it´s easy first you need a website, or blog after u need to register here in clicksor...
after u need to add all your sites and put ads with diferent formats 120x160,468x90...
when u have $50 dollars making money from clicks form your visitor u can transfers the money to paypal... and that is it...
now u can buy a megaupload or rapidshare account or everything that you want...
domingo 31 de agosto de 2008
How to buy a rapidshare account making money from websites forum blogs nice tips secrets tricks
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sábado 30 de agosto de 2008
Reason 4 Lesson in Chords and Melodies tutorials reason
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This video will attempt to show you with minimum effort how easy it is not only to put together a progressio
n but also to create a melody using that progression as a base to start out from.
Each four bar block will give you a different use if the same four chord groups, for example the first covers the block chords then after that it looks at rolling notes then it takes that principle and pushes it further, after the break you'll then see how to employ that within a piece of music adding in a very simple melody.
This is the first step towards creating great music.
Understand these words "music is infinate and infinatly diverse".
The only boundries that need to be crossed in music are your own understanding of the principles behind it and the boundries of your own mind.
Free yourself and remember anyone can write a four bar chord progression, just because you dont know the technical names of what your doing doesnt mean you cant hear what your doing.
Categoría: Música
Etiquetas:
Propellerhead Reason Lesson in Chords and Melodies Phoenix Medway Kent FL Studio
Brave Fencer Musashi: Darkness of the Mine (4)
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Watch in high quality: http://www.youtube.com/watch?v=Nl-bdn...
Version 4 of my Darkness of the Mine sequence.
This time it's in FL Studio. I found a French Horn that sounds very similar to the one in the game. Lots of little details were tweaked since the last upload, and most instruments were changed.
Categoría: Música
Etiquetas:
Brave Fencer Musashi Darkness of the Mine Geno MIDI PSX Playstation Music PSF Synth Soundfont Video Game FL Studio
how to make drum & bass FL Studio DnB- Intro to Madness
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This is a DnB track I made in FL Studio 8. I absolutely love DnB so I decided to produce a small Ep Cd. This is the intro track for that cd.
Fl Studio DnB Drum and Bