeze Machine VST
This little synth generates sound by feeding a simple, saw-like waveform, into a chorus ensemble emulator, a 6-stages phaser, and a Reverb Up to 32 notes polyphony, with the same note stealing algorithm as EP-Station Fully midi-controlled Supports Doepfer Pocket Control midi controller Available with 2 different GUI's

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Anwidasoft GEQ31V

Anwidasoft GEQ31V

Le GEQ31V est une connexion graphique professionnelle d'egaliseur. Il permet l'addition du DB 12 de poussee ou de coupe a n'importe laquelle de 31 bandes concentrees sur des frequences d'octave d'OIN 1/3 de 20Hz a 20kHz. Ceci comporte font au GEQ31V l'outil ideal pour egaliser des melanges et des voies audio. La perspective utilisee en concevant le GEQ31V etait d'obtenir la chaleur d'une unite analogique classique avec la clarte et l'exactitude du traitement numerique de domaine. Ceci a ete realise adoptant la meilleure topologie analogue d'equipement.

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Sugar Bytes Robotronic v1.0

Sugar Bytes Robotronic v1.0

.......Sugar.Bytes.Robotronic.VST.v1.0....... The perfect Vocoder! Thanks to many hours of research in the Sugar Bytes Sound Laboratory, we are proud to present a Vocoder that provides Sounds you could not produce with virtual gear so far. Speech response is incredible, the sound is crisp and clear, here is our new favorite. Robotronic can vocode stereo signals with the internal synthesizer, Samples can be processed, a signal can even be processed with its own with shifted formants! Each of the audio inputs has a complete channelstrip with Gate, Compressor and gain stage. On the outputs youґve got a 3 Band EQ, Compressor and a multi effects unit with four lovely signal-pimpers.This unit brings you the desired vocoding sound which no other software vocoder is capable of. - ROBOTRONIC - Features: Carrier: Stereo Input oder Mono R/L Gate, Compressor, 12db Gain Stereo Sampler (wav, aiff) Modulator: Mono Input L/R Gate, Compressor, 12db Gain Synthesizer (4 Waveforms, 24db Multimode Filter, Noise) Vocoder: Frequency Focussing Formant Shifting Variable Response Output: 3 Band EQ, Compressor, Multieffect, Master 12b Gain - Multieffect: Delay Reverb Phaser Retro

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Novation BassStation v1.4

Novation BassStation v1.4

Description: RE-INVENTION OF THE CLASSICS, IN A CLASSIC Bass Station re-invents the classic sound of analogue and provides you with all the prerequisite building blocks of the sound generation process, with total control. * Two oscillators that have been carefully modelled to preserve the precise tonal character of the classic sawtooth and square waveforms of the original instruments. * * Low-pass filtering with all the warmth and resonance often lacking in today’s modern digital synthesis methods * Intuitive ADSR envelopes - no need to calculate the complex interaction of endless rate and level parameters * Low Frequency Oscillation which can directly control the harmonic content of the sound by pulse width modulation or filter cut-off * Oscillator Sync for the most complex and expressive timbres, and most importantly of all, an individual knob or switch for each parameter to allow you to control it manually as you play or program ANALOGUE MODELLED OSCILLATORS AND THAT SPECIAL BASS STATION SOUND The character of the two oscillators has been carefully crafted to provide the classic sawtooth and square waveforms of the original instruments. The filter has been designed to deliver the elusive character from of the original Bass Station. Switch from 24dB to 12dB mode and the filter controls behave in the same manner as the controls of Roland’s classic TB303. ENHANCED CLASSIC PANEL FOR GREATER TWEAKABILITY The simplicity of the original Bass Station panel was a key factor in the popularity of the instrument. The original front panel has been 3D modelled and additional controls have been added for ease of use. The Filter envelope has its own set of ADSR controls and OSC1 and OSC2 have their own section for pitch modulation and PWM control. Finally, all controls receive MIDI controller numbers for the recording and replay of tweaks during a performance. SETUP SCREEN Accessing the additional parameter editing screen is a single mouse click away. On the setup screen you’ll find extra functions such as Wheel, Aftertouch and Breath control along with a variety of system-wide settings. INSTANCES LIMITED ONLY BY THE POWER OF THE PC OR MAC IN USE The Bass Station delivers a monophonic voice for each instance that is used. Call up an instance of the Bass Station and there is immediately a new bass or lead sound available that will sit beautifully in the mix. The ability to use multiple ‘instances’ allows the Bass Station to run as many multi-timbral parts as the power of the host computer will allow. 100 STUNNING SOUNDS CAREFULLY CRAFTED FROM THE NOVATION FACTORY The multi-award-winning Bass Station Rack came packed with awesome presets that became the soundtrack for many of the dance hits of the 90s. The Bass Station plug-in is shipped with the classic originals along with many more totalling 100 sounds for immediate gratification. The patches cover a huge sonic range from screaming leads to phatt funky basses.

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Virtuasonic Mijoy VSTi v1.6

Virtuasonic Mijoy VSTi v1.6
MIJOY is a VSTi MIDI plug-in that allows you to use a joystick to add MIDI controller information to a MIDI track. Features: MIDI Channel Setup. Smoothness (from 1 to 5). Assignable MIDI controllers for X and Y axis, and for Z rotation. Presets memory to save different configurations. Display showing X, Y status. Z Rotation status. ON/OFF for each MIDI controller. Price: $ 17.95 More Info...

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WWAYM NWBass VSTi v2.0

WWAYM NWBass VSTi v2.0

Features: * Analogue modelled high quality oscillators with 2 waveforms (saw and square) and 2 characteristics (NWbass and 303-like). * 2 different filter models (NWbass and 303-like). * 3 selectable resonance correction characteristics. * Filter gain control. * Extra highpass filter for cutting lows. * Distorter section containing effects like soft clipping and foldback distortion. * Adjustable keyboard tracking. * Velocity sensitive accent. * Note slide. * Full MIDI control with MIDI learn. * Interpolated knobs for step-less editing. * Parameter fine-tune via right mouse button.

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Edirol HQ Orchestral VSTi v1.03

Edirol HQ Orchestral VSTi v1.03

Edirol HQ Orchestral Несмотря на то, что этот плагин был выпущен достаточно давно, он по сей день остается одним из лучших эмуляторов симфонического оркестра. Здесь есть вся раскладка оркестра: струнные, медь, деревянные, ударные, перкуссия? Одновременно в плагин можно загрузить до 16 инструментов. Имеется высококачественный встроенный ревер и хорус. Приличное количество пресетов, учитывающих различные составы ансамблей и различные расположение музыкантов на сцене (меняются настройки реверов, панорамы, громкости?). Не смотря на маленький (чуть меньше 200 Мб) по нынешним временам размер (размеры банков современных оркестровых эмуляторов измеряются десятками, а в особо тяжелых случаях и сотнями гигабайт) плагин выдает очень чистый, плотный, и что, пожалуй, наиболее ценно в данном случае ? достоверный звук. Плагин ощутимо нагружает процессор, и с пятисотым ?целером? ставить его бессмысленно. Хотя на Atlon 2500 XP+ можно безболезненно загрузить пару ?Orchestralов?, и еще на мастеринговые выкрутасы ресурсов останется? Имеет четыре стерео выхода (что вообще-то для такого плагина мало). Инструмент настроен на очень серьезную профессиональную работу. Одним из показателей этого является наличие встроенной системы микротюнинга (с большим количеством пресетов). Для тех кто не в курсе: Кроме стандартного хроматического строя, которым пользуется большинство музыкантов, построенном на четкой математической формуле (частота звука каждой последующей ноты, независимо то того диез это или нет, вычисляется как частота предыдущей ноты умноженная на константу 12 32) существует множество других строев, как подчиняющихся математическим зависимостям, так и построенных эмпирически, т.е. е как Бог на душу положит (в основном этнические лады). С помощью микротюнинга, можно настроить ваш виртуальный инструмент нестандартным образом, что позволяет музыканту работать со всякой экзотикой типа пифагорийский лад, арабский, японский, и еще черт знает что?. Достоинства: Шикарный звуковой модуль, содержащий практически все, что необходимо для написания симфонической музыки на компьютере. Недостатки: Самым печальным является то, VST- версия плагина не сохраняет свои настройки в проекте. Т. е после работы с плагином необходимо сохранить все ?накрутки? в конфигурационных файлах, и загружать их в начале каждого нового сеанса. Нудно? Но звук плагина того стоит. Еще один минус ? четыре стерео выхода ? это конечно мало. Кроме того, насколько мне известно, официальных обновлений плагина так и не выходило. Жаль? Кому нужен: Всем, кто надумал писать на компе классику, поклонникам ?Апокалиптики?, и любителям смешивать классические звуки? с чем угодно?

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IK Multimedia Classik Studio Reverb VST / RTAS v1.1

IK Multimedia Classik Studio Reverb VST / RTAS v1.1

PRODUCT DESCRIPTION Four High-Quality Reverbs in One! IK Multimedia's Classik Studio Reverb is a suite of four high-end studio-quality reverbs modeled after popular outboard classics. Now anyone can afford the quality sound of a signature reverb in their studio. All are designed to give the same sound of an acclaimed high-quality outboard reverb unit. With a myriad of options and parameters to choose from, Classik Studio Reverb is truly a complete, great sounding package that can adapt to any mix situation with ease. IK Multimedia Classik Studio Reverb at a Glance: Four high-quality reverb plug-ins A sound that sits perfectly in any mix Easy to use with advanced editing features Ideal for the beginning musician Depth and complexity for the professional engineer A new level of texture and innovative programming potential Programming flexibility with less strain on your CPU Four high-quality reverb plug-ins IK Multimedia Classik Studio Reverb offers in a single product, a suite of four high-quality reverb plug-ins: an incredibly accurate plate, a fully configurable room, a rich hall, and a creativity-inviting inverse. All four are of the highest quality, matching even expensive individual products. A sound that sits perfectly in any mix Classik Studio Reverb offers high-quality, musical reverb processing with the flexibility previously available only in extremely expensive signature hardware reverb units. It carries the quality and character that top engineers have utilized for years. Classik Studio Reverb is designed to get the maximum musicality, recreate the character that has made your favorite hit records, and that classic sound that sits perfectly in any mix. Easy to use with advanced editing features Classik Studio Reverb has been designed for ease of use with advanced editing features. With the look and feel of a typical effects rack on the interface, all the necessary controls are laid out for an immediate great sound. All knobs and macro controls can be automated through your host's sequencer. From the beginner to professional engineer, you won't have a problem getting your desired result from Classik Studio Reverb. Ideal for the beginning musician Classik Studio Reverb offers two modes: Easy and Advanced, coupled with more than 100 parameters. Easy Mode puts the most commonly changed controls on the front panel of the plug-in, making Classik Studio Reverb an easy to use and quick solution when a high-quality reverb is needed. You shape the sound using only six parameters: Mix, Diffusion, Reverb Time, Low Frequency Gain, High Frequency Cutoff, and High Frequency Dampening; giving you full control over the main character of the reverb. Depth and complexity for the professional engineer In Advanced Mode, you will find an array of highly developed modeling and shaping controls that are hard to find in any reverb. All parameters, the Modulation Matrix, and Macro Controls, can be adjusted and changed to create the reverb effect that you need, tailored to the very finest detail. The Modulation Matrix is an 8x8 structure; meaning that 8 modulation sources can manipulate 8 destinations. For example, to apply an envelope to your reverb time, you can fine-tune the tail for a specific reverb sound. Or, use an LFO to modulate the reverb image, creating movement in the acoustic space. A new level of texture and innovative programming potential Macro controls can be created allowing complex sweeping changes in Classik Studio Reverb's effects, virtually transferring environments at your command. You can associate up to 8 different Classik Studio Reverb controls to a simple Macro slider, therefore making morphing between different reverb settings easier than ever. In both Easy and Advanced Modes, it is always simple to find that perfect sound. A convenient A/B comparison allows you to quickly apply modifications and compare between two reverb settings in a snap. Programming flexibility with less strain on your CPU While impulse reverbs have gained a lot of popularity because of their particular emulation of environment reverberation, they are inherently CPU-intensive. They typically lack the particular musical sound and editing possibilities that famous studio digital reverbs have always offered. Classik Studio Reverb is not only less demanding in your processor, but much more flexible than impulse-based technologies. Now you have the ability to manipulate and shape reverbs from a number of angles, giving you performance that mirrors high-end studio quality. Compatibility and Flexibility for Any Studio Classik Studio Reverb offers a reverb solution for virtually any computer-based musician. VST, RTAS, and Audio Unit formats are included for Mac and PC, allowing Classik Studio Reverb to work as a plug-in with popular virtual studio environments such as: Cubase, Logic, Pro Tools, Digital Performer, Sonar, Ableton Live, and more. IK Multimedia Classik Studio Reverb Features: Suite of 4 separate reverb units: Plate, Room, Hall, and Inverse State of the art DSP based reverb algorithms 2 operational modes: Easy and Advanced 6 easy to use controls in Easy Mode More than 100 Parameters in Advanced Mode Highly customizable 8x8 Modulation Matrix per unit 4 assignable Macros per unit Full automation through host sequencer

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Dash Signature The Abstract Guitar VSTi v1.26

Dash Signature The Abstract Guitar VSTi v1.26

Dash Signature The Abstract Guitar VSTi v1.26 - H2O theAbstractGuitar is a physical modeled plucked string synthesizer, featuring: * Timbre and Decay switches by velocity for the easiest guitar patterns sequencing. * The Alternate Legato function for a unique solo mode. * "Board ring" and "Smooth string" variations for the expressive buzzings you get with many acoustic instruments. * A flexible Distortion unit with Low Pass filter and envelope sensitive to dynamics. * Special filter for speaker emulation. * Stereo Chorus and smooth Reverb. * Accurate preset generator. * 100 presets. A physical modeled plucked string synthesizer which features: * Timbre and Decay switches by velocity for the easiest guitar patterns sequencing. * Alternate Legato function for a unique solo mode. * "Board ring" and "Smooth string" variations for the expressive buzzings you get with many acoustic instruments. * A flexible Distortion unit with Low Pass filter and envelope sensitive to dynamics. * Special filter for speaker emulation. * Stereo Chorus and smooth Reverb. * Accurate preset generator. Model Section: * 10 different basic timbres with velocity switch function for dynamic timbre changes. * Timbre gain. * Pitch tuning: coarse (semi-tone) and fine. * Envelope controls: decay and release (Damp). * Decay velocity switch function for dynamic note muting. * Velocity sensitivity (adjustable). * Pluck control: how much and where the string is pulled. * Cavity: resonance for all strings. * Special modeling effects: "Board Ring" switch and sliders. "Wave invert" switch. "Smooth String" switch. "More harmonics" switch. * Voices from 1 (Mono) to 16 max. * Mono biphonic: Unison detune, 4th interval, 5th interval, OctaveUp interval. * Mono performance: Retrigger, Legato, Alternate. * PitchBend range: 1..12 semitone. Effects and Master section: * Distortion: Amount. Tone : filter cutoff. Filter resonance. Gain reduction. * Filter envelope: Attack, decay, envelope delay, "Touch" for dynamic envelope response. * Stereo Chorus. * Stereo Reverb: smooth reverb with Mix and Space controls. * Filter for Speaker emulation: with Frequency and Band Width controls. * Feedback effect to simulate amplifier to pickup loop: with Distance and Level controls. (Feedback effect switches automatically to a mono echo effect when Distortion is off) * Master Volume control. Options: * MIDI learn function. * Deviation feature allows to set a small random deviation on pitch and pluck parameters for a more expressive performance. * Presets large menu and ability to set the custom default bank or restore the factory one. 100 presets bank ready to use

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Native Instruments Spektral Delay 1.57 free downloads

Native Instruments Spektral Delay 1.57

Price (MSRP): €339 Version Download Avail? 1.6.0 Download 1.6.0 Download New and Exceptional DELAY Effects The NI-SPEKTRAL DELAY differs from the many other audio effects in that it uses real-time FFT (Fast Fourier Transformation) to split up each channel of a stereo signal in up to 160 separately modifiable frequency bands (even up to 1024 bands internally). The level, delay time and feedback amount for each of this bands can be set separately. Additionally, various modulation effects can be applied to the signal in the frequency domain, which allows for even further sound manipulation. The NI-SPEKTRAL DELAY offers exceptionally great possibilities for creative sound design - from subtle corrections and rich effects to the total alienation of the input signal. Never the less, the NI-SPEKTRAL DELAY is easy to use since all parameters are controlled intuitively and comfortably from a sophisticated graphical user interface. The NI-SPEKTRAL DELAY runs either stand-alone or as a plug-in. It offers professional sound quality and can be fully controlled by MIDI. Creativity and Comfort Edit Graphs which are intuitive to use and packed with comfortable edit functions are used to set up the delay times and feedback levels for the bands: each of the up to 160 bands per side can be delayed separately and fed back to the delay input with an individual amount. The delay times can be set freely or according to the rhythm via a selectable note grid. The maximum delay time is 12 seconds. The effects achievable with this band delay include rather subtle colorings as well as rhythmic courses of the partial tones and dense, atmospheric sound textures. The modulation effects of the NI-SPEKTRAL DELAY which are expandable by plug-ins are applied in the frequency domain of the audio signal and offer many unusual processing options - such as rotation of the frequency bands or reverb simulation by 'smearing' the amplitude courses of the bands. The modulation effects make a big contribution to the unique sound possibilities of the NI-SPEKTRAL DELAY. The amplitudes of the bands are also controlled intuitively by drawing in an Edith Graph with the mouse. In opposite to those of conventional filters, the filter curves resulting from this can have any shape and therefor make possible even very extreme filter settings and sweeps. It is for example possible to completely filter all frequencies while some very narrow frequency bands are still audible. The filter curves can be drawn commonly or separately for the two channels of a stereo signal. Effects Processor and Performance Tool Separate feedback delays for up to 160 bands per stereo side, unique modulation effects and freely drawable filter curves make the NI-SPEKTRAL DELAY an exceptional flexible, powerful and creative effects tool. All parameters such as filter, delay and feedback settings can be modulated with an integrated LFO or via MIDI. This makes it possible to create very organic and lively effects which can easily be played live. The NI-SPEKTRAL DELAY runs on Macintosh or under Windows, either stand-alone with MME, Direct Sound, Sound Manager and ASIO or as a plug-in with a VST- or DirectX - compatible host program. Many presets for different applications (e.g. guitar, vocals, drums, ambiences, reverberations, spacial effects) are included. FEATURES: * Effects processor for real-time manipulation of audio material of any kind * Produces unique delay effects * Real-time Fast Fourier Transformation is used to split up each side of a stereo signal in up to 160 separately modifiable frequency bands * Level, delay time and feedback level for each of the bands can be set separately * Up to 1024 bands are calculated internally * Intuitive Edit Graphs with comfortable edit functions for setting up the parameters * Modulation effects applied in the frequency domain offer many processing options * Any frequencies of the signal can be attenuated or filtered completely * Runs stand-alone with MME, Direct Sound, DirectX, Sound Manager and ASIO or as a VST plug-in * Completely MIDI-controllable SYSTEM REQUIREMENTS: Mac OS 8.6 or higher, G3 300 MHz, 64 MB RAM Windows 98, Pentium 400 MHz, 64 MB RAM

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DSK Elektik Keys

DSK Elektik Keys
* 2 layers, * 13 waveforms, * Octave select and micro-detuner * Effects (Delay, flanger), * Assignable Automation Capability

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IxoxFlute

IxoxFlute
* Normal mode: 3 octaves / 3 velocity layers * Staccato/detache mode: 3 octaves / 2 velocity layers * Percussiv mode: 2 octaves / 1 velocity layers Second flute: * 3 octave / 1 velocity layer * Allow fun stuff like a dirty sound with an emmbeded sf2 * automatic second flute

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Rob Papen ConcreteFX Predator VSTi v1.0.1b

Rob Papen ConcreteFX Predator VSTi v1.0.1b

Predator is a killer synthesizer that combines inspiring presets and first-class features to make this your 'go-to' synth for contemporary music production. The user interface has been designed so that almost all controls are visible on screen, making it fun and incredibly easy-to-use. And if you're unsure about a particular synth function, simply right click your mouse to access the help screen. Predator is packed with powerful features such as Preset Morphing, Intelligent Preset Variation, MIDI and Synth Controllable FX, Unison Detune, Chord Memory and an extremely versatile Arpeggiator. Included preset banks: HipHop (NY, Club, DirtySouth and Gfunk) banks. Jump, hardcore, breakbeat, various trance styles, DnB banks and more... Last but not least …Predator also includes PredatorFX, allowing you to use the incredible filters, modulations, effects and vocoder as an FX plug-in within your music host. VST2.4, AU and RTAS plug-in synthesizer for PC and Mac (IntelMac compatible) Oscillators section: 3 Oscillators with 128 waves included Analogue, Additive and Spectral type of waveforms plus pink & white noise generators. Oscillator waveform Symmetry control for each oscillator Free running option for each oscillator and Oscillator Syncing of oscillator 2 or 3 to oscillator 1 Extended semitone range going from -48 semitones up to +48 semitones. Separate octave control and fine-tuning Keyboard tracking on/off for each oscillator. Each Oscillator offers Pulse Width Modulation (PWM) using an independent LFO for each oscillator with individual speed and amount controls. FM and Ring modulation modes for Oscillator 2 and 3. Each oscillator has a PWM square wave Sub-oscillator Spread function for detuned multiple oscillator sound within one Oscillator. Volume control for each oscillator and output on/off for Oscillator 1 and 2. Overall Pitch modulation section: Tempo sync-able global Pitch LFO. You can set the amount and also which wave is used for this LFO. Pitch bend with separate settings for up and down pitch-bends. Filter section: Main filter is an analogue modelled stereo Multimode Filter, offering 6dB LowPass and HighPass, 12dB, 18dB and 24dB LowPass and HighPass, 12dB and 24dB BandPass, 12dB and 24dB Notch and Comb Filter. Pre-filtering distortion with smooth or edgy mode option. Easy Filter control by pre-defined Cutoff Frequency modulation controllers: Envelope, Velocity, Key-tracking, LFO and Modulation Wheel. Build in Filter Envelope with Attack, Decay, Sustain, Fade and Release. Build in Filter LFO with various waveforms, modulation amount control and tempo sync option with speed settings between 16/1 and 1/32t. LFO Poly, free or mono mode options. Filter2 section Additional Filter with cutoff control offering 6dB, 12dB and 24dB LowPass or HighPass setting. Amp section: Build in Amp/Volume Envelope with Attack, Decay, Sustain, Fade and Release. Volume control Velocity> Volume amount Panning control Free modulation section: Free Envelopes 2 Envelopes with Attack, Decay Sustain, Fade and Release. Option to control the Envelopes times using "velocity" or "key played" Modulation Amount Envelope 1&2 and amount control for Envelope 1. 44 modulation destinations Free LFO's 2 LFO's with various waveforms Tempo sync option with speed settings between 16/1 and 1/32t Poly, free or mono mode options. Modulation Amount LFO 1&2 and amount control for LFO 1. 44 modulation destinations Free Modulation Matrix 4 free modulation routings 28 modulation sources 44 modulation destinations Secondary modulation source & control Play modes section: Poly/Mono/Mono2/Legato/Arp/Unison2/Unison4/Unsion6 synthesizer play modes. Portamento featuring constant rate/constant time or held(legato) constant rate/constant time. Unison detune amount, if Predator is in Unison2, Unison4 or Unsion6 mode. 8 note Chord memory, saved within the preset Demo C3 button to preview sounds Arpgeggiator section: 16 step arpeggiator, which can be used as a step sequencer or as modulation source. Arpeggiator patterns can be 1-16 steps long Speed setting of 1/4, 1/3, 1/2, 2/3, 1, 3/2, 2, 3 and 4x BPM. Up, down, up/down, down/up, random, ordered, reverse ordered, ordered up/down, ordered down/up, chord and modulation mode. 1-4 octaves settings Overall step length Swing amount Slide amount for sliding steps Velocity control knob which mixes between keyboard (midi) velocity input and the steps velocity settings. Each step has on/off, Tie, Slide, Tune, Velocity and Free row. Tie modes normal or special which allows Slide, Tune, Velocity and Free settings inside a step if that step is set to Tie. Arpeggiator Latch which can be controlled by the midi sustain pedal. You can load, save, copy, paste and reset arpeggiator patterns, so you can reuse them in different presets. Advance section: Adjustable Analogness setting to simulate the instability of vintage analogue synthesizers. Global Tuning Attack Shape. This changes the curvature of Predator's envelopes attack stage. From exponential to linear to logarithmic. Decay/Release Shape. This Changes the curvature of Predator's envelopes decay and release stages. From exponential to linear to logarithmic. Velocity Shape. Changes Predator's velocity curvature. From exponential to linear to logarithmic. Over-sampling mode: Sets the over-sampling from 1x / 2x / 4x / 8x / 16x. Over-sampling filter on/off: optional post-over-sampling lowpass filter Audio input selector >FX or >Filter (PredatorFX only) Audio input gain control (PredatorFX only) Synth Amp Hold on/off. Turn off the PredatorFX's Amp envelope and so the sound plays without changing volume. (PredatorFX only) All advance settings are saved within each individual preset. External controller hardware (fader-box or synth) settings can be saved and restored. Overall: 16-voice polyphony. Parameter read-out field at lower right corner. Help function for most controls. FX section: HQ effects blocks in serial mode. Available effects: Mono Delay, Stereo Delay, Comb, Reverb, Chorus, Chorus/Delay, Flanger, Phaser, Wah/Delay, Distortion, Low Fi, Amp Simulator with 5 models, Waveshaper, Stereo Widener, Autopan, Gator, Vocoder, FX multi-filter, 5 Band Equalizer, Compressor and Ensemble. Midi tempo based settings in most effects. 2 FX modulation sources for connecting midi or synth controls to FX parameters. Preset section: Uses sound banks composed of 128 presets. Preset handling with copy, paste, clear and compare function. All settings included the Advance panel settings are stored inside each preset. Presets are stored in clear categories. Four 'Preset variation' buttons with amount control of the variation. Preset morphing with amount control to morph between two presets within the selected bank. Techno Predator mp3 Dance Predator mp3 Ambient Predator mp3

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D16 Group Drumazon VSTi v1.0.25

D16 Group Drumazon VSTi v1.0.25

Synthesis Drumazon synthesis emulates all the sounds of the original 9O9. All the instruments are synthesized in exactly the same way as the original. All the nuances and detail of the original are captured perfectly. In addition, all Drumazon instruments have enhanced controls. This extra functionality allows the user to adjust the sounds further than on the original unit. This opens up a whole new world of sound creation. Listen to the audio demos or tweak it yourself with the demo version :) Outputs Drumazon has a flexible output configuration. Every instrument's audio signal can be routed to any of the 11 outputs. This allows users to further shape sounds individually or in groups via their favourite plug-ins. Each individual output can be set to mono or stereo. Every instrument also has a Mute and Solo button. Mute will not just silence the sound, it will stop the sound being triggered. Solo will stop all other instruments from being triggered and only allow the selected sound(s) to play. Control Drumazon has extensive midi control. Midi notes can be used to trigger each individual sound. Alternatively, the internal sequencer can be used. This can be set to play using Drumazon's internal clock or set to synchronize perfectly to the host sequencer. Most of Drumazon's parameters can be automated within the host and also controlled using MidiCC with an external controller. An easy-to-use Midi Learn function allows reassignment of any of the parameters. Internal Sequencer Within the internal sequencer, patterns are stored in 8 banks. Each bank can store up to 12 patterns. Each pattern consists of 16 steps. Each pattern location has a midi note number assigned to it. The patterns can be edited traditionally using the step buttons or using the tap function. The internal sequencer has various modes of operation. In Chain Mode, a range of patterns are selected from the internal banks and are played through in a circular fashion. Patterns can also be triggered freely by selecting the corresponding midi note (for example, from a midi controller keyboard). External controllers can be used in any mode to provide full control over pattern playback. A Randomizer function is also provided within the internal sequencer. It can be used to make simple changes to a pattern or create a whole new one - ideal when your creativity needs a boost! Randomizing can be applied to specific instruments and specific steps. The frequency of occurrence can also be adjusted to give you just the right amount. Files are stored in the XML format. This allows single patterns or whole banks to be exchanged between users easily. XML allows the files to be edited in a text editor. Ideal if you want to post or share a pattern on a web site -just post the text! Presets The settings for each instrument can be stored in it's own preset. Each instrument preset can be loaded in individually. This allows maximum flexibility when putting kits of instruments together. A dedicated Preset Manager is provided to help the user manage the sounds within their own unique library. Requirements Drumazon is available in VSTi format at the moment for both platforms (PC and Mac). It's a dynamic library (.dll file) for PC and Universal Binary bundle for Mac. To use the product you need Windows 2000/XP or Mac OS X 10.4.3 or later. It's not a standalone program so you need a VST compatible host application to use it. If you have not checked it yet try the demo first with your favourite host and environment. Full Features * truly emulated instruments' synthesis * perfectly scaled knob ranges with few modifications enlarging spectrum of the sounds * exhanced control of instruments' sound * dynamic signal routing from instruments to outputs * user defined plugin outputs settings * mutes/solos for each instrument (affect triggerring not just the signal) * fully controllable via MidiCC * quick midiCC assignation with MidiLearn function * many ways of controlling the device: o external mode (note mode) o internal sequencer (pattern mode) with 3 submodes * external mode: o midi map equivalent with the classic drum machine's map o midi tune and velocity controls instruments' levels and tunes * internal sequencer: o 8 banks with 12 patterns per bank o each pattern up to 16 steps of length o each pattern defined with one of four available measures o each step can be defined normal or flamed and accented or not o shuffle mode o flam mode o tap mode o chain mode o Shuffle, Flam and TotalAccent values defined globally and per pattern o Scale function and intelligent Rescale (automatically stretches pattern to the chosen measure) o built in Randomizer (selection of instruments to random, steps to be affected, frequency of the randomized notes and more) o patterns import/export via human readable xml files * two modes of synchronization: o precise synchronization to the host tempo o synchronization to internal clock - tempo controlled in the range 30-303 BPM (+-0.1) * individual presets per instrument with preset manager to easy control

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KResearch KR-Space R 1.1.0 VST

KResearch KR-Space R 1.1.0 VST WIN-NEMESiS

Reverb KR-Space KR-Space is a superb quality modular reverb-echoes based multi-effect plug-in which can produce a multitude of different types of effects, from traditional echoes and reverbs, to very complex soundscapes, modulation and filtering effects, resonating echoes and reflections, saturation effects and other types of effects which are not available on any commercially available plug-in of this type. To achieve this wide range of effect creation KR-Space uses a proprietary design and a flexible modular architecture where the different available modules can be switched on and off or routed in various combinations allowing more flexibility in effect design. The modular architecture also allows more efficient CPU utilization since only the modules that are switched on contribute to the CPU overhead. KR-Space introduces the Animated Object Space Emulator (AOSE) where the user has control over a number of spherical objects which are placed in our virtual environment and affect the sound output in a multitude of ways. These objects have various user controlled characteristics like size, resonance, oscillation frequency, reflection characteristics etc. and can be animated (move) in our virtual environment affecting the total sound output. Additionally to the proprietary AOSE the main reverberation engine features separate damping controls for early and late reflections allowing more detail filtering control and thus expanding the total range of available effects and also introduces our Asymmetric Reflection Scheme for more realistic reverb and echoes creation. Animated Object Space Emulator (AOSE) Module Proprietary Design/DSP engine for unique effect creation Object Frequency and Frequency Variation controls Object Size and Size Variation controls Object Resonance and Resonance Variation controls Object Size LFO Oscillation with amplitude controls Object Distance positioning with Variation controls Object Animation speed and traveling distance controls Object inter-reflection feedback control Room reflections control Reflection Asymmetry control Low Pass Filter (LPF) Limiter/Saturator with threshold control Output Level control Output Dry/Wet mix control Space (Reverberation) Module Proprietary Design/DSP engine for unique effect creation Switch-able Pre-Delay sub-module with Delay time and stereo Balance controls Switch-able Early Reflections sub-module with room Size, stereo Balance, Diffusion, Asymmetry and independent Damping adjustable filter controls. Switch-able Late Reflections sub-module with room Size, stereo Balance, Diffusion, Asymmetry, independent Damping adjustable filters, Decay, Modulation Frequency and Amplitude controls. Master Equalizer (Low / High) +/-12db controls Early / Late Reflections Mix control Dry / Wet mix control Output Level control

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ARTEMIS VSTi

ARTEMIS VSTi

ARTEMIS 8 voices polyphonic synthesizer - 2 unison oscillators. - Oscillators sync and cross-modulation. - White / brown noise generator. - 2 HP/LP filters 12/24 db in serial and/or parallels - 2 DADSR mod-envelopes - 2 LFO in free-run / Host BPM sync (can run at very high frequencies) - LFO 1 can modulate LFO 2 - Ring modulator - Delay - Resonator - 6 x 13 digital modulation matrix - Audio routing for semi-modular architecture.

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padawan pad synthesizer v1.1

padawan pad synthesizer v1.1

padawan is a hybrid synthesizer inteded for pad and ambient sound creation. the first oscialltor is analog style, while the second is based on wavetables. there are some nice modulation options, all synced to host tempo. for effects there is a nice stereo chorus and a simple reverb. version 1.05 fixes several outstanding bug and features a new set of stellar presets by proem. vu meters will return at a later date, once the fl studio issues are ironed out. DEMO MP3

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COSMOS-2

COSMOS-2
COSMOS-2 6 voices Phase-distortion synthesizer 2 DCO 2 LFOs that can run freely or BPM host sync. 2 DADSR envelopes. 1 multi-segments modulator (MSM). 1 resonant filter 12/24 db/oct. Reverb. Chorus. Delay. 6x7 Modulations matrix.

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COSMOS-XT

COSMOS-XT
COSMOS-XT 6 voices extended Phase-distortion synthesizer 2 DCO with double mode and individual envelope. 2 BPM LFO (host sync). 1 amp envelope. 1 multi-mode resonant filter. 1 Ring Modulator for FM-like sounds. Digital matrix for LFO. Audio routing for DCO and Filter.

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Zero-G - The Sounds of the 70's

Zero-G - The Sounds of the 70's

SOUNDS OF THE 70'S это новый уникальный звуковой модуль VSTi основаный на интерфейсе The Native Instruments INTAKT, представляет из себя огромную уникальную билитотеку, которая основана на звуках 70-х годов. ========================================================== Unique virtual sound module powered by the Native Instruments Intakt interface, featuring a huge and uniquely inspiring sound library, which captures the True essence of the 1970s. This Virtual Sound Module is the ultimate Seventies production tool for 21st century groovers! It delivers the undiluted heart of soul, disco, funk, and punk: recreated, sampled, and reborn. The great golden age of the dancefloor recreated! Step back in time to the disco explosion, with the Sounds of the 70s Virtual Sounds Module. What do the 70s mean to you? Glitterballs, strobe lights, dry ice, mirrors, roller discos, the World Disco Dancing Championships, the hustle, the bump, the freak, cocktails, platform boots, flares, bell bottoms, tank tops, velvet suits, spandex, hot pants, medallions on hairy chests, afros & perms, John Travolta & 'Saturday Night Fever', Little Michael & The Jacksons, James Brown, disco divas, boogie. This was the great era, when the 12 inch, the remix and the DJ were born, the genesis of beat mixing. The horns, the strings, the raw disco power! Now the musical essence and irresistible dancefloor vibes of this great era can live on even more strongly in the music of today with a new generation, thanks to Sounds of the 70s, this stunning production tool featuring construction kits, grooves, hits and instruments, written and produced by Mike Wilkie and Matthew Corbett for Zero-G. All the rhythm material has further been lovingly sliced and diced to form an awesomely flexible production powerhouse based on the Native Instruments Intakt plug-in engine. The awesome flexibility of the custom high-performance Native Instruments interface will soon have you customizing, shaping and manipulating the 70s vibes to suit your own requirements. In the rhythm department of this monster library, there are many hundreds of loops and all are presented either in sliced format (via the NI INTAKT Beat Machine) or via the Time Machine, so they will automatically sync to your songs, and you can apply sound-shaping to each slice if you wish! An introduction by the creators, Mike Wilkie and Matthew Corbett "What makes funky music sound as if it genuinely came from the spaced out 70's? We listened endlessly to crackly vinyl in the studio, listened to those who've tried to recreate the flavour since, picked up our instruments and threw the rule books away. First though, to faithfully recreate the sounds of the seventies we equipped ourselves with two pairs of loon pants (purple and mauve), brown glitter encrusted platform boots with 5 inch heels, cheese cloth shirts and genuine Afghans. We also had an Afro hairdo, and then, and only then, did we feel ready to proceed on our sonic journey! Recording technology circa 1973 was of course rudimentary by today’s standards and the attention to precision playing was much more ‘relaxed’. The music flowed through an attitude rather than a set of criteria. The timing was most definitely out but the vibe was definitely in. Check out some really old vinyl, listen to the players, there are gaps big enough to park lorries in but somehow it’s all part of a brilliant sound picture. Vocals that would be auto tuned or corrected were left to dissonance, percussion that would be now be audio quantised retained its loose swing. Electric pianos that are now endlessly mimicked by Japanese developers were the genuine article with malfunctioning pick ups and noisy amps. Drop one on your foot whilst setting up on stage and you’d be out of action for weeks! Guitar processors that now convey pristine clarity through digital convertors then hissed and crackled adding yet more filth into the mix. Pedals had names like ‘Electric Mistress’ evoking the possibility of an exciting night if you impressed the girl in the front row! Valve amps and compressors added warmth (and noise) through analogue desks which looked like something out of Jules Verne, to 2 inch tape machines the size of milk floats, the end result being bounced onto another tape thing before being mastered onto vinyl. But that was then and this is now, and in the new century we can look back at an iconic period in sound production that will echo through the decades, maybe even through centuries to come. A sound picture where the producer’s initiative and creativity would make a real difference, and could create a genuine new sound. Many of those artists never made it far into the eighties and when Solid State Logic and Digital arrived in about 1981, times had changed for ever. In 2004, there isn’t a 70’s artist who hasn’t been sampled, not just the Icons, but even Chas and Dave, playing as respected musos in ’75 on a Labi Siffre song, have turned up on an Eminem track! Almost every modern producer has 'borrowed' from old records, some legally, and some have ended up in court with royalties being re-directed to the original copyright holder. We already had original guitars and basses from the 70's and before, and soon managed to borrow a Fender Rhodes and a Wurlitzer EP as well as a Hammond with a massive Leslie cabinet with something like a propeller in it. We enlisted the help of a seventies keys man and a horn player to complete the picture and set to work creating the loops. We decided to give every loop two distinct sections that could be used within the same production and then recorded all of the breakdowns so the user could add and remove parts at will. We decided too, to adopt ‘extreme panning’ on many loops to add that ‘stereo panned to both ends of our galaxy' feel and also from time to time mixed loops 'lumpy and bumpy' in an attempt to avoid any allegiance to modern technology. Many synths like our ancient Crumar, which we used a lot, were amped instead of feeding direct and guitars were awash with spidery tones and liberal use of an old Cry Baby. We used a Gibson Les Paul standard (circa 1977) for almost all of the guitars and, surprisingly, most of the bass was undertaken on an old Aria Pro, after rejecting more sumptuous instruments, it just seemed to evoke the era more precisely, we played it through an old Selmer bass amp. Although most of the loops produced were in the funky vein we decided to tip our hat to a few other genres from the 70s: Glam, punk, prog and proto electronica. In making these loops for you we went back to the drawing board, attempting to unlearn years of clean production skills and started to gather everything we'd need to take the sound back to the 70s. It was a bit like flying an old aircraft, a bit heavy, marginally uncontrollable, but at the end of the day a graceful and rewarding experience. After all the initial work was finished we decided the only way to retain the funk was to have everything mastered onto vinyl through 70s valve compressors and EQs. We found a mastering suite deep in South London that ticked all the boxes and got everything transferred to a large stack of laquers, and then back into digital, it sounds….like the seventies! So we’re off now on a couple of Raleigh Choppers, munching on our Curly Wurlies to see and Earth Wind and Fire tribute band….we hope you enjoy our seventies experience, we were lovin’ it!" Mike Wilkie and Matthew Corbett The Software Interface The whole of this remarkable library is presented within a stunning state-of-the-art plug-in interface by Native Instruments which is a version of their Intakt sampler, which was specifically designed for rhythmic loop playback, manipulation, and mayhem. The convenient one-screen interface features tremendous sound shaping abilities without disrupting the creative flow, including a first-class multimode filter, an envelope follower, two LFOs, effects, and more. The loops have been set up so that they can be automatically synced to tempo, either via the Beat Machine or the Time Machine. The Beat Machine has loops divided into their individual hits or notes (slices) which means they can be played at a wide range of tempos without change in pitch. It also allows the user to give each hit or note individual settings for pitch, playback direction, pitch envelope, amp envelope, distortion, delay, and more; a MIDI file of each loop can be easily exported so that groove, accent, and feel can be manipulated in any host sequencer. The Time Machine time-stretches or compresses loops in real time. Not only can you sync, stretch, and pitch the loops, but also filter, effect and modulate them as well! A powerful sound-shaping filter, flexible envelopes, syncable LFOs, and distortion, syncable delay, and lo-fi effects can inject even more energy and individuality into the loops, as well as into the synths, pads, textures and everything else in this absolutely authentic and inspiring sound library. Since the software interface is a version of NI's superb Intakt engine, working with it is fast, easy, and sounds great! Features Library Content Huge library of world-class, totally original but totally authentic 70s-style instrument and percussion performances, arranged in construction kits together with their broken-out grooves and tool kits. Over 1.4 Gigabytes of samples Features of NI Intakt User Interface Access to individual hits (slices) within loops Easy and intuitive user interface User interface is a version of Native Instruments' Intakt, based on Kontakt, the world's finest software sampling engine Loops use one or more of the three sampler-modes: Beat Machine with ISE (Individual Slice Edit), Time Machine and standard Sampler mode Easy synchronization of loops to MIDI tempo MIDI file export permits groove, accent, and feel manipulation in any host sequencer Integrated effects: Group filter including low-pass, high-pass, band-reject or band-pass modes, global filter, lo-fi, distortion, syncable delay Modulation section provides AHDSR envelope, two individual syncable LFOs, envelope follower and a DBD pitch envelope Total Recall Sound Library can also be loaded into other Native Instruments samplers including Intakt and Kontakt (version 1.5 or later), for even greater flexibility and more options for working with the material. System Requirements PC Minimum Requirements Windows XP Pentium III/ Athlon 400 MHz 256 MB RAM Recommended Mac OS 10.2.6 or higher G4 733 512 MB Mac Minimum Requirements Mac OS 10.2.6 or higher G3 500 MHz 256 MB RAM Recommended Mac OS 10.2.6 or higher G4 733 512 MB Supported Interfaces VST® 2.0 DXi ASIO Audio Units Core Audio RTAS Mac & PC

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Angular Momentum Groove & phrase Synth v2.0

Angular Momentum Groove & phrase Synth v2.0

Angular Momentum Groove and Phrase Synth VSTi v2.0 After a year of work we have released the Groove & Phrase Synth. This VSTi is a versatile synth with many features for many different styles of music. Great for sequencing as performing live on stage. This VSTi can give you instant groovy basslines without having to groove quantize from the sequencer. If you are out of ideas the random function on the groove adjust and CV step sequencer is a great help. The Groove & Phrase Synth has got the analog sound you might expect from a expensive virtual analog synth, and has got a Sounfont Oscillator so you can load your own (created) banks for that hybrid sound. Specifications: * 3 Oscillators with sync and Pulse Width * Sound font Oscillator (loads any SF2) * Multi Mode Filter with X-mix and Overdrive with more then 10 modes * 2 BPM Synced LFO's with many routing options and Keyfollow * FM Modulator * Amp Envelope / FIlter Envelope / Modulation Envelope / FM Envelope * Velocity / Modulation and Aftertouch to most important functions * CV BPM synced sequencer with multiple destinations and draweable groove function + slew limiter. * Phrase Arpeggiator following groove function with up to 128 notes of memory. * Stereo Chorus * 2 BPM Synced Delays with panning * Reverb with widening and damping * Trance Gate/Amp Trigger * Filter Envelope Trigger * FM Envelope Trigger * Modulation Envelope Trigger * Multiple pages * Glide * Midi Automated on all controls * Independent FX channels * 4 stereo outs * 128 Patches with professional sounds * Many Professional SF2 Banks * And much more! Minimum System Requirements Processor: Pentium/AMD Processor speed: 1200 MHz RAM (Cache): 256 MB RAM Operating system: Windows 98/ME/XP or 2000 Host application: Cubase VST 3.7 or higher or other VST 2.0 compatible host software Other Components: PC equipped according to the specifications of the host software

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Field 1.01 VST

Field 1.01 VST
Field est un générateur de bruits d'ambiance. En fait, il est basé sur différents samples pris de la vie quotidienne (maison, pluie, rue, etc.) qui sont joués en boucle. On peut jouer sur le volume des parties et égaliser le tout. Le screenshot en dit plus...

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Cakewalk Rapture v1.0 (+RTAS)

Cakewalk Rapture v1.0 (+RTAS)

Виртуальный инструмент Rapture, плагин формата Audio Units, RTAS, DXi (32- и 64-разрядный) и VSTi, предназначен для современной танцевальной, электронной и поп-музыки. Используются семплы формата SFZ (есть защита от наложения спектров), прилагается более 600 пэтчей. Мультитембральность шестичастная, поддерживается кольцевая модуляция. Есть два фильтра (16 режимов), 42 модулятора (генератора огибающей, LFO и шаговых генератора; поддерживается графическое редактирование), матрица MIDI-модуляции, мастер-эффекты и отдельный процессор для каждой части (мультиэффекты, дилеи, хорусы, параметрические эквалайзеры). Есть двухмерная панель управления параметрами. Системные требования: Windows XP, Intel Pentium 4 1,3 ГГц или AMD Athlon XP 1500+, 512 Мб RAM; MacOS X 10.3.9 или выше, G4 1,2 ГГц, 512 Мб RAM. ===================================================================== Cakewalk Rapture v1.0 - новый VST синтезатор от Cakewalk Synthesis Ignited Combining power, elegance, control, and unbeatable sounds, Rapture is one of the most exciting synthesizers to hit the market in years. Capable of producing rich, hypnotic, and rhythmic basses, leads, and pads, Rapture is perfect for performing and designing the modern synthesized sounds igniting today's pop, dance, and electronic music. Rapture's non-aliasing resampling engine technology sets a new standard for sound quality, and produces pristine, high-resolution rendering and playback. Its advanced modulation capabilities include over 40 Step Generators per patch, providing an intuitive interface for generating rhythmic sequences. With its beautifully designed interface and extensive sound manipulation capabilities, Rapture is capable of producing the rich, hypnotic, and rhythmic basses, leads, and pads destined to put the spirit back into your music. Ignite Your Sound Rapture sounds like no other synth, offering brilliant sound design capabilities with patches that blend up to six different Elements. And out of the box you get a stunning collection of over 600 programs including Basses, Leads, Pads, Arpeggios, Textures, Electronic Percussion and Sequences. High Resolution Power At the heart of Rapture's six-part sound engine are powerful, multi-mode wavetable oscillators. These pristinely produced wavetables provide a virtually endless array of sonic possibilities, plus you can multiply each oscillator up to 9 times across the stereo field, creating some of the fattest sounds ever heard. And Rapture's high resolution anti-aliasing SFZ-based engine ensures that every note of every voice will be pure and vibrant. Breathe Life into Your Sound Rapture's Step Generators breathe life into your sound, allowing for dramatic trance gate effects and percussive rhythms. With graphical step sequencing of sound parameters, Rapture provides a modern extension to traditional envelopes and LFOs, allowing you creative control of Pitch, Filters Amplitude and other parameters. Elegant Design Rapture's interface is infused with sleek and elegant design, carefully constructed to enhance usability at every turn. Everything you need to make your sounds come to life are easy to find, and more importantly easy to use. Rapture Highlights Wavetable synthesizer with advanced sound manipulation capabilities, well suited for electronica-related music styles Non-aliasing resampling engine technology for pristine sound quality Over 500 professionally crafted sound programs Six fully-programmable stereo sound-generating Elements Oscillators with multi-waveform and ring modulation functions DSP stage of two 16-mode filters per oscillator with LoFi and Drive section Up to 42 EGs, LFOs & Step Generators for advanced parameter modulation Advanced MIDI Modulation Matrix Mix and modulate all Elements through global FX and dynamic Step Generator Ultimate sound expandability with native support for the SFZ family of sample formats

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Arturia ARP 2600 V v1.0

Arturia ARP 2600 V v1.0

Виртуальный инструмент ARP2600 V имитирует аналоговый синтезатор ARP 2600. К функциям прототипа добавлены четыре модуля для создания новых типов модуляции в реальном времени, эффекты (хорус и синхронизируемый по MIDI стереодилей), MIDI-управление, полифония (от 2 до 32 голосов), возможность сохранения пэтчей. Прилагается более 400 пэтчей, созданных известными музыкантами и саунд-дизайнерами (Darrell Diaz, Glen Darcey, Katsunori Ujiie, Chris Pittman, Celmar Engel, Noritaka Ubukata, Jean-Michel Blanchet, Ruff&Jam, Kevin Lamb, Klaus Schulze). Есть три осциллятора (второй может использоваться для модуляции двух других осцилляторов или фильтра, также возможна синхронизация второго осциллятора с первым), резонансный ФНЧ, LFO (синхронизируется с темпом хост-программы), генератор Sample and Hold, два генератора огибающей (ADSR и AR), повторитель огибающей, кольцевой модулятор, секвенсор, мультирежимный фильтр (12 дБ), специализированные процессоры (можно использовать как инверторы, микшеры и т. д.), функция отслеживания клавиатуры. Частота дискретизации 96 кГц, разрядность до 64 бит с плавающей запятой. Заявлено отсутствие наложения спектров в диапазоне от 0,1 Гц до 16 кГц. Программу можно использовать автономно (поддерживаются драйверы DirectX, ASIO, Sound Manager, CoreAudio) или в виде плагина формата VST, DXi, RTAS, HTDM и Audio Units. Системные требования: Windows 98SE/2000/XP, процессор 1 ГГц, 256 Мб RAM; MacOS X 10.2 или выше, процессор 1 ГГц, 256 Мб RAM. Есть демонстрационная версия. ==================================================================== The ARP2600 V is a reproduction of the ARP 2600. Introduced in 1972 with its "Blue Meanie" version, the ARP 2600 has evolved over the years to become a synthesizer celebrated by respected musicians. Capable of creating amazing sounds thanks to the exclusive ARP technologies, it can be operated with or without patch cords since all of the functions are internally wired and can be controlled via sliders and switches. With the ARP2600 V, Arturia brings this powerful semi-modular synthesizer back to life. Offering all the features of the original version, Arturia has added new functions such as MIDI control, polyphony, and, hidden behind the speaker panels, tracking generators and additional effects. Features: 3 voltage-controlled oscillators. The second oscillator can modulate either the first two oscillators or the filter. Low pass resonant filter. 1 LFO that can be synchronized to the tempo of the host sequencer. 1 Sample and Hold. Env 1: ADSR; Env 2: AR; 1 Envelope follower. 1 Ring Modulator. 1 Noise Generator. 1 ARP original sequencer. 1 Tracker / interactive LFO exclusive module allowing to create new kinds of modulations in real time. ARP2500 multi-mode 12 dB filter including the very special notch / low shelf filter combination. Possibility to synchronize Osc1 and Osc2. 1 Chorus. 1 Stereo Delay (synchronized via MIDI). Updated voltage processors that you can now use either as inverters, mixers or lag processors. New keyboard following management. Polyphony from 2 to 32 voices, with Unison. More than 400 presets easily accessible through the ergonomic browser. All parameters can be controlled via MIDI. More Info...

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Angular Momentum Chromium VA v1.0 i-NEMESiS

Angular Momentum Chromium VA v1.0 i-NEMESiS

Angular.Momentum.Chromium.VA.v1.0 3 Oscillator donationware synth with arpeggiator, double delay, stereo chorus and reverb. Specs: * 3 Oscillators with 7 waveforms, pulse width, FM and sync * 1 ADSR Envelope * 1 Multi Mode Filter with Envelope * 1 LFO with multiple destinations * 1 Modulator with multiple sources and destinations * 1 FM Modulator with Envelope * 1 Pitch Modulator Envelope * 3 PW modulators * 1 Phrase Areggiator * 2 delays with pan * 1 Stereo Chorus * 1 Stereo Reverb * 64 Patches with professional sounds * Easy installer Minimum System Requirements - Processor: Pentium/AMD - Processor speed: 2000 MHz - RAM (Cache): 256 MB RAM - Operating system: Windows 98/ME/XP or 2000 - Host application: Cubase VST 3.7 or higher or other VST 2.0 compatible host software - Other Components: PC equipped according to the specifications of the host software

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Электропиано Applied Acoustics Lounge Lizard EP VSTi DXi v3.

Электропиано Applied Acoustics Lounge Lizard EP VSTi DXi v3.0

Виртуальный инструмент Lounge Lizard EP-3 использует физическое моделирование для имитации звучания классических электропиано (Rhodes, Wurlitzer, RMI, Hohner). Моделируются два типа звукоснимателей (электромагнитные и электростатические), обе вилки вибратора, демпфер. Возможна регулировка положения "иглы" вибратора относительно звукоснимателя. Есть эффекты: тремоло, вау, хорус, фейзер, дилей, ревербератор, эквалайзер. Поддерживаются микронастройка (в том числе файлы Scala), работа с несколькими MIDI-портами одновременно. Возможны управление параметрами и синхронизация по MIDI или средствами хост-программы. Есть система поиска пресетов, неограниченное количество отмены и повтора операций, встроенный аудиорекордер. Внутренняя обработка 32-разрядная с плавающей запятой, вывод аудио возможен с разрядностью до 24 бит и частотой дискретизации до 192 кГц. Программу можно использовать автономно (поддерживаются ASIO, DirectSound, Core Audio) или как плагин формата DXi, VST, Audio Units и RTAS (только MacOS). Системные требования: Windows 98/ME/2000/XP, Pentium III 800 МГц, 128 Мб RAM; MacOS X 10.2, 10.3 или 10.4, G4 733 МГц, 256 Мб RAM. =================================================================== Applied.Acoustics.Lounge.Lizard.EP.VSTi.DXi.v3.0 Lounge Lizard EP-3 - Electric Piano The Best Got Even Better! Once again, AAS rises the bar in the re-creation of the classic Rhodes™ and Wurlitzer™ electric pianos. Not only does Lounge Lizard EP-3 deliver the authentic tone of the originals but it also preserves their action and feel. Once you get your hands on Lounge Lizard, that elusive electric piano sound becomes a reality—you'll be proppelled into ins­pirational space. Building up on our physical modeling know-how, we've come up with the refinements that takes one of the most impressive and unanimously acclaimed software ins­trument of the industry further ahead. What's New in Lounge Lizard EP-3 Presets The brand new library fully exploits the refinements on offer and covers all your electric piano needs. Effects The high-end effect section has been extended with tremolo, wah, chorus, phaser, delay, reverb, and EQ—making Lounge Lizard a complete and self-contained electric piano solution. Pickup model Two pickup types are now available for a wider character range: electromagnetic (Rhodes™) and electrostatic (Wurlitzer™). In addition, scaling has been added for even volume across the entire keyboard. Fork model The new and improved Fork model adds upper harmonic content for an even more authentic sound. Damper model The improved Damper now closely interacts with the Fork and provides superb dynamic response. Audio Recorder The integrated audio Recorder captures inspired moments on the fly. Micro-Tuning Custom tunings are now possible with the added support for Scala files. Presets and Effects Lounge Lizard comes with an extensive preset library that is simply inspiring—giving you access to the Rhodes™ and Wurlitzer™ sounds popularized by musical legends like Chick Corea, Herbie Hancock, Stevie Wonder, and George Duke. There is a choice of pure and true tones as well as a selection of processed ones courtesy of the high-end effect section. Especially designed for the electric piano—so you don't spend hours tweaking external plug-ins or boxes—the effect section includes the classic tremolo, chorus, wah, and phaser effects as well as EQ, delay and reverb, making it really easy to create your own distinctive custom tones. EP Character and Beyond The original Rhodes™ pianos provided timbre and volume adjustments by letting you position the tines in rela­tion to the pickups. These adjustments were at the heart of the electric piano's character as they con­trolled the harmonic content, attack, and decay of the sound—offering unique tone to each player. But there was a price for this flexibility, several painstaking hours with a screwdriver and incredible patience was needed to change the sound of an electric piano. Suffer no more—With Lounge Lizard, the preset library provides a selection of thoroughly chosen Tine/Pickup configu­rations but you also have the ability to make those adjustments in real time via two simple controls: Distance and Symmetry. But it doesn't end there, since controls are provided for the various electro­mechanical components, Lounge Lizard can be pushed far beyond hardware equi­valents, opening up a completely new realm of sonic posibility! What's more, since the interaction between the tine and pickup is quite unique, its effect can't be obtained with the filtering provided by samplers—limiting sampled solutions to one or two fixed configurations and bringing physical modeling at the forefront of the electric piano recreation. Lounge Lizard EP-3 Highlights All the classic electric piano sounds: Rhodes™, Wurlitzer™, RMI™, Hohner™ Entirely based on physical modeling for outstanding sound quality Top quality preset library—vintage to modern Integrated browser and locate function for easy navigation and organisation of presets Fast preset loading time Hands-free operation via custom MIDI programs Every parameters can be controlled via MIDI or host automation Intuitive and ergonomic user interface for preset creation Real-time calculaton of sound—no samples 32bit floating point internal processing Audio bit-depth and sample rates up to 24bit/192kHz Import/Export functions for easy sharing of presets Unlimited undo/redo capability Standalone operation—no host application required, and standard plug-in formats support Full audio and MIDI hardware support Simultaneous operation of multiple MIDI ports User defined MIDI maps with MIDI Learn function MIDI clock, tap and host tempo synchro­nisation Dynamic voice allocation and CPU overhead protection more info available at:

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White Noise Additive v1.3

White Noise Additive v1.3

Features: 2 Spectral Oscillators. 128 partials per oscillator. Each oscillator has 128 "time frames" to allow sounds to evolve and change over time. FM capabilities. Ringmod, compression, reverb, distortion and chorus/delay. 2 Envelopes which can modify any parameter. 2 LFOs with multiple wave shapes, including arp patterns. Unison effects to phatten up any sound. 128 Band formant filter or noise spectrum. Can act as a 128 band vocoder. Formant filter has 128 time frames to allow changes over time. Formant Bias parameter also allows formant filter sweeps similar to sweeping the cutoff on an analog synth. Flexible mod section. On screen XY-Pad allows you to modulate parameters easily. Packaged with 128 presets plus dozens of waveforms and filters to make your own sounds with or create your own. Visually draw your own waveforms and spectral changes, similar to products like MetaSynth and Coagula. Draw your own filters. Average patch uses 20% for a 3 note chord on a 1.6 GHz P4 and can use more or less depending on settings like number of partials, oscs, and whether reverb and delay are turned on. Captures the unique and sought after sound of the Kawai K5000. A programmers heaven, this synth will let you create nearly any time of synthesized sound.

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Albino VSTi v3.0

Albino VSTi v3.0

Мощнейший VSTi синтезатор, море пресетов от транса до эмбиента, наивысшее качество звучания... ===================================================== In 2002 Rob Papen approached Peter Linsener of LinPlug with the idea of a sound-designers dream synth. A few months later ALBINO was born! This very unique synth stole the hearts of many musicians due to it's high quality sound, usability and inspirational presets. Now, just when you thought things couldn't get any better... Albino 3 arrives! There are loads of amazing new creative features added like the two new filters "Scream" and "Comb"; four FX units with new FX like LoFi and WahWah; a Compressor and an improved Reverb. But the biggest new feature is that you can layer up to four instances of Albino in one single preset! Albino 3 has more than 2100 'Rob Papen' presets in various styles of music plus two banks by the very talented REYN (Famous Dutch producer), Noisia (Dutch DnB) and NarvanaX (Dutch Hardcore). Key features: * AU, RTAS and VST plug-in synthesizer for PC and Mac * Modular and extendable design currently with with 4 Oscillator Modules, 4 Filter Modules, 2 Envelope Modules and 12 Effect Modules * 32 voice polyphonic (CPU dependent) * More than more than 2000 Rob Papen presets, integrated sound browser * up to 4 oscillator per voice and layer, various High Quality Oscillator types with countless waveforms * Oscillator AM and FM and "Pulse Width Modulation" for all (!) waveforms, oscillator sync, filter FM * up to 2 filters per voice and layer, each with 4 types of multimode filters, altogether 20 filter modes, saturation control * up to 8 envelopes per voice and layer, 2 types: 5 levels / 5 rates with loop and ADSFR mode * Variable keyboard and velocity tracking, individual for each envelope * up to 4 LFO’s per voice and layer with various waveforms, broad range of tempo sync, Symmetry and Phase adjustable, additional DAD envelopes for every LFO * Controller hardware (faderbox or synth) can be used to control Albinos parameters using the LinPlug ECS * Portamento / Glide with various options, constant Time or Rate and Auto-Bend * Improved adjustable Precision to bring in the warmth of good old analogue modules * Sophisticated Arpeggiator per layr with 32 programmeable steps, several modes, swing, several clock settings, save/load/copy/paste and many more functions * Modulation matrix with more than 1000 possible modulation routings * Spread for ultra-fat sounds (up to 20 Oscillators per layer) * Microtuning support (TUN files) for different scales * Up to 4 effect blocks per layer with chorus, flanger, phaser, filter, distortion, delays, reverb, gator, wah, compressor and LoFi effects * Fully recognized velocity, mono and poly aftertouch, pitch bend, mod-wheel and various other controllers * Full version comes with a comprehensive PDF manual (box version with printed manual) * Sample accurate timing, full automation and settings are saved with your song.

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ZERO-G Nostalgia

ERO-G Nostalgia

NOSTALGIA - виртуальный инструмент от ZERO-G, занимает более чем 1.3 гигабайта звуков и свыше 1 300 патчей с четырех разделов электронных инструментов. В качестве программной оболочки используется специальная версия Native Instruments KOMPAKT (дочерняя программа от мощного сэмплера KONTAKT). Все звуки были записаны и обработаны на уровне качества 16 бит/44,1 КГц. В списке "участников" вы можете встретить практически все популярные модели синтезаторов и ритм-машин прошлого. Основные прелести программы - она требует малых ресурсов - Windows XP/ME/98, CPU от Pentium III/ Athlon от 400 МГц, RAM от 256 Мб, поддерживает все основные стандарты - VST 2.0, DXi, ASIO, Soundmanager, OMS, Audio Units, Core Audio, RTAS. Графический интерфейс, а это интерфейс Native Instruments KOMPAKT, очень прост, не имеет каких-либо заумных наворотов. То есть, включил - и работай! СПИСОК ИСПОЛЬЗУЕМОГО ОБОРУДОВАНИЯ: ИНСТРУМЕНТЫ и SYNTHS: ARP 2600, ARP String Ensemble, ARP Pro-Soloist, ARP Odyssey, Casio VL-Tone, Casio CZ101, Casio PT-30, Crumar Performer, Chamberlin, Chapman Stick, Clavinet D6, Delicia Medlodica , Dubreq Stylophone, Ensoniq SQ80, Ensoniq SQ-R, Elektronika EM-25, Elka Synthex, Eminent 310, Emulator 2, Fairlight CMI IIx, Farfisa organ, Farfisa Soundmaker, Fender Rhodes, Gem DEX20, Gem S2, Hammond B/C3, Hammond M102, Hohner Pianet, Jen bass Pedals, Kawai K5000, Korg Prophecy, Korg Trident, Korg Wavestation, Korg M1, Korg MS20, Korg Polysix, Korg X5DR, Mellotron, MemoryMoog, MiniMoog, Moog Taurus Mk1, Moog Opus, Moog Voyager, MultiVox MX202, NanoBass, Novation SuperNova II, Modulus Monowave, Novation K-Station, Oberheim Matrix 12, Oberheim Matrix 1000, PolyMoog, Prophet 5, PPG Wave 2.2, RMIElectrapiano, S+S synths, System 100, TB303, VP300 Vocoder Plus, Alpha Juno 2, D50, Jupiter 6, MKS50, RS202, SH101, Sci-Fi, Suzuki SX-500, TI Speak & Spell, Wurlitzer EP200, Wurlitzer EP203, Vako Orchestron, Vox Continental, Yamaha CP70, Yamaha DX7, Yamaha CS1x, Yamaha CS5, Yamaha CS80, Yamaha CVS10, Yamaha SY2, Yamaha SY85, Yamaha TX81Z. BEATBOXES/DRUM SYNTHS: Ace Tone "Rhythm Ace", Akai XE8, Akai XR10, Alesis HR16, Alesis HR16b, Alesis SR16, Boss DR55, Boss DR220, Fricke MFB512, Kawai R5/R50E, Korg DDD1, Korg DDM110/DDM220, Linn LM-1, Linn 9000, Mattel Synsonics, MXR 185, Sequential Drum Traks, Sequential Tom, CR78, TR606, TR707, TR727, TR808, TR909, Simmons SDSV, Yamaha RX11, Casio RZ1, Emu Drumulator, Keytek MDP40, Korg "Mini Pops", Linn Drum Mk2, Oberheim DX, TD7 V-drums, TR505, Sakata DPM48, Sound master SR88, Sound Master Stix, Soundtech Rhythm 12, Pearl DRX-1, Pearl Syncussion, Yamaha DD10 01 US Classics 02 Euro Classics 03 Japanese Classics 04 Playback Keyboards 05 Organs 06 Electro-Mechanicals 07 Digital ROMpler synths 08 Vintage Samplers 09 Cheap n Cheezy 10 Obscure Synths 11 Drum Synths 12 Classic Beatboxes 13 Obscure Beatboxes 14 Sci-Fi 15 Atmosferics 16 String Synths 17 Basses

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Best Service Latin World VSTi DXi RTAS AU

Best Service Latin World VSTi DXi RTAS AU

Best Service Latin World - Набор инструментов и стилей популярной музыки Южной Америки, включающий барабанные, перкуссионные, басовые и гитарные петли (в стерео и в потрековой записи), а также духовую секцию, рассортированные по стилям, тональностям и видам гармонической прогрессии (4 базовые тональности и до 6 различных прогрессий). В этом инструменты представлены почти все популярные латино-американские стили.

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KlangLabs Milli Vinylli

KlangLabs Milli Vinylli

Milli Vinylli is as an "Old Vinyl sound generator". Features: First row of buttons are to turn generators on/off. Phase buttons to switch variations position. Var: Adjust the level of variation depending of the generator. Vol: Volume knobs for each generator. Density: Sets the noise density on the clicks, dust and friction generators. Main Vol: Main volume of the sum of all generators. Fq: Frequency or "tuning" of each generator.

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Ohm Force Symptohm Melohman VSTi 1.0

Ohm Force Symptohm Melohman VSTi 1.0

Two unique sample based SyncGrain synthesis (Polyphonic or mono timbral, depending on preference). Create a morphing oscillator out of any sample, and even use multi samples to create drumkits! Adaptable sub oscillator brightness based on SyncGrain spectral content, a stereo noise generator, a ring modulator per voice. Also features inter-voice ring modulation. Dynamic routing of the signal into the Quad Frohmage filter bank (with loads of filter types, distortion, band delay and everything else you would expect). Extensive modulation options (one LFO + one xADSR per parameter + MIDI) for almost every parameter. Output signal limiter. Approachable, straightforward user interface: large integrated file browser with easy file management facilities, a thousand parameters instantly accessible across just two panels, and the usual Ohm Force selection system, flying faders and velocity simulation on the graphic keyboard. Over 30 Meta Patches included, each of them with its own complex MIDI behaviour, 12 patches to morph with and the designer's comments to help you learn how to use them to their full potential. First major Meta Patches release as a free bonus. Useful presets instant variable transitions where all the parameters switch from the old value to the new one in a ballet you won't forget! MIDI automation with Auto-Bind. Fast configuration (Save MIDI configurations). Tempo synchronization. High quality DSP algorithm. Sampling rate up to 384 kHz. Revolutionary graphic user interface. Move several buttons at once, with group selection and side-click.

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ReFx/Wizoo/Steinberg X-Phraze 1.0 + v1.2 Update

ReFx/Wizoo/Steinberg X-Phraze 1.0 + v1.2 Update

X-PHRAZE The Ultimate Phrase Synthesizer Xphraze is the ultimate phrase synthesizer that brings together powerful sound shaping and real-time polyphonic phrase creation. At the heart of this powerful and unique new sample-based VST instrument is a flexible multi-timbral synthesizer engine, offering virtually unlimited sound-shaping and real-time modulation possibilities. Powered by an integrated polyphonic phrase generator, Xphraze is capable of conjuring up any kind of rhythmical phrase. There's never been an instrument so quick and intuitive to use: simply drag a phrase from the pool or your own sample collection, tweak the groove and sound, play a note or a chord and be amazed as the stunning Xphraze textures kick in and move perfectly in sync with your song. Use real-time controllers and other sound-mangling tools to change the phrasing or sonic character in ways that were previously unimaginable.

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Toontrack Drumkit From Hell 2

Toontrack Drumkit From Hell 2

Drumkit From Hell 2 - одна из самых полных и качественных коллекций ударных инструментов для различных стилей и жанров, в особенности hard rock и heavy metal. Включает собственный сэмплер - упрощенный аналог Native Kontakt. Sound Library plugin based on Native Instruments' Intakt. Read more about the engine here. If you need heavy, natural drum sounds, Drumkit From Hell 2 (DFH2) will exceed your expectations. Combining the bleed between microphones provides you with unparalleled realism that is equivalent to having one of the worlds best metal drummers live in your studio. Key features: Produced by award winning producers Toontrack Music with Tomas Haake (Meshuggah) on a Sonar drumkit. 2.4 Gigs and 3,200 files of unprocessed multiple mic "interactive" drum sounds providing unparalleled realism. 9 mono & 2 stereo outputs with natural bleed through overhead, ambience & snare bottom mics. Easy instrument customization - snare, toms and kick drums use left/right hands/feet. Includes a special version of Kompakt Sampler from Native Instruments (plug-in or standalone) with Direct-from-Disk streaming for Mac and Windows.

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Native Instruments Synthetic Drums: 1 & 2

Native Instruments Synthetic Drums: 1 & 2

NI Synthetic Drums 1: The SYNTHETIC DRUMS 1 sample CD for BATTERY and KONTAKT includes 32 powerful electronic drum kits developed by renowned sound designers and producers from the techno, house, drum and bass, IDM, electro, eclectic, hip-hop, and ambient scenes. Inspired by the overwhelming success of the SYNTHETIC DRUMS 1, Native Instruments has produced a further sample library packed full with amazing, electronic drum kits. Native Instruments was successful in hiring the services of renowned, international artists from various electronic genres to produce this eclectic collection of kits. The result is a selection of 36 unique and contemporary drum kits with more than 2000 samples that instantly distinguish themselves from other drum sample libraries.

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Cakewalk Vintage Channel VC-64 VST v1.0

Cakewalk Vintage Channel VC-64 VST v1.0

VC-64 Vintage Channel offers the classic sound of sought-after analog channel strips and dynamics processors. Start with presets designed by professionals and hear the instant lift, punch, and clarity VC-64 adds to vocals, drums, synths, and more. Dig deeper with powerful sound-shaping features including double precision EQ filtering, dual compression stages, de-esser, gate, and user-customizable signal flow including internal side chaining.

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Clone Ensemble Alien Solo VST. DX. v2.2

Clone Ensemble Alien Solo VST. DX. v2.2

Voice-controlled analogue-style synthesiser Your voice becomes an expressive mono synth Create fluid, organic leads and basslines OK, I'll say it: poor man's Kantos / Vokator Alien Solo is a fully-featured monophonic synth that is controlled by your voice. Sing, hum or doo-wop the lead or bassline and then dial up the synth patch you want. You can also process other monophonic sources, but the pitch tracking function is optimised for the human vocal range. Features: Stable, accurate pitch and envelope tracking algorithm Auto-tune feature to keep you right on the note Dual analogue-stye oscillators with 5-octave transpose range Mix, FM & ring mod modes Vocoder-like morphing filter to apply your voice's characteristics to the synth sound Analogue-stye 2/4/6-pole filters with envelope follow and pitch tracking control Why "Alien Solo"? Picture those aliens blowing into weird instruments in the seedy bar in Star Wars IV.. More Info... Download Demo MP3

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Clone Ensemble Psycho Toolkit VST.DX.v1.1

Clone Ensemble Psycho Toolkit VST.DX.v1.1

Creative sound torture Seven hardcore tools for advanced sound design Unexpected results of some seriously twisted R&D It'll make your Momma cry... Psycho Toolkit is a bundle of plugins that were largely unexpected results of research while developing Clone Ensemble, Alien Solo and Voice Trap. The tools are aimed at sound design rather than mainstream audio production. Psycho Toolkit includes: Barnum Preamp - OTT warmth-adding analogizer thingy Excitable Boy - aural enhancer / exciter that goes too far Flip Speed - rectification-based and playback speed octave generator with an attitude problem Metal Demon - death metal vocal effect to defile the purest voice Sick Puppy - seriously twisted wave-peak analysis distortion generator Trash Triode - vacuum tube and cheap amp construction kit Water Glass - noise reduction and texture generation More Info...

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Clone Ensemble Voice Trap VST.DX.v2.0a

Clone Ensemble Voice Trap VST.DX.v2.0a

vocal track eliminator & isolator Price (MSRP): $25 Version Download Avail? 1.0 Download Remove vocal for karaoke (not hip) Isolate vocal for remixing/mash-ups (way hip) Sophisticated FFT & cepstral algorithms, not "left minus right" Back in the old days you could remove the vocal from a stereo track by subtracting the left channel from the right. * You only got mono output, * The bass was missing, * The mix sounded terrible, * You could only remove the vocal, not isolate it, * It only really worked on old tracks, before they started using stereo reverb. Voice trap offers two sophisticated DSP algorithms: * FFT-based center channel suppression / isolation, * Cepstral liftering (an advanced technique that can identify harmonically rich elements in a mix). Together these allow Voice Trap to overcome those problems: * The output is stereo, * The bass frequencies are left untouched, * The mix is largely preserved, * You can choose to remove the vocal OR isolate it, * Good results possible on some modern tracks (ie, with stereo reverb). More Info...

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Clone Ensemble VST DX ver. 4.2

Clone Ensemble VST DX ver. 4.2

Realistic ensemble generator One voice becomes a mixed (M+F) choir One instrument becomes a section One oscillator becomes a silky smooth pad "Oh give me a clone Of my own flesh and bone With the Y-chromosome changed to X And when it is grown Then my own little clone Will be of the opposite sex..." There is strength in numbers Whatever line you play or sing, Clone Ensemble will generate a room full of up to 32 of you in unison or octaves. For vocals, you can change the sex of some or all of the voices. You can dial up a classical choir, a tight jazz chorus or an incredibly realistic ADT effect. More Info...

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CrySonic CRYQ v1.0 free download descargar gratis

CrySonic CRYQ v1.0-AMPLiFY

Price (MSRP): $49.95 Version Download Avail? 1.0 Download CRY 'Q™- Inspired by Vintage EQ 's, CRY 'Q captures and recreates as close as possible the sound and character from some of the most popular classic EQ's in the past. Combining this ability with an extremely intuitive user interface and the ' volume-preserving ' feature that enables you to hear what the EQ section is doing without a significant boost or cut in the perceived loudness ensures an unsurpassed work flow that is easy, fast, re-producible and reliable! (click to enlarge) CRY 'Q™significantly reduces the sterile digital sound that is found in most other EQ's. CRY 'Q is ideal for recording, mastering, mixing, restoration, audio post production. and track sweetening. CRY 'Q™ main features • 10 Band Vintage Inspired Minimum phase EQ over 4-Octaves • Semi-Parametric Band frequency adjustment • Filter bandwidth (Q) widens at minimal settings and narrows at higher settings • Filter Boost / Cut: +/- 12dB • Filter Slope 12dB per Octave • EQ amount controllable by ratio • Full automation for all parameters via the host • Unique and Intuitive RMS Meters • 64-bit internal precision • 24bit/96Khz audio support • Highly optimized custom DSP code • and much more Applications • Mastering, Mixing, restoration, audio post production and track sweetening. Minimum system requirements and compatibility · Windows XP/2000 · 256 MB Ram · Pentium III 1000 MHz · VST Supporting Host application Most professional audio hosts offer VST support nowadays. If your audio application doesn't support VST but only DirectX, you still can use CRY 'Q™. All you need is a VST-DirectX wrapper software. Such software can host CRY'Q VST plugin and it will behave like a DirectX plugin to applications that only support DX audio plugins. More Info...

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Crysonic SpectraPhy VST v1.0 free downloads

Crysonic SpectraPhy VST v1.0 Price (MSRP): $59.95 Version Download Avail? 1.0 Download

Spectra'Phy™ -is the first Mastering grade look-ahead brickwall limiter of it's type to utilize the principals of mechanical physics for Audio processing. The innovative approach represents a paradigm shift in the way these types of DSP effects have been designed to date. The unique method employed easily allows the mastering engineer to achieve maximum perceived "loudness" transparently without ever getting overshoots (Digital-over's) with minimum audible distortion. The characteristics of the final audio can quickly be adjusted to taste, be it analog or digital with only two rotary-dials. The drive / color dial component also allows the addition of analog saturation when "running hot", this can naturally be disabled if not required. Spectraphy has been designed for ease of use and efficiency in mind without sacrificing creative freedom. SPECTRAPHY PHYSICS? What makes Spectra'phy process unique is the novel approach used for its dynamic signal analysis. Internally Sprectra'phy utilizes a special physics engine to accurately simulate multiple response signals to maximize the perceived signal volume and to also "brick wall" upper limit to peak set levels. Final response curve is computed on the analysis of multiple simulations each having different characteristics that are driven mainly by incoming transient signals concurrently. This approach tends to produce a more natural sound, almost completely eliminating the risk of introducing audible nonlinear distortion. Spectra'Phy™ main features • NEW Physics based Peak Limiting • Maximum transparent loudness • Look-ahead Brickwall limiting with no overshoots • Variable Limiter mode (Analog / Physical - Digital / Current) • Elasticity - Limiter Transient (Peak) response strength / Speed • Saturation / Drive Dial • VST Automation for all parameters • Gain reduction and RMS meters • 64-bit internal precision • 24bit/96Khz audio support • Highly optimized custom DSP code • For Mastering, Mixing and Tracking Applications • Mastering, Mixing, Tracking Minimum system requirements and compatibility · Windows XP/2000 · 256 MB Ram · Pentium III 1000 MHz · VST Supporting Host application Most professional audio hosts offer VST support nowadays. If your audio application doesn't support VST but only DirectX, you still can use Spectra'Phy . All you need is a VST-DirectX wrapper software. Such software can host Spectra'Phy VST plugin and it will behave like a VST plugin to applications that only support DX audio plugins.

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Crysonic nXtasy v1.0 VST free downloads plugins

Crysonic nXtasy v1.0 VST

Price (MSRP): $29.95 Version Download Avail? 1.0 Download nXtasy provides the same multi-octave harmonic enhancement ability found in Crysonic's multi-purpose mastering plug-in Spectra' Q by adding harmonic content to fundamental frequencies and enabling warm tube saturation. nXtasy can be used through out the entire chain of music production from tracking and live use to mixing and final mastering. The primary ability of nXtasy is to add multi-octave harmonics and induce warm vintage tube-saturation effects. It is especially potent enhancing and adding punch and clarity to bass / low frequency tracks as well as enhancing any sound lacking or low in harmonic content. Main features: Multi-Octave Vintage Harmonic Adjustment. Warm Analog Saturation induction. Wet / Dry Mix Dial. Full automation for all parameters via the host. Low CPU usage. 64-bit internal precision. 24bit/96Khz audio support. Optimized custom DSP code. Mastering, Mixing, restoration, audio post production and track sweetening. nXtasy provides the same multi-octave harmonic enhancement ability found in Crysonic's multi-purpose mastering plug-in Spectra' Q by adding harmonic content to fundamental frequencies and enabling warm tube saturation. nXtasy can be used through out the entire chain of music production from tracking and live use to mixing and final mastering. The primary ability of nXtasy is to add multi-octave harmonics and induce warm vintage tube-saturation effects. It is especially potent enhancing and adding punch and clarity to bass / low frequency tracks as well as enhancing any sound lacking or low in harmonic content. Main features: Multi-Octave Vintage Harmonic Adjustment. Warm Analog Saturation induction. Wet / Dry Mix Dial. Full automation for all parameters via the host. Low CPU usage. 64-bit internal precision. 24bit/96Khz audio support. Optimized custom DSP code. Mastering, Mixing, restoration, audio post production and track sweetening.

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Crysonic SpectraLive VST v2.0

Crysonic SpectraLive VST v2.0-

Spectralive 2.0 - Энхансер - компрессирует высокие частоты и примешивает их к исходному звуку... Эксайтер - генерирует несколько гармоник и примешивает их к исходному звуку... Экволайзером можно приглушить усилить, но сделать звонкими острыми на нужной частоте никак, это можно сделать только EXITERENHANCER. Плагин для генерации высокочастотных гармоник и добавления "воздуха". ---------------------------------------------------------------------------------------------------------------------------- Spectralive is an exciter/enhancer which Crysonic describe as "the" definitive secret weapon for attaining that professional "commercial" sound. The Spectralive process is a proprietary approach for imparting vitality and warmth to your audio material. Spectralive uses a considerably different method to achieve its sonically correct, phase-accurate and fresh sound when compared with other products such as enharmonic exciters, enhancers and analog tube simulators. Spectralive does not add any artificial harmonics or overtone content thereby eliminating the inherent hiss introduced by other exciter and enhancer type effects. Crysonic describe the effect of Spectralive with words such as Vitality, Warmth, Better stereo coherence, Less phase distortion, reduction of frequency masking, extra sparkle, more presence, greatly improved spectral definition and less Harmonic distortion. Features: 32-Bit internal precision. Sampling rates up 192kHz. Variable Vitality mix adjustment. Multiple Intelligent Phase control algorithms. Multiple pure assembly programmed processes. Additional single-band parametric bass filter. High quality global stereo-width correction. 64 presets usable for Mastering, Mixing, Virtual Analog instruments to a whole variety of Instruments, vocals and music genres.

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CrySonic SPECTRA-Q 1.0 VST free download

CrySonic SPECTRA-Q 1.0 VST Price (MSRP): $79.95

Version Download Avail? 1.0 Download Многофункциональный гармонический эквалайзер. Crysonic has released SPECTRA 'Q, a new VST effect plug-in for Windows that provides the ability to adjust multi-octave harmonics within an intuitive multi-band environment in two modes. SPECTRA 'Q also incorporates a vintage inspired 10-band EQ, look ahead transparent loudness maximizing with smooth peak limiting (based on Crysonic's upcoming "SPECTRA' PHY" technology) and a 4-band low-frequency phase tweaking section. SPECTRA 'Q's forte is to enhance specific areas of an instrument's, or any audio material's, frequency range - improving overall balance of the harmonic presentation of music, instrument or vocals contributes significantly to its clarity and richness. Crysonic states that the comprehensive feature set of SPECTRA 'Q is intended and designed to "empower audio professionals in the field of mastering and mixing music productions achieve great commercial release quality results quickly and easily". Main features and uses: Improve and fix overall balance of the harmonic presentation of music, instruments or vocals. 10-Band Vintage Inspired EQ. 10-Band Multi-Octave Harmonics Adjustment. Transparent Look-Ahead loudness maximization with smooth peak limiting (SPECTRA' PHYT tech.). 4-Band Low Frequency Phase Adjustment. Linear or Impulse Harmonics modes. EQ amount controllable by ratio. All sections can be used separately. Full automation for all parameters via the host. Custom Presets. Unique and Intuitive RMS Meters. A/B Different modes for low/high CPU usage. Can also be used as an advanced Exciter, unique AMP simulator, Vintage EQ. 64-bit internal precision. 24bit/96Khz audio support. Highly optimized custom DSP code. Harmonically balance a mix during Final Mastering. Vitalize dynamics. Add classic analog warmth or tube saturation effects. Final mastering EQ, can be coupled with Harmonic enhancement. Loudness maximization with transient preservation. Enhance, clarify bass frequency sections. Vintage Amp saturation type effects. and many more, as each section of SPECTRA 'Q can be used separately and creatively.

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DiVerSe vocSteady VST v1.0-TALiO

DiVerSe vocSteady VST v1.0-TALiO

vocSteady is an "intelligent leveler for vocals", intended to free musicians from the tedious task of automating vocals in the mix. vocSteady's design causes it to behave less like a normal compressor, and more like an automated fader: it follows the vocalist's dynamics, and attempts to minimize volume differences between phrases, words and even syllables. Lyrics will be easier to understand, occasional bursts (or drops) in energy will be leveled out, and the whole track will feel more "solid". DiVerSe claims that with vocSteady you'll get a stable and comprehensive vocal track even if your vocalist whispers in the verses and screams in the chorus. vocSteady can be used in situations that need immediate leveling of vocals: Broadcast microphones; Jingle vocalists; Mixes that should be ready by "yesterday"; etc. Key features: An intelligent compression method, optimized for vocals. A unique algorithm avoids over-compression. One slider operation: no "threshold", "ratio" etc. Gate option to get rid of background noises. "Dual Mode" for handling extremely dynamic vocals. A low-cut filter option, to diminish "poofs" and hums. A large and intuitive Gain-Reduction meter with clip indicator. Trimmers for release time and output volume.

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DyVision Works 6-BC VST v1.0 - PDX

DyVision Works 6-BC VST v1.0 - PDX
6 band compressor for music production

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Wave Arts Power Suite 5.21

Wave Arts Power Suite 5.21

Wave Arts Power Suite – пакет, включающий в себя пять инструментов обработки звука, по качеству не уступающий аппаратным аналогам: TrackPlug (10-полосный эквалайзер, компрессор и гэйт), MasterVerb ("мягкий" ревербератор), MultiDynamics (мульти компрессор), WaveSurround (пространственный стерео энхансер), FinalPlug (лимитер/увеличитель громкости-максимайзер, специально разработанный для мастеринга). ========================================================================== Comprehensive bundle for VST, MAS, Audio Units, RTAS, and DirectX host applications. Now you can own all of Wave Arts' essential sound processing tools at one! The Power Suite gives you a solid set of CPU efficient, great sounding plug-ins that can be the signal processing foundation of any music production system. TrackPlug The ultimate channel strip plug-in, now better than ever!TrackPlug 5 is an all-in-one processor which features a 10-band EQ with several filter types, spectral analysis, a brickwall filter section, dual compressors, a gate, sidechain EQs, clean/vintage compression modes, and a peak limiter. Still incorporating Wave Arts' impressive CPU efficiency, you can bring out the best in all of your tracks. MasterVerb Go from small rooms to vast spaces- create the perfect ambience. MasterVerb 5 is a multiple algorithm reverb that covers all the bases. Now includes early reflection controls, multiple late reverb algorithms (including a true plate reverb) and envelope control. Still the best sounding, most efficient software reverb, now with a vast palette of sounds. FinalPlug Tame the peaks in your mix a bit, or squeeze as much volume as possible out if it. FinalPlug 5 provides peak limiting and volume maximizing as well as comprehensive dithering options to make this plug-in specially suited for mastering a final mix. Features a brand new limiting algorithm with auto release control for greater sonic clarity. MultiDynamics Powerful multi-band dynamics: use up to six compressors/expanders, each operating in a different frequency range. MultiDynamics 5 has a variety of uses including mastering, noise reduction, volume maximization, and sound design. Now includes clean and vintage compression modes. Panorama The powerful binaural spatial processor, now available with Power Suite! With Panorama 5 you can create stunning 3-D effects over conventional stereo headphones and speakers. Features sophisticated HRTF, crosstalk cancelling and room modeling DSP technology.

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Zero G Nu Jointz VSTi - PC

Zero G Nu Jointz VSTi - PC

"...Nu Jointz makes better use of the construction kit possibilities of Intakt. With about a Gigabyte of sample data, there is a good range of downtempo loops featuring drums, electric and acoustic bass, guitars, piano, turntable scratches and even the occasional trombone loop for good measure. The preset instruments are clearly organised... very easy to get at what you might want to audition... The material itself is quite gritty, so this is definitely hip-hop territory rather than R&B. In particular, the drum loops, many of which have had some lo-fi processing applied, would sit quite happily within some of the less cheery contemporary hip-hop and rap-based tracks around the charts at present. The majority of the drum loop presets include two or more loops mapped in various ways across the keyboard and this does make it easy to mix and match between each small collection of loops... The fun is in triggering the loops from a keyboard, and just experimenting to see what can be created... it is easy to see how a complete bed could be created from the loops provided.. Whatever your views might be on music by construction kit, the way the Nu Jointz library has been implemented with Intakt certainly makes it easy and adds a certain creative element..." SOUND ON SOUND MAGAZINE, UK "...With its flexible possibilities, ease of handling and expressive Loops, Nu Jointz can be recommended particularly for producers keen on experimenting." KEYS MAGAZINE (GERMANY) QUICK FACTS - Over 1 GB of BRAND NEW world-class construction kits, loops & samples. - Produced by multi KEY-BUY-AWARD-winning sample CD producer Vinnie Zummo in New York. - Filled with thumpin' new Hip Hop material in every tip including tiny-fi, mid-fi, lo- fi & hi-fi akoustic drums, strait ahead hip hop MPC groovez, slammin' R&B, funk, straight and wak drum machine loops, and a wide range of hits, stabs and FX. - The long awaited new sample library by the producer who created the multi KEY BUY AWARD-winning Zero-G NY Cutz series. - Sync each loop to your host sequencer at ANY TEMPO YOU WANT with the included software! - Includes a special version of INTAKT SAMPLER from NATIVE INSTRUMENTS (plug-in or standalone) for MAC and PC specifically designed for loop playback. OVERVIEW Includes a wide selection of construction kits and hundreds of new "fonky buttah loopz" including fuzz bass, akoustic bass, stank piano, "frequency" loops, "old recordz", "lounge recordz", intros & breaks, individual drum samples, skank guitar licks, funky trombone licks, muted trumpet licks, and a brand new tip, the totally madd "Bass In Da' Room Next Door" (just what it sounds like) plus lots more insanity in that bitin' NY Cutz flavah than there is have room to mention here. Over 1GB of new flavah! If you're tired of those "lame ass kokonut loopz" that are out there and want your tracks to be "keepin' it tite", check out Nu Jointz, and bring some NYC stylin' to your next track. NO SAMPLER REQUIRED! NU JOINTZ includes a stunning new state-of-the-art plug-in audio engine/interface from NATIVE INSTRUMENTS which is specifically designed for rhythmic loop playback, manipulation, and mayhem. The convenient one-screen interface is based on (and provides all the sound manipulation tools of) NI's new INTAKT sampler, and features tremendous sound shaping abilities without disrupting the creative flow, including a first-class multimode filter, an envelope follower, two LFOs, effects, and more. The loops have been set up so that they can be automatically synced to tempo, either via the Beat Machine or the Time Machine. The Beat Machine has loops divided into their individual hits (slices) which means they can be played at a wide range of tempos without any change in pitch. It also allows the user to give each hit individual settings for pitch, playback direction, pitch envelope, amp envelope, distortion, delay, and more; a MIDI file of each loop can be easily exported so that groove, accent, and feel can be manipulated in any host sequencer. The Time Machine time-stretches or compresses loops in real time. Not only can you sync, stretch, and pitch the loops, but also filter, effect and modulate them as well! A powerful sound-shaping filter, flexible envelopes, syncable LFOs, and distortion, syncable delay, and lo-fi effects can inject even more energy and individuality into the loops. Since the software interface is based on the KONTAKT engine, working with it is fast, easy, and it sounds great!

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Garritan Personal Orchestra VSTi DXi PC

Garritan Personal Orchestra VSTi DXi PC

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Набор Garritan Personal Orchestra для Windows состоит из оркестровой библиотеки семплов, семпл-плеера Native Instrument Kontakt Player, программы нотации GenieSoft Overture SE, секвенсора Steinberg Cubasis VST (PC), ревербератора Ambience Reverb. Представлены семплы всех инструментов современного оркестра. Можно использовать в автономном режиме или в качестве плагина формата VST, DXi, RTAS, AudioUnits. Системные требования: 2 Гб свободного места на диске, Windows XP и Pentium4/Athlon 1,8 ГГц . Рекомендуется иметь 1 Гб RAM. ====================================================================== Personal Orchestra includes a comprehensive, orchestral sample library, Native Instruments' Kontakt player, GenieSoft's Overture LE notation program and Ambience Reverb. Personal Orchestra instruments will also load into the full version of Kontakt. Personal Orchestra contains samples of all the major instruments in a symphony orchestra-strings, brass, woodwinds, and percussion-as well as instruments not found in other orchestral libraries-a Steinway concert grand piano, a Stradivarius violin, Wurlitzer and Venus concert harps, Haynes flutes, Heckel bassoons, a Mustel celeste, a Rudolf von Beckerath concert pipe organ, a harpsichord, and many other exquisite instruments. It even includes multiple solo instruments. Everything one needs to create orchestrations of any size! Ensemble Maker Personal Orchestra lets you construct ensembles and sections of different sizes from specially designed solo instruments, each comprising a unique set of samples. This feature allows you to build duos, trios, quartets and larger ensembles and sections as you see fit. Intuitive Controls The optimised control system allows you to master all the instruments with relative ease and confidence. Advanced functions, such as alternating bow strokes and automatic variability, help you produce more realistic sounding performanc

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H.G. Fortune STS26 Pro-MECH

H.G. Fortune STS26 Pro-MECH

STS-26 - Space Transition Synthesizer for Pads, Textures, Soundscapes, Athmospherics & more STS-26 Space Transition Synthesizer features the "Wave-Transition" method for creating unique Soundscapes & Textures, plus a straightforward user interface with 3 "Lazy" Buttons for randomizing different sets of parameters, so programming is very easy. Although this is a "simple" structured synthesizer it gains its sound from the Transition method between the oscillators. As there are also waves like Waterflow, Rainy, MetalHit and other strange ones the STS is also suited for ambient soundscapes or even industrial noises. The basic features: Features: New: complete new soundset with 128 waves + 21 perc. loops. New: two contour generators can be drawn with mouse at realtime. New: Stereo flanger with flexible modulations for depth and feedback per channel. New: Both filters with Filter FM driven by selectable osc. source each. New: Low octave loop play [LOP] as part of the synth sound. Four PCM-wave oscillators powered by 128 selectable waveforms. Two transition sections. Two resonant filters (24db Lowpass and 12 db High pass). Three ADSR-style envelope generators. Two LFO (BPM-synced). One Sample & Hold (BPM-synced). Space rotation for sound rotating in stereo width. Stereo Delay (BPM synced). Three Lazy buttons. The Pro version incorporates loading of user Soundfonts & wave files (up to 24 Bit) and is seven voice polyphonic (two voice in the free version). The free version is supplied with 128 patches - the Pro version comes with 384 patches.

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H.G. Fortune ProtoPlasm TSM VSTi - Excellent Pads and Atmos

H.G. Fortune ProtoPlasm TSM VSTi - Excellent Pads and Atmos

А это новая усовершенствованная разработка от H.G. Fortune, посвященная той же теме, что и STS-24, но очень сильно навороченная. И эта усложненная модель расширяет возможности синтезатора в плане воспроизводимых инструментальных звуков. Теперь можно услышать и привычные уху более-менее стандартные звуки, при этом есть место и для креатива. ProtoPlasm is a pad & texture synth. Features: The basic features are: three digital PCM-wave oscillators powered by 150 different waveforms (96 in free version). Each oscillator's level can be modulated by different sources. Adopted Transition System with 3 modes. Super Modulation for osc. and both filters. Filter-FM for both filters with adjustable sources from all osc. Shape function for S&H seed source. One LP filter (24db Lowpass) with adjustable Boost and ADSR EG. One HP filter (12db Hipass) with adjustable Boost and ADSR EG. Two shapeable LFO with pattern-like waveforms (BPM-synced). One shapeable standard LFO (BPM-synced). One shapeable Sample & Hold with pattern (BPM-synced). Each LFO and S&H provide an additional Mix-out for mixed LFO-shapes. One ADSR EG for VCA. Adjustable level for direct, LP and HP output with separate pan each. Stereo-delay for PingPong effects (BPM-synced). User-Waves for oscillators via Wave files and Soundfont files (SF2) loadable (in free version only SF2 for osc.1). More than 1200 patches included with Pro version; free version includes 128 patches.

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Toontrack EZdrummer EZX Vintage Rock VST HYBRID DVDR

Toontrack EZdrummer EZX Vintage Rock VST HYBRID DVDR

Toontrack EZX -VINTAGE ROCK description: Toontrack EZX Vintage Rock is an expansion pack for Ezdrummer. The Ludwig Drum Company had little idea what was about to hit them in the months following February 9th 1964, The Beatles debut U.S. Television appearance on The Ed Sullivan Show. The band were a sensation and almost overnight everyone wanted to own a set of Ludwig drums just like Ringos. In fact, Ludwig were still struggling to keep up with demand when along came another drumming icon John Bonham. As well as his use of the Supraphonic snare drum, Bonham popularised larger sizes, including the 24" bass drum similar to the one sampled for the Vintage Brushes and Sticks EZX. This 60s era Ludwig set belongs to 2khz Studio owner Nick Yeatman and Toontrack were very happy he lent it to them so they could capture that phat and funky Ludwig sound! The instrument list for the EZX Vintage Rock expansion pack is: Bassdrum; Ludwig Keystone (1960's) 14x24" (Felt and Plastic Beater) Toms: Racktom, Ludwig Keystone (1960's) 9x13" (Sticks & Brushes), Floortom, Ludwig Keystone (1960's) 16x16" (Sticks & Brushes) Snares: Black Beauty 20's 5x14" (Sticks & Brushes), Ludwig B/O Supraphonic (1970's) 6,5x14" (Sticks & Brushes), Ludwig B/O Supraphonic Low Tuning 6,5x14" (Sticks), Slingerland Radioking 1940's 7x14" (Sticks) Hats: 13" K Zildjian Istanbul (1960's) (Sticks), 15" Paiste Formula 602 Medium (Sticks & Brushes) Cymbals: Pos1 – 17" Zildjian Dark Crash (Sticks & Brushes), 18" Paiste Signature Fast Crash (Sticks & Brushes), 16" Paiste Signature Fast Crash (Sticks & Brushes). Pos2 -17" K Zildjian Dark Crash (Sticks & Brushes), 22" Zildjian Swish Knocker (Sticks & Brushes), 17" Pasite Signature Fast Crash (Sticks & Brushes) Ride: 22" A Zildjian Ride (1950's) (Sticks & Brushes), 20" K Zildjian Heavy Ride (Sticks & Brushes)

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steinberg Hypersonic II VSTi PC/MAC

Steinberg Hypersonic II VSTi PC/MAC

Hypersonic 2 Music Workstation contains thousands of sounds in a package programmed to spare resources. Boasting four sound engines, 1.7 GB of samples, and 1,800 factory presets, Hypersonic 2 offers an all but inexhaustible pool of sounds, effects and instruments. Features: Phenomenal sonic variety courtesy of a combination of different synthesizer engines (analog, FM, Wavetable) and a sample player. Vast sound pool with patches, combis, drum kits and loops for almost every musical style from dance to classical. Polyphonically playable bar with up to 1,024 voices, 32 stereo outs and 16 MIDI channels per instance. Intuitive sound design using Hyperknobs for vital sound parameters, with MIDI learn included. Polyphonic arpeggiator and an extensive effects section. ================================== Steinberg Hypersonic 2 Hypersonic 2 сочетает продвинутые технологии синтеза Steinberg с первоклассным сэмплированным материалом. Высококачественная библиотека звуков объёмом 1,7 ГБ и четыре движка синтеза делают Hypersonic 2 идеальным выбором для музыкантов, продюсеров, специалистов в области звукового дизайна и композиторов, которым необходим широкий спектр звуков, покрывающий буквально любые мыслимые музыкальные жанры от поп-музыки до классики. Hypersonic 2 - законченная виртуальная музыкальная рабочая станция Hypersonic 2 - многоцелевая музыкальная рабочая станция Steinberg, не просто предлагающая тысячи звуков высшего класса, но и невероятно эффективная в плане использования ресурсов процессора и памяти. Четыре мощных движка синтеза, 1,7 ГБ звуков высшего качества, 1 800 великолепных заводских пресетов: практически весь спектр звуков, эффектов и инструментов, которые могут потребоваться при работе в буквально любом музыкальном стиле или применении в области звукового дизайна. Благодаря уникальной патентованной технологии оптимизации сэмплов, каждая запущенная копия Hypersonic 2 чрезвычайно эффективно работает с компьютерными ресурсами, предлагая полифонию до 1 024 голосов посредством 32 стереовыходов. Кроме того, Hypersonic 2 поразительно удобен - мгновенный доступ к ключевым параметрам каждого отдельного патча означает приятный, эффективный и творческий рабочий процесс. Hypersonic 2 - это передовые технологии создания музыки у вас под рукой. Основные характеристики Hypersonic 2 Четыре высококачественных движка генерации звука - воспроизведение сэмплов, псевдоаналоговый синтез, FM-синтез и Wavetable-синтез 1 800 заводских пресетов + 100 комби-пресетов + 135 наборов ударных и перкуссии + 111 драмлупов Библиотека превосходнейших сэмплов объёмом 1,7 ГБ покрывает любые мзыкальные стили в высшем качестве - будь это поп-музыка, классика, танцевальная музыка, хип-хоп, рок или даже кантри В комплект входит GM-модуль Hypermodule GM4, позволяющий воспроизводить любые файлы General MIDI Превосходная производительность: полифония 1 024 голоса, 32 стереовыхода, 16 MIDI-каналов (для каждого запущенного экземпляра Hypersonic 2) Hyperphrase (полифонический арпеджиатор), в комплекте с которым идут 200 фраз, рассортированных по категориям, есть возможность импорта MIDI-файлов Функция Combi chain - переключайте сразу по несколько инструментов по событию Program Change или последовательности других событий контроллеров Регуляторы Hyper Knobs для быстрой и эффективной настройки звука Полноценный редактор инструментов - получите доступ к сотням параметров для неограниченных творческих возможностей Интегрированный сверхбыстрый поисковый механзим упрощает поиск нужных звуков Интегрированный микшёр, позволяющий управлять уровнями, панорамой, выходами, посылами Интегрированная MIDI-клавиатура Функция обучения (MIDI Learn) для всех регуляторов Слоты расширения: до пяти дополнительных звуковых/сэмплерных библиотек или синтезаторных модулей Поддерживает все основные программные интерфейсы: VST, DXi, AU, а также Rewire для лёгкой интеграции с пакетом Pro Tools® В комплект включена Standalone-версия с поддержкой нескольких аудиовыходов Основные причины для обновления Hypersonic до версии 2 1 800 совершенно новых высококачественных инструментов 1 000 улучшенных заводских пресетов 1,7 ГБ превосходного сэмплированного материала - более чем двукратное увеличение объёма по сравнению Hypersonic 1.0 Новые, улучшенные наборы ударных, особенно это касается секции электронных барабанов, которая была существенно расширена Новые XXL-версии инструментов - увеличенные мультисэмпловые версии многих основных инструментов Полноценный редактор инструментов - получите доступ к сотням параметров для неограниченных творческих возможностей Hyperphrase (полифонический арпеджиатор) в комплекте с двумя сотнями фраз, рассортированных по категориям, с возможностью импорта MIDI-файлов Функция Combi chain - переключайте сразу по несколько инструментов по событию Program Change или последовательности других событий контроллеров 5 новых типов эффектов: высококачественная реверберация, обратная реверберация, задержка с диффузией, bi-phaser, tube drive Улучшенный пользовательский интерфейс Функция обучения (MIDI Learn) для всех регуляторов

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Linplug Saxlab v1.2 (PC)

Linplug Saxlab v1.2 (PC)

SaxLab uses multi-sample playback of wind-instrument samples and incorporates a specially designed four-voice crossfade system to create highly realistic wind instrument sounds. Features: Many different SoundSets for various saxophone instruments. Monophonic multi-sample playback with internal four-voice crossfade. Adjustable mix of three sound layers for each note: the "Air" layer, the "Keys" layer and the "Pitched" layer. Air/Keys and Pitched sound layer crossfade point is set by MIDI velocity. User-definable, velocity-sensitive amplitude envelope. Tonal characteristics of the instrument’s overall sound can be defined by the user. Real-time control of the instrument's brightness. Three modes of mono performance: Legato, Retrigger, Alternate. Control of PitchBend and Glide. Random pitch deviation and body frequency deviation per note. Envelope, LFO and MIDI-controlled vibrato and tremolo. Stereo chorus and stereo reverb effects. Simple tuning selection via a "one-click" menu. MIDI Learn available for every control. Sample accurate timing, full automation and settings are saved with the song. More Info... ==================================== Синтезатор духовых инструментов в форматах VST и AU. Для создания реалистичных тембров духовых, SaxLab использует корневую библиотеку сэмплов реальных инструментов и специально разработанную систему 4-голосного кроссфейда. SaxLab обладает интуитивным интерфейсом, широким набором высококачественных звуков различных разновидностей саксофона, секцией эффектов с хорусом и ревербератором, расширенными возможностями модуляции в реальном времени. Чтобы сделать игру на инструменте максимально естественной и реалистичной, особое внимание уделено гибкости и эффективности работы контроллеров. Основные характеристики: Различные наборы звуков (SoundSets) для разных типов саксофонов Библиотека монофонических мультисэмпловых записей инструментов и внутренний 4-голосный кроссфейд Управляемое микширование 3 слоев звука для каждой ноты: слои "Air", "Keys" и "Pitched" Точка кроссфейда слоев Air/Keys и Pitched определяется MIDI-параметром velocity Регулируемая и чувствительная к velocity амплитудная огибающая Общие тональные характеристики каждого инструмента могут задаваться пользователем Управление в реальном времени яркостью звука инструмента 3 моно-режима: Legato, Retrigger, Alternate Огибающая, генератор LFO, управляемые по MIDI вибрато и тремоло Стерео-эффекты хорус и реверберация Функция MIDI Learn для каждого параметра Тайминг с точностью до сэмпла, полная автоматизация, сохранение настроек в проекте хоста

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Steinberg LM-4 MarkII

Steinberg LM-4 MarkII

32 bit drum module 18 channels/pads Up to 20 velocity zones per pad Over 50 Drum sets included 12 outputs (3 stereo and 6 mono) Velocity switching Pitch and panning for each instrument ADSR envelope per pad Integrated BitCrusher Also available in the XXL pack which adds 3 sound CD-ROM's by Wizoo as well as the classic Bitbeats "XXL Compilation". The LM•4 Mark II XXL version offers 120 drum sets covering all musical styles imaginable.

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GForce ImpOSCar VSTi RTAS v1.0.1

GForce ImpOSCar VSTi RTAS v1.0.1

The impOSCar is an emulation of the classic British synth the OSCar, faithfully recreating all the features of the original hardware synthesiser, plus adding some notable new features of its own. The impOSCar is capable of loading original sounds via sysex and tape (via WAV files) and adds additional features such as a fully polyphonic mode, keyboard velocity responses and additional filter modes. Features: * Mono, duo and 4 polyphonic modes. * 2 Oscillators, 13 Waveforms. * Programmable Additive Wave Matrix. * Unique filter section: 9 filter types with Drive, Cutoff, Q and Separation. * Two Envelope Generators. * Mono, duo and polyphonic arpeggiator with 4 modes. * 5 Keyboard Triggering modes. * Extensive LFO section with sync. * 6 portamento modes. * Powerful Effects section. * Programmable Velocity responses. * MIDI Learn with storable CC maps. * A vast range of sonic possibilities. * 500+ Patch library. Including sounds from many original OSCar users including Billy Currie (Ultravox), Mark Moore (S-Express) Rick Smith (Underworld), Lee Groves (Basement Jaxx, Terminalhead), Tim Dorney (Republica) and Paul Wiffen, original OSCar sound designer and OSCar programmer to Stevie Wonder & Jean Michel Jarre. More info... ====================================== Виртуальный инструмент, моделирующий звучание известного английского синтезатора OSCar, работает самостоятельно, а также из-под хост программ, совместим с VST 2.0 (Mac/PC включая VSTi), RTAS (Mac/PC), MAS (Mac) и Audio Units (Mac). impOSCar от GForce обеспечивает достоверную эмуляцию классического синтезатора OSCar, использовавегося многими знаменитыми музыкантами, такими, как Stevie Wonder, Billie Currie, BT, Keith Emerson и Geoff Downes. Этот легендарный раритетный синтезатор был скурпулезно воспроизведен до последней детали, наряду с инновациями. Инструмент можно использовать и независимо, и запускать из хост-программ. Unique Twist on a Unique Synth Оригинальный OSCar производства английской компании Oxford Synthesizer Company in England был уникальным для своего времени инструментом. Его цифровые осцилляторы с матрицей Additive Wave Matrix в сочетании с аналоговыми фильтрами позволяли синтезаровать звуки, которые никто никогда не слышал ни до того, ни после. impOSCar позволяет воссоздать не только все, что делал оригинальный синтезатор, но и болле - программная версия включает в себя программируемые формы волн, встроенные эффекты, полифонию и прогаммируемость. impOSCar также имеет уникальный легкий в использовании интерфейс, позволяющий назначать функции инструмента на различные функции MIDI контроллера. Инструмент идет более, чем с 500-ми пресетами, программированными музыкантами мирового уровня. OSCar работает или сам по мебе или запускается как плагин из таких программ, как Live 4, Cubase, Logic, GarageBand, SONAR, Digital Performer, ACID и Pro Tools LE/TDM. Инструмент совместим с форматами VST 2.0 (Mac/PC, включая VSTi), RTAS (Mac/PC), MAS (Mac) и Audio Units (Mac). цена: $129

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BBE Sonic Maximizer v2.0

BBE Sonic Maximizer v2.0

The BBE Sonic Maximizer plug-in works with many host applications: The BBE Sonic Maximizer plug-in will add brilliance, depth, detail and definition to your music in many PC and Mac audio software applications that accept Direct X and VST plug-ins, from multi-track recording to sampling to remixing. The BBE Sonic Maximizer plug-in works superblywith these and other host applications: • Steinberg Cubase, VST and SL • Bias Peak • Sonic Foundry Sound Forge, Sound Forge XP, Acid and CD Architect • Syntrillium Cool Edit Pro • Cakewalk SONAR, Cakewalk Pro Audio, Cakewalk Home Studio, Cakewalk Guitar Studio, Cakewalk Guitar Tracks, Cakewalk Club Tracks, Cakewalk Professional, Pyro, and Cakewalk Express BBE's best sonic quality with plug-in convenience: Owning the Sonic Maximizer Plug-in is the equivalent of having a rack full of BBE 882i units with automation, just the thing for processing multiple tracks simultaneously. The most important thing in developing the Sonic Maximizer algorithm was to accurately capture the quality of our fourth generation Sonic Maximizer processor featured in our 482i and 882i products. Windows Minimum Requirements: Intel-based PC or compatible (486 or higher) 4 MB of free hard-disk space 16 MB of RAM 256 color VGA video or better Windows 9.x, ME, 2000 Host application that supports DirectX plugins Macintosh Minimum Requirements: Power Mac based 604e Processor, G3, or G4 120 MHz processor 64 MB RAM Mac OS 8.5 4 MB Hard drive space VST 2 compliant host application

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PSP Audioware Vintage Warmer VST DX RTAS v2.0

PSP Audioware Vintage Warmer VST DX RTAS v2.0

PSP VintageWarmer is a high-quality digital simulation of an analog-style, a single or multi band compressor/limiter. It combines warm analog sound with a straightforward user interface, and comes with a rich library of presets. The plug-in processor is highly flexible and can be used for both single and multi-band compression, as well as brick-wall limiting. This makes it an essential tool for mixing and mastering engineers. Careful attention has been paid to PSP Vintage Warmer's overload characteristics with the processor being capable of generating saturation effects typical of analog tape recorders. PSP Vintage Warmer also incorporates professional VU and PPM metering together with accurate overload indicators thereby assuring professional quality results. Features High quality signal processing algorithms Single or multi-band signal processing Shelf filters for bass and treble frequencies in single-band processing mode Control of bass and treble signal components in multi-band processing mode Accurately calibrated VU and PPM meters with the overload indicators 96kHz and 192kHz compatibility Library of presets Applications Optimising the ‘density’ and average signal levels of recordings during mixing or mastering Shaping the dynamics of recordings during mixing Adding warmth to individual tracks or complete mixes Adding analog tape-style compression to individual tracks or complete mixes System Requirements PC Windows 98 or later VST, DirectX or RTAS compatible host application 256 MB RAM Pentium III 600 MHz High Color S-VGA, 1024x768 Mac MacOS X v 10.1 or later - AudioUnit, VST or RTAS compatible host application MacOS 8.5 - VST, MAS or RTAS compatible host application 256 MB RAM memory settings on MacOS G3 300 Mhz High Color S-VGA, 1024x768 More Info...

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Luxonix Ravity S v1.1 VSTi

Luxonix Ravity S v1.1 VSTi

Ravity(S) is Synth sound module. Specification: Based on PCM Synthesizer Module. 447 ready-to-use presets (expandable). Large preset browser (keyboard support) / Expandable easy editing GUI (hot-key support). NAVI engine : Extremely low CPU load / 32bit sound processing. HLMS : Hyper Layered MIDI assign System for real-time performance and sound editing. FOEM : Fully Optimized embedded Effecting Module (24 types of algorithm). 4-layer combi system / Independent arpeggiator for each layer.

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tmLab TR 808 v1.0 VSTi AU Virtual Roland TR-808 German KB

tmLab TR 808 v1.0 VSTi AU Virtual Roland TR-808 German KB
Vintage Drum Module Emulation

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ltmLab Mini Mammut VSTi AU German Sound-Recording

ltmLab Mini Mammut VSTi AU German Sound-Recording
Vintage Drum Module Emulation

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Luxonix Ravity R v1.4.3

Luxonix Ravity R v1.4.3

*Ravity(R) completely recreates the external drum/percussion rompler in a software environment. Specification : - New structure based on PCM Synthesizer Module - 68 ready-to-use presets (expandable) - Large preset browser (keyboard support) / Expandable easy editing GUI (hot-key support) - NAVI™ engine : Extremely low CPU load / 32bit sound processing - HLMS™ : Hyper Layered MIDI assign System for real-time performance and sound editing - FOEM™ : Fully Optimized embedded Effecting Module (24 types of algorithm) - 16 assignable pads/layers / 6 individual stereo outputs - import external Wave files(*.wav). (any sample rate, 8/16/24/32bit, mono/stereo) System Requirements : PC : - Pentium III 700MHz CPU or higher (Pentium IV 1.6GHz CPU or higher recommended) - 32MB RAM or higher (256MB RAM or higher recommended) - about 40MB free hard disc space - Windows 98/ME/2000/XP (2000/XP recommended) - VST 2.0 compatible host application (VST 2.3+ recommended) Mac : - G3 700MHz CPU or higher (G4 1.67GHz CPU or Higher recommended) - 64MB RAM or higher (256MB RAM or higher recommended) - about 40MB hard disc space - Mac OS X 10.3 or higher - VST 2.0 or AU 2 compatible host application (VST 2.3+ recommended) More Info...

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Rhythm - 2 VSTi v2.1

Rhythm - 2 VSTi v2.1

Programme synthesizer "Rhythm - 2" is created on base of the legend soviet synthesizer "Ritm - 2" Made by Kirovsky musical instruments' factory in 1984) The EMI Ritm 2 is an one-voice keyboard synthesizer designed for solo, ensembles and orchestral playing musical compositions of any genre. It can be used both for educational needs and creating different musical effects. This synthesizer can be used with an acoustic amplifier which has a response of 0,775. There is a possibility to use a low frequency amplifier such as radio receiver, TV and tape recorder. The quality of the sounding depends on an acoustic amplifier.The synthesizer Ritm-2 can play soundings of the other classical instruments (keyboard, strings, reed and percussion instruments). It is intended for creating some specific sounds (wind, noise of surf, train, gun and whine). Using this instrument one can play some compositins with a random pitch and a timbre. ------------------------------------------------ Description ------------------------------------------------ Current Version 2.1 Emulation Level 98% Format VST Instrument New in Rhythm-2, was not in hardware analogue Paning Stereo Delay Add Clipper 17 Inline Presets Polysynth - 8 Voices

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Alice-1377 VST

Alice-1377 VST

This electronic musical synthesizer intends for signal's design of audible range of band with a possibility to play solo musical compositions. It can be used to create audio effects if connected to the outward acoustic device. The synthesizer can be used as a non-standart electric signal's source for scientific and educational needs. Programme synthesizer "Alice-1377" is created on base of the classical soviet synthesizer "Alisa-1377" ================================= Description ================================= Current Version 1.3.1 Emulation Level 92% Format VST Instrument New in Alice-1377, was not in hardware analogue Paning Stereo Delay Phaser

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AlgoMusic Enceladus v1.0 VSTi

AlgoMusic Enceladus v1.0 VSTi

AlgoMusic и ВК SynthLab объединили свои усилия для выпуска Enceladus, нового VSTi для Windows, который представляет собой первый продукт в серии сотрудничества между ними. Enceladus is inspired by one of the many moons orbiting the ringed planet Saturn and brought to light by the Cassini probe mission. It offers from liquid leads, glassy silky pads to up front basses and trance evolving arps, sequences and synths. Features: Two oscillators, each with 32 waveforms. Sync, voice detune, and filter allocation for each oscillator as well as keyboard on-off function. Two Filters, each with 3 filter types (Low pass, High pass and Band pass) with 2x serial filters for richer filter sounds. Separate keyboard tracking and envelope modulation controls are provided. Five ADSR style graphical envelope generators with fixed allocations to Amp, Filter1, Filter2, and 2 user mod envelopes. Three LFOs (Low Frequency oscillators) with separate FM and Sample hold controls. Two separate step sequencers each with BPM synced selections and smooth controls. Steps can be 8, 16 or 32 steps. Comprehensive Modulation Matrix with two targets per source. Glide, Poly/ mono selections and Arpeggiator controls with 6 arp types and hold (latch) feature. Five different effects (Stereo delay, Stereo reverb, Chorus, Phaser and 4 band EQ with separate frequency and Q controls). Background color editor and colored patch by type allocations. Patch display editor by author, category and name. Separate LFO for global vibrato setting for mod wheel. 144 presets by Tim Conrardy, Boris K and David Haupt.

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LinPlug CronoX v3.02 VSTi

LinPlug CronoX v3.02 VSTi

Виртуальный инструмент CronoX3, плагин формата VST2.0 и AU для Windows и MacOS X, является развитием программы CronoX2. Есть четыре типа генераторов звука (все можно использовать одновременно): Analogue (моделирование аналогового синтеза), Time-Sampler (воспроизведение семплов), Schrader (создает волновые таблицы из семплов), Loop Sampler (проигрывание лупов, до 64 семплов). Семплерные генераторы поддерживают файлы формата WAV и AIFF с разрядностью до 24 бит и частотой дискретизации до 96 кГц. С генераторов сигнал поступает на два параллельных модулируемых фильтра, новый тип Free Filter отличается возможностью плавного изменения типа. Есть семь генераторов огибающей (ADSFR), четыре LFO (синхронизируются с темпом), 32-шаговый арпеджиатор, матрица модуляции (десять слотов, 30 источников и 56 целей). Шесть эффектов можно использовать одновременно, среди новых алгоритмов: фленджер, стереоэнхансер, параметрический эквалайзер, пинг-понговый дилей, Crusher (уменьшает разрядность и частоту дискретизации). Два генератора, оба фильтра и три эффекта поддерживают многоканальный окружающий звук формата 5.1 (в том числе автоматизацию микширования). Есть страница упрощенного редактирования пэтчей, функция монофонического и полифонического портаменто, функция назначения MIDI-сообщений на управления параметрами. Поддерживается микронастройка (форматы TUN/Scala). Максимальная полифония инструмента 32 голоса. Прилагаются около 700 новых пресетов, созданных известными саунд-дизайнерами. Минимальные системные требования: Windows 95 или MacOS X 10.2.6, процессор 1 ГГц, 512 Мб RAM, экранное разрешение 1024 x 768. Есть демонстрационная версия. ==================================== LinPlug has unveiled the next version of CronoX -> CronoX3, which looks very tasty! Selected New features: A new "Free Filter" with modulatable filter-types (lp/hp/bp/br continuously adjustable and modulatable). Full 5.1 support. Increased quality of all generator algorithms. 4 generators now available simultaneously. Loop sampler now has a much bigger preview window and up to 64 samples per generator (velo-crossfade/split and keysplit). Tons of new modulation sources and destinations. A sophisticated Albino-type arpeggiator. Features: Free Filter with new, continuously adjustable, modulatable filter-type. Loop Sampler Generator with individually modulatable loop-points and start-point. Versatile architecture with 4 generator modules that are mixed into two filters. Easy-Edit panel allowing preset browsing and quick access to main parameters. Powerful, editable arpeggiator with up to 32 steps. Stereo and 5.1 support (2 generators, both filters and 3 of the effects units can be mixed in 5.1 format. Settings are stored as part of the preset). Analogue-modeled Oscillator Generator for real-time analog-style synthesis. Time-Sampler with independent real-time time-stretching and pitch-shifting. Wavetable (Schrader) Generator that offers wavetable-like operation using any sample. Capable of loading up to 64 samples per loop sampler. Sampler Generators support audio formats incl. WAV and AIFF up to 24bit/96kHz. 2 analog-style multimode stereo filters with modulatable cutoff frequency and resonance. 7 ADSFR-type envelopes for controlling output amplitudes and cutoff frequencies, as well as two freely assignable Modulation Envelopes. 4 independent LFOs with various waveforms and midi-sync capabilities. LFO Waves have adjustable delay, attack and decay time and waveform-symmetry. Modulation Matrix with 10 routings for connecting 30 sources and 56 destinations. Fully recognizes Velocity, Aftertouch, Pitchbend, Modwheel and various other MIDI controllers, and includes a MIDI Learn function for easy controller assignment. 6 simultaneously available effects units, including various Delays, Chorus, Phaser, Filter, Flanger, Gator, Stereo Enhancer, Parametric EQ and Crusher. Mono/Polyphonic Portamento/Glide featuring "Fingered" mode and Auto-Bend Modes. Full microtonal capabilities (TUN/Scala support). 32-voice polyphony (CPU dependent).

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DigiDrum Classic - VST

DigiDrum Classic - VST

Description 'DigiDrum Classic' is a simple monotimbral drum module. This plugin is officially dead, but made available online for nostalgic reasons. If you need drums, please consider downloading 'DigiDrum Pro' instead. Features - 27 classic drum and percussion sounds / 52 factory presets - New user-friendly GUI features - Full MIDI CC# and VST automation of all parameters Audiosonic DigiDrum Classic VSTi включает в себя 27 барабанных и перкуссионных звуков. ====================================== DigiDrum Classic это простой моно-тембральный барабанный модуль сделанный фирмой Audiosonic из Дании. Про-версия будет доступна вскоре. Sound examples example1 - example2 - example3 - example4

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eFX Vanguard v1.5 VSTi + 1000 Presets

eFX Vanguard v1.5 VSTi + 1000 Presets

Cинтезатор от reFX. Как всегда всё на уровне: качественный, немного резкий звук, много настроек и пресетов. Подходит как для трансовых, так и для других тем. ===================================== reFX presents VANGUARD, a new breed of virtual analog synthesizers. VANGUARD is the long awaited replacement for your old 19" hardware gear which you will never use again after you have tried VANGUARD. VANGUARD is a complete new product. reFX has put all its knowledge and experience collected over the years into this project, and the result is audible: virtual analog synthesis has just made a big step forward. VANGUARD combines the good old analog synthesizer idea with the latest technology. All analog devices of classic synthesizers are emulated by high-quality DSP (digital signal processing) functions. reFX spent a lot of time programming the synthesis functions, and the result is a warm and rich sounding synthesizer plugin with all the benefits of todays digital technology. VANGUARD is more than just a simple synthesizer. It is equipped with 31 different type of oscillators, including uncommon digital oscillators with fresh modulation options. There is also a huge selection of filters. 13 filter types are onboard with different slopes and including a new kind of combined dual-filter variations. In need of inspiration? No problem for VANGUARD - the trancegate and arpeggiator can help you out! The trancegate is a 16-step gate to create rhythmic gated patterns and the arpgeggiator comes with inspiring patterns and several play modes. In addition to these creative tools VANGUARD is equipped with a delay and reverb. Advanced analog-modelling synthesis with 3 oscillators and up to 32 voices 31 different oscillator waveforms 3 LFOs (low frequency oscillators) 13 different filter types with resonance 2 ADSR envelopes with several modulation targets Amplifier section with drive flexible and easy to use arpeggiator 16 step trancegate built-in delay with four different types built-in reverb Temporal effect parameters are tempo-sync'd to the VSTi host 128 professional presets by vengeance-sound.de included! 128 additional presets by DHS of Soundwavers.com included! 128 additional presets by reFX staff included! DEMO MP3

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Linplug Albino v2.1 + 88 Albino Additional Presets

Linplug Albino v2.1 + 88 Albino Additional Presets

Rob Papen & LinPlug are set to release Albino 2 in the first quarter of 2004. "Rob Papen was clear that the new features should be top notch, creative and again focus highly on usability and music making. Together with his ideas and the wishes of his users, Rob and LinPlug mastermind Peter Linsener created Albino 2!" The price of Albino 2 remains the same as the original version - £132.95 and a downloadable upgrade will be available to original Albino owners for 39 EUR (From RobPapen.com or LinPlug.com). A FREE upgrade will be available to users who purchased Albino after October 2003. New features in Albino 2: Arpeggiator with stunning features like: 32 steps rhythm sequencer with "velocity values" or "tie" and "off" function for each step. Several modes including a chord mode, modulation mode, up, down, up/down, up/down+, down/up, down/up+, as played and random mode. Keyboard retrigger on/off for the pattern. Swing function. Velocity of pattern or keyboard velocity mix knob. Save, load, copy, paste, init functions for the complete arpeggiator settings. New preset browser. More than 1100 high quality RP presets. Chord memory mode, with the setting saved within a preset. Oscillator SYNC option in Analog Oscillator 2 and 4. New digital spectrum waveforms. Spread function for ultra fat detune sounds. New Flanger FX. Oscillators activity LED. Stereo panning knob in Phaser FX. Additional new Chorus. New GUI [View a 3D render] Keyboard velocity curve respond. Microtuning for different scales, indian, arabic etc. Key features: Sound Presets consist of 4 separate Layers for rich, complex sound synthesis. 32 note polyphonic (CPU dependent). Unlimited sound programs, Sound Browser. +2100 Rob Papen presets and more. 4 oscillators per Layer, 4 types. Oscillator modules include Analog-type, Digital-type, Noise-type and Audio Input-type. FM modulation and AM modulation. Oscillator Sync in Analog Oscillator 2 and 4. Stereo Filters, 4 types. Filter modules include Silk-type, Cream-type, Scream-type and Comb-type. 3 multimode filters (Silk, Cream and Scream), each with a different basic design thus producing different sounding filters. Filters are stereo with panning and panning modulation options. Saturation knob precedes each filter to add overdrive to the sound before it enters the filter. Four types of Saturation are available. 8 envelopes, 2 types. ADSFR type and 5-stage envelope type with loop function. Each envelope stage has separate slope/curve settings. Each oscillator has its own volume envelope. 4 LFOs with various waveforms and midi-syncable. LFO Waves have adjustable start-phase and waveform-symmetry. LFOs can also be set to mono mode. Modulation Matrix which includes 16 routings with 27 sources and 36 destinations. Separate control section for Velocity to: AMP, Filter 1 and Filter 2. Arpeggiator with 32 step rhythm sequencer, step length, clock settings, various modes including modulation and chord, switchable keyboard retrigger, swing, velocity mix, save/load functionality. Spread function for each Oscillator for ultra fat detuned sounds. Chord memory mode (saved with the preset). 4 effects units per layer each containing 12 stereo effects including two Choruses, two Delays, Filter, Phaser, Reverb, Flanger, Gator, Wah Wah, Compressor and LoFi. Mono/Polyphonic Portamento/Glide featuring Fingered mode, switchable constant Time/constant Rate and Auto-Bend Modes. Sound programs are stored directly on hard disk so providing a virtually unlimited number of storage locations. Sounds are sorted into style-maps for easy search. Integrated Sound Browser, MIDI program change and bank change supported. Adjustable Precision setting for recreating the warmth of true analog synthesizers Gen (randomize) function for experimentation and preset fun. Microtonal support (Scala file import) for different scales (Indian, Arabic, etc.). Adjustable keyboard velocity response curve. Adjustable voice limit (mono, 1...12, oo). MIDI activity display (also triggers a C3 when clicked). Several parameters are located on the "rear panel" so they are not changed accidentally during use. Controller hardware (faderbox or synth) settings can be saved and restored. Dial operation is switchable between circular and linear modes. More Info...

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Camel Audio Cameleon 5000 v1.6 VSTi free download

Camel Audio Cameleon 5000 v1.6 VSTi

Price (MSRP): $199 / €159 Version Download Avail? 1.7 Download 1.7 Download Cameleon 5000 is an additive synthesizer with morphing and resynthesis capabilities. Resynthesis allows you to import WAV/AIFF files and then manipulate them in ways which are impossible with a conventional sampler. The morphing capabilities offer a new approach to sound design; allowing you to pick different characteristics from a palette of sounds. The morph timeline also allows you to create evolving soundscapes, pads and leads. Features: Import and morph any WAV/AIFF file. Import any BMP image. One-click 'morphing square', to warp between four sounds at a time. Pick amplitude envelope, harmonics and noise from different sounds, for an incredibly intuitive approach to sound design. Easy-to-use and powerful graphical editing of additive data. 500+ presets featuring completely fresh and original sounds, as well as a comprehensive library of pre-analysed acoustic instruments and synthesisers. Parameter modulation by velocity, LFO, envelope or midi controller. Real-time, high quality 'stretch' for increased expression. High-quality portamento allows for realistic note bending. Resonant filter and tube distortion (based on 'CamelPhat' design). Built-in chorus, delay and reverb effects. 64 detunable partials. 128 band noise generator. 128 band formant filter. More Info... ====================================== Мощнейший виртуальный инструмент, использующий принцип ресинтезиса. Есть резонансный фильтр, 128-полосный формантный фильтр, режим портаменто, имитатор лампового дисторшна, эффекты (хорус, дилей, ревербератор). Возможна модуляция параметров посредством динамики, LFO и огибающих. До четырех звуков можно загрузить одновременно, возможен морфинг между ними в реальном времени, а также с целью создания нового пэтча. Прилагаются более 500 пресетов.

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Disco DSP Phantom v1.0 free download kostenloses Download download gratuito frigör nedladdningen

Disco DSP Phantom v1.0-INVISION

Price (MSRP): €45 / $69 Version Download Avail? 1.2 Download Phantom is an eight voice, four operator, PM/FM synthesizer with the ability to import Yamaha DX100, DX27 and DX21 SysEx data. General Eight voices / Four operators phase/frequency modulation synthesizer. Operators Key and velocity scaling. Initial phase (with free-run support). Phase modulation self-feedback amount. Tune (Frequency ratio). Octave shift. Amplitude LFO and AD1SD2R envelope. Program Eight Operator routing algorithms. Customizable pitch bend range. Global velocity modulation/amplitude sense. Glide with auto-on-legato mode. Full mono/legato/polyphonic operation. Pitch LFO and AD1SD2R envelope. 4-Pole resonant filter (Low pass, Hi pass, Band pass, Reject modes). Filter LFO and AD1SD2R envelope. Built-in stereo multi effects unit with chorus, delay and reverb. Pitch bend / Mod wheel controller. Extras Yamaha DX100/DX27/DX21 SysEx data import. Includes 128 presets. Lifetime free updates for registered users. System Requirements 2 GHz CPU recommended for full polyphony.

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Disco DSP Vertigo v2 kostenloses Download download gratuito frigör nedladdningen

Disco DSP Vertigo v2 - PARADOX

Price (MSRP): $99 / €75 Version Download Avail? 2.6 Download General Up to 16 voices polyphony. Envelope 256 breakpoints parabolic envelopes with stage slope control. Partials Euler generated (Max: -120dB s/noise ratio) (no wavetables used). Up to 256 per voice. 2 Modulation sources with morphing. Phase. Amplitude. Note pitchshift amount. Frequency ratio. Frq/amp envelope (see Envelope above). CPU usage: 256 partial program = 60%. (P3 – 800 Mhz). Synthesis options Harmonize (Harmonic/Odd Harmonic vocoder). Phase smearing. Frequency smearing (ensemble). Classic waveform generator assistant (saw/sqr/tri/2xsaw/...). Filter -24dB/Oct modes: Lowpass/Hipass/Bandpass/Notch + -12dB/Oct Lowpass mode. Cutoff envelope. Wheel/Key/Velocity modulation amounts for cutoff. Wheel/Velo modulation amounts for resonance. Voices Two resonant filters (serial/parallel mode). Pitch envelope. Amplitude envelope. Pitchbend control. Mono Effects Distortion (8 times oversampled overdrive with softclip). Phaser (up to 128 taps). Flanger. Compressor. Equalizer (6 bands). Stereo Effects Chorus. Delay. Reverb. Resynthesis and Sampling WAV PCM analysis. Bitmap import. Method: Overlapped FFT windows/parabolic peak estimation. Partial amp/frq tracking. 1024, 2048, 4096, 8192 FFT framesizes. 4 Windows: Bartlett, Hamming, Hanning, Blackman. Peak level detection threshold control. Peak desestimation using 'ATH' (Absolute Hearing Threshold) and 'Tone Masker' psycho acoustic models.

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DiscoDSP Discovery VSTi v2.8 kostenloses Download download gratuito frigör nedladdningen

DiscoDSP Discovery VSTi v2.8

Price (MSRP): $99 / €75 Version Download Avail? 2.10 Download Release 2 Download Discovery is a virtual analog synthesizer emulation featuring multi-layering, a morphing engine, high quality sound, and a simple interface. Features: 128 Patch Memories. Bank browser (by clicking arrows in display LED). More than 2.500 presets in 26 banks (with a dedicated percussion one). Nord Lead 2 and 2X patch import. 4 Layers per Patch. Layer Morphing. 32 Voice Polyphony (One voice used per triggered layer). 2 Oscillators (Sine, Saw, Tri, PWM, Square, Noise) with Ring modulation, sync and anti-aliased Frequency Modulation. Resonant Filters (HP, LP12, LP24, BP, NP+L, HP12, Formant, 8 taps phaser). ADSR for Amp & Filter. 2 LFOs. AD Mod Envelope. Arpeggiator. Built-in Chorus, Phaser , Panning and Delay effects. Symmetric, Asymmetric and Asymmetric 2 Distortion Modes. Portamento. Poly/Mono/Legato modes. MIDI CC control. MIDI Out (hosts are able of doing MIDI learn).

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Steinberg PLEX v1

Steinberg PLEX v1 - ARCTIC

Steinberg PLEX VSTi v1 оригинальный синтезатор для Cubase/Cubase SX и аналогичных программ. Включает 300 готовых тембров звучания. New synthesis approach by "PPG legend" Wolfgang Palm. Real-time swapping between components of 33 sound sources. 97 special pre-analyzed sound sources included. 3 ADSRs, 3 synchronizable LFOs, global pitch LFO. Modulation section with Stereo Delay and Flanger effects. Up to 64 voices, 300 presets included. All parameters accessible via MIDI controller.

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RGC Audio Pentagon v1.3 - OXBASS

RGC Audio Pentagon v1.3 - OXBASS

4 Oscillators, 13 Alias Free Waveforms each plus a Noise Generator per oscillator: Saw, Vintage Saw, Square, Vintage Square, Pulse 50%, Pulse 25%, Pulse 12%, Pulse 6%, Harmonics 5/2, Harmonics 3, Harmonics 4, Harmonics 5, Pure Sine. 4 User Loadable waveforms, in two modes: Simple shot and Full range. 64 voice polyphonic (CPU dependant) with polyphony limiter and Intelligent Voice Allocation (no clicks when maximum polyphony is exceeded). Full Legato mode for monophonic operation. Monophonic/Polyphonic portamento with Fixed or Variable per-key Time. Individual adjustment of Level, Waveform, Mode, Phase, Fine, Octave, Coarse tune, LFO sensitivity and Pitch Eg Intensity for each oscillator. Key Sync, Inverted, Free Running or Fixed Frequency mode selection for each oscillator. Dedicated Pitch Envelope Generator, with Start Level, Attack Time, Attack Level, Decay Time, Release Level, Release Time with fully bandlimited operation. Random Pitch control, with individual generators per oscillator. 4 Operation modes: Add (normal), Ring Modulation, Hard Sync and Frequency Modulation. Every group of two oscillators can select any operation mode. Pulse Width Modulation (PWM) with adjustable depth for every oscillator and phase shift control. 2 Superb resonant multimode filters (Low Pass, High Pass, Band Pass, Notch) with individual adjustment for Type, Cutoff, Resonance, Attack, Sustain, Decay, Release, Envelope, Velocity, Keyboard Scaling, Aftertouch, Breath controller, Modulation. Positive or Negative envelope modes. Link mode for the two filters. 2 Amplifier dedicated Envelope Generators with Attack Time, Hold Time, Decay Time, Sustain Level, Release Time, Keyboard tracking and Velocity control. Linear/Exponential selectable envelopes. Dedicated LFO's, for Pitch, Filter and Amplifier, 13 waveforms each: Sine, Square, Pulse 50%, Pulse 25%, Pulse 12%, Saw Up, Saw Down, Triangle, Step 1, Step 2, Random 1, Random 2, Sample and Hold. Variable offset of all waveforms, Delay, Fade, Speed Depth, Aftertouch, Breath and Modulation controls. All LFO's are individually syncable to Host Tempo. Loadable LFO waveforms. 5 Pitch Bend modes: Normal, Asymmetric, High Note, Low Note, Hold Notes. Pitch Bend range adjustable up to +12 semitones. Built-in effects section: 2 filter level effects: Drive control with Tone adjustment Amp/Cabinet Simulator with 19 different simulations. 6 Modulation effects: Chorus Stereo Chorus 4-Voice Chorus Phaser Stereo Phaser 4-Voice Phaser AutoPan Stereo Spread Stereo Delay Two Band Equaliser with adjustable frequency and ±12dB range. All effects can be disabled to save CPU 4 outputs: Main stereo pair (with effects), 2 auxiliary mono outputs (dry). Master volume control for the whole instrument (all presets) Extensive MIDI implementation: Velocity, Pitch Bend, Aftertouch, Modulation, Breath, Sustain Sw. MIDI Learn mode: Any knob can be assigned to any parameter just shift-clicking on it and sending a MIDI CC. Multiple knobs (in any number) can be assigned to any controller with selectable polarity and MIN/MAX value. MIDI Settings are remembered. 768 programs in 6 banks (a-f), 300 top quality factory presets selectable by right click. Copy/Paste/Init functions to arrange presets. Reduced CPU utilisation Sound Preview feature with MIDI transmit. Easy programming layout

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reFX JunoX² v1.3 VSTi

reFX JunoX² v1.3 VSTi
Features: * 2 - 16 voice polyphonic (Selectable) * 2 oscillators + Sub oscillator * 22 oscillator types * 8 Filter types * LFO * Fatness control

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Crysonic newB Aural Acoustics Based Bass Enhancer VST-Sovs

Crysonic newB Aural Acoustics Based Bass Enhancer VST-Sovs

Основыванный на принципе "Aural Acoustic", newB - это VST плагин, который является бас расширителем и максимайзером. Он может быть использован для тонкой или экстремальной настройки и генерации на Мастеринге, Микшировании и живом исполнении. newB increases the perceived amount of bass by adding / mixing specific sub-harmonic content from the original bass, thereby allowing our brains to hear lower-frequencies than may exist in the original audio material. The newB process conceptually enhances the bass performance of high and low quality consumer speaker systems ranging from Hi-fi to multimedia speakers found in products such as laptops.

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NUSofting Modelonia VSTi v1.0.0.1

NUSofting Modelonia VSTi v1.0.0.1

Modelonia is a novel physical-modelling synthesizer which uses a hybrid of two distinct model 'types' - a plucked-string model and a blown-bore (i.e. trumpet-type) model. Each model may be used simultaneously, and the signal path allows cross-modulation between the two models for more interesting and complex tones. Modelonia is not simply an emulation of acoustic instruments; advanced physical modeling has been used to enable the creation of lively and expressive new sounds and harmonic textures. The interface has been designed to be as easy and helpful as possible for newcomers to this synthesis technology, without compromising Modelonia's sound design capabilities. Cost: $79 ===================================== Виртуальный инструмент Modelonia, плагин формата VSTi (Windows), содержит две физические модели: струнно-щипкового инструмента и духового инструмента. Обе модели можно использовать одновременно с взаимной модуляцией. Прилагаются 96 пресетов. Есть функция Sound Wizard для создания новых звуков. Поддерживается VST-автоматизация.

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E-MU Vintage X Pro Collection (ALL VOL)

E-MU Vintage X Pro Collection (ALL VOL)
is Vintage X Pro second (4 CD), it mainly includes: Elka Rhapsody, E-MU Modular, Oberheim OB-Xa, Roland Juno 60, Mellotron, Millennium Collection (generation of character synthesizer big set), Korg MS-20 FX & Percussion, ARP Solina string as well as Roland TB303 and so on.

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Steinberg WaveLab v5.01b

Steinberg WaveLab v5.01b

WaveLab 5 - звуковой редактор от Steinberg для работы с 5.1 и поддержкой DVD. Модуль монтажа AudioMontage, который был неприметен в предыдущих версиях программы, стал ключевым. В частности, теперь в нем можно делать полноценное сведение звукового ряда и фонограмм в 5.1, 7.1 и т.п., использовать видео-трек и так далее. В WaveLab 5 встроен модуль редактирования/импорта/записи DVD. Импортирование возможно как для аудио, так и для видео.

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Native Instruments VOKATOR (PC/MAC) free download

Native Instruments VOKATOR (PC/MAC)

Price (MSRP): $199 Version Download Avail? 1.2.0 Download 1.2.0 Download Vocoding in a New Dimension Powered by an extremely high-resolution FFT spectral engine, VOKATOR defines a new standard for vocoding transparency, detail, and smoothness. In addition to an exceptional vocoder, VOKATOR boasts a sophisticated synthesizer and a granular sampler: a virtual sound-fusion laboratory. With advanced features and multiple modes of operation, VOKATOR opens vast new worlds of sound-design possibilities. VOKATOR’s FFT spectral engine is a milestone in vocoder development. Previous vocoders used eight, sixteen, twenty, or even thirty-two frequency bands – the more frequency bands, the smoother and creamier the effect. Unlike its predecessors, VOKATOR’s advanced engine uses 1024 bands. In addition to its stunningly transparent, full-resolution operation, VOKATOR’s bands can even be grouped together for a convincing vintage-vocoder emulation. To ensure optimal dynamic range across the frequency spectrum, an integrated multi-band compressor balances the levels of all bands. Fully Configurable Design A pair of vocoding channels can either be spectrally combined or played independently. Channel A can be switched between an integrated file player or external input A, while Channel B can be set to a full-featured synthesizer, a time-stretching granular sampler, or external input B. For a traditional vocoder effect, the frequency spectrum of the external input would be controlled by the synthesizer, but VOKATOR’s capabilities are much more advanced than simple vocoding. Diverse Sound Sources VOKATOR is both an effect plug-in and a vocoder-based synthesizer. Its synthesizer features an advanced dual-oscillator design with dynamic preset morphing controlled by the modulation wheel. VOKATOR’s granular sampler can independently control a sample’s pitch and time. A full range of modulators – step sequencers, envelope followers, LFOs, and more – can be easily routed to any of the synthesizer’s or sampler’s parameters. Top Features -Extremely high-resolution FFT spectral engine -Multiple vocoding modes -Operation configurable from 4 to 1024 frequency bands -Full-function dual-oscillator synthesizer with dynamic patch morphing, multiple filter modes, and FM -Granular sampler with independent control of time and pitch -Realtime frequency spectrum displays of input and output -Advanced modulation section includes step sequencers, tempo-synced LFOs, envelope followers, voiced/unvoiced detectors -Integrated frequency band compressor for the output signal -Custom filter spectral curves with the breakpoint editor of the equalizer -Gate and level compression of the input, multi-band compressor for the output -Includes more than 400 presets, plus 300 MB samples by Zero-G Import and Compatibility -AIFF™,WAV™ Interfaces -Audio Units™, VST®, RTAS®, DXi™, ASIO®, Audio Units™, Core MIDI™, DirectSound™ System Requirements OS 9.2/10.2.6, G3 500 MHz, 256 MB RAM Windows XP, Pentium/ Athlon 800 MHz, 256 MB RAM

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Cakewalk Dimension Pro VST (Full DVD Version)

Cakewalk Dimension Pro VST (Full DVD Version)

Cakewalk Dimension Pro - программный сэмплер/синтезатор - Dimension Pro. 7 Gb семплов и 1500 пресетов входят в состав этого VSTi. Библиотека включает в себя как «живые», так и электронные инструменты. Во своему размаху и удобстве в использовании этот инструмент напоминает Steinberg Hypersonic -2 или USB Ultra Focus. Среди звуков есть гитары, рояли, басы, имитации аналоговых синтезаторов, подклады, электропиано, струнные, ударные, набор оркестровых инструментов (на основе библиотеки Garritan Pocket Orchestra), народные инструменты, танцевальные звуки и др. Пэтч может иметь до четырех стереофонических слоев, 20 генераторов огибающей, 20 LFO (21 форма волны, синхронизируются с темпом). Возможно графическое редактирование генераторов огибающей и LFO. Наряду с семплами используется физическое моделирование. Есть общие и инсертные эффекты: 16 фильтров, пять овердрайвов, дисторшн, три параметрических эквалайзера, шесть дилеев, три хоруса, автопанер, семь ревербераторов, модуляционные эффекты и др. Возможно копирование настроек инсертных эффектов. Есть векторный микшер для морфинга звуков в реальном времени. Поддерживаются импорт файлов формата REX и SFZ, микронастройка (в том числе файлы формата Scala), MIDI-управление параметрами (есть матрица модуляции и функция упрощенного назначения MIDI-сообщений). ================================================== ====== Dimension Pro is the critically-acclaimed synthesizer that combines real instruments with advanced synthesis, giving you endless sound possibilities. The immense two DVD sound library that ships with Dimension Pro makes it the ideal go-to instrument for musicians, while its deep editing and sound generation capabilities have a natural appeal to sound designers. Dimension Pro offers an abundance of vital, usable sounds that range from pristine realistic acoustic instruments, thumping basses and cutting leads, to complex, evolving atmospheres. This wide tonal range can be attributed to both advanced sample mapping and a powerful sound-sculpting engine with analog sound generation that lets you mutate and recompose any sound you might imagine. * Critically acclaimed synthesizer that combines real instruments with advanced synthesis, giving you endless sound possibilities * Mac formats: AU (Universal Binary), RTAS (Pro Tools 6.x & up), VSTi; Windows formats: DXi (XP & x64), RTAS (Pro Tools 6.x & up), VSTi * Two DVDs of professionally produced multi-samples and grooves * Over 1500 sound programs * Mix and layer up to 4 stereo parts per program * Easy editing of graphical envelope generators and LFOs * Multi-stage effects sections and filters deliver production ready sound * Vector Mixer for real-time sound morphing * Drag-and-drop MIDI into host for groove manipulation

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Steinberg Virtual Bassist VSTi

Steinberg Virtual Bassist VSTi

Очередным пополнением в виртуальном аккомпанирующем ансамбле компании Steinberg является бас-гитарист Virtual Bassist. Созданный теми же авторами, что и другие программы этой серии (Virtual Guitarist и Groove Agent), он использует записи реальных партий. Есть семплы и фразы (в том числе вступления, заполнения и вариации) в 30 стилях (включая рок, поп, регги, металл, хип-хоп). Возможно управление в реальном времени (в том числе посредством MIDI-клавиатуры). Есть два режима работы: аккордовый (полностью автоматический) и нотный (автоматические рисунки, ручной ввод высоты тона). Функция MIDI Export/Import позволяет открыть партии в клавишном редакторе хост-программы для детального редактирования. Функция GrooveMatch позволяет подстроить басовую партию под любую партию ударных. Есть партии, соответствующие фразам и паттернам программ Groove Agent, Virtual Guitarist и Virtual Guitarist Electric Edition. Возможно редактирование параметров звука (модель баса, атака, глушение, позиция звукоснимателя). Есть шесть виртуальных педальных эффектов (вау, октавер, овердрайв, хорус/фленджер, тремоло, компрессор), оптимизированных для бас-гитары, набор инструментальных усилителей, басовых кабинетов, микрофонов (можно менять положение микрофона). Эти эффекты также можно использовать для других партий. Программу можно использовать автономно, в качестве плагина формата VST, DXi или AU, а также посредством ReWire. ================================================== Virtual Bassist - Your Virtual Bass Guitar Player With the benefit of Virtual Bassist, you can enrich your projects with professional-caliber bass lines - without having to call on a bass player or endure interminable takes to capture a good performance. Steinberg’s Virtual Bassist is an accomplished player who has mastered 30 styles. It always plays with perfect timing, and adapts to suit virtually every musical taste. Every style comprises phrases in varying levels of complexity and suitable fills, all of which were tracked by professional studio musicians. And for your further processing pleasure, you have an array of high-quality virtual stomp-boxes and a special amp section at your disposal. Utterly authentic-sounding bass parts derived from the actual performances of professional studio bass players Lines are quickly and easily played on every MIDI keyboard 30 different styles with numerous variations and fills Excellent sound-sculpting tools (Bass Model, Attack, Damping, and Pickup Position) Real-time control over vital parameters Groove Match technology for adapting bass lines to other MIDI grooves Amp section featuring amp type, speaker/mic and EQ selection options High-quality virtual stomp-box effects (also employable as a VST effect plug-in) Compatible with VST, DXi, AU and ReWire host applications for Mac (OSX) and PC (Windows XP)

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SD 2100 VSTi -The first emulation of the famous EMU SP 1200

SD 2100 VSTi -The first emulation of the famous EMU SP 1200

SD 2100 The first emulation of the sp1200! The famous vintage drum sampler from EMU It has... -effect section (filter HP LP Boost / Delay / Reverb) -overall pitch select. -pan for each channel -8 channels (sounds per preset) -mute buttons for each channel -909, 808, acoustic etc... presets. You can load your wav.files by clicking Panel>"Volume", where you can select "load" to display the load-slots just put the file in your VST folder and enjoy !

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Istvan Kaldor Maestro v1.27 VSTi

Istvan Kaldor Maestro v1.27 VSTi

Welcome to Maestro, a monophonic VST synthesiser, made with Synthedit, but with a difference. This synth has been designed from the ground up, with the keyboard player in mind, and it features extensive, real-time performance control via the modulation matrix, making it one of the most expressive VST synths around. Although for a monosynth it’s quite heavy on the CPU (av. 9%), it is capable of some very big sounds. Ideally you should use a MIDI keyboard with aftertouch, Mod wheel, Data slider, and a foot pedal. But it’s not absolutely necessary, as most VST hosts will allow you to write MIDI CC data into a track. The main features are: - Two oscillators with the standard SE waveforms - 2 pole to 4 pole low pass filter - Dedicated LFO’s for amplitude, oscillator pitch and filter cutoff - Assignable modulation LFO - Assignable modulation ADSR envelope - 6 modulation destinations - 20 modulation sources including Off min and Off max - A delay effect, and an auto panner (Note) All of the important controls have “hints” which you can see by moving the cursor over them. The Monstrous sound of this beast will astound. Once which was lost has now been found! This is a really pHat retro analog emulation wit halot of potential if your looking for some unique or something different to add to your tracks

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Sound Burst Northmood VSTi

Sound Burst Northmood VSTi

PRODUCT DESCRIPTION Still in love with the sound of the Clavia Nord Modular? Now it can be virtually yours. Sound Burst Northmood is the sample-based player that plays like the original instrument. The best patches have been sampled, note by note, sometimes with several velocities, using world-class audio equipment by Focusrite, RME, BSS, Aphex, Mindprint, Creamwere and Lucid Technologies. The result is just astonishing. Sound Burst takes sound libraries into the future with Northmood: a virtual instrument without compromises. This beauty can generate up to 64 voices of polyphony (CPU dependent) at 24 BIT / 96 Khz quality and 32 bit internal processing makes the difference. 650 Presets 30.000 Samples

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Tubes Analog TrackBox VST RTAS v1.2-AiR

Tubes Analog TrackBox VST RTAS v1.2-AiR

The Blue Tubes Analog TrackBox is not an update or a replacement for our very popular Blue Tubes Bundle, but complementary unit that incorporates a substantially different combination of elements. The Blue Tubes Analog TrackBox is an all-purpose channel strip tool designed with the ultimate in sound quality and audio character for maximum musical flexibility. The Tube-Emulator section has the unique option of being able to switch between two different sounding tube options from Single-Triode to Dual-Triode. The independent Amount and Color controls permit overdrive of the Tube-Emulator stage to vary the harmonic content of the signal. The Gate/Expander section tames the noise floor so that you hear only the audio you want to keep. This fully-adjustable gate/expander reduces (or cuts) the signal if the level becomes too low (as determined by the Gate Threshold setting). This controls unwanted background noise on the track(s). Like a compressor, the Attack and Release controls determine how fast the gate opens and closes. The Compressor section, derived from our popular Blue Tubes Compressor CP2S emulates analog compressors in terms of looks, functions, and warm analog sound found in vintage compressors to provide the classic feedback response unique to the characteristics of the Blue Tubes Analog TrackBox.

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Steinberg Xphraze VSTi v1.2

Steinberg Xphraze VSTi v1.2

Create chord patterns, riffs, bass lines, effects, arpeggios, morphs, pads, leads, even 4-track songs quickly and intuitively with Xphraze. With chopping rave chords, complex polyphonic soundscapes, screaming bass and lead riffs, luscious sweeping pads and tempo-synced sound effects, Xphraze will have your music exploding from your speakers all in perfect sync. Features: * Comes with a huge library with literally hundreds of ready-to-go Combis, Patches and Phrazes. Just pick what you need and go or tweak it to your needs in no time. * Four-part multi-timbral polyphonic phrase synthesizer, full loop and tempo-sync capability (phraze generators, envelopes and LFOs). * Each Patch consists of: Phrase Oscillator (32 cells) with individual note resolution, amp section and multimode filter, each with free- form loopable envelopes, two additional freeform loopable auxiliary envelopes, four freeform LFOs, arpeggiator, unison mode. * Each Phraze Generator contains: individual multisample per cell, plus a maximum of six freely assignable cell parameters, such as pitch, cutoff, resonance, pan, level, gate-time and more. Each cell parameter curve freely mouse-editable. * Unlimited, freely assignable morph modulation with 24 sources x 16 destinations. * Phrase playback can be fully adjusted for each Patch: play and loop range (start/end) can be adjusted on-screen, switchable trigger/mute per cell, adjustable cell crossfade/duration. * Xmix function allowing for live creation and remix of entire tracks using MIDI keys. * Performance controllable stereo insert effects for each Patch from 24 effect types, plus four master effects from eleven types. * Vector Synthesis: automated vector morph between four patches, including vector envelope. * Integrated browser for managing unlimited numbers of Combis, Patches and Phrazes. * Wave ROM with more than 200 waveforms included, plus import function for AIFF and Wave samples, automap for multisamples. * Sample-accurate audio engine featuring 32 Bit floating-point resolution, 192 kHz sample rate, and up to 1024 voices/notes (256 per Patch). * Integrated mouse-controllable keyboard with wheels.

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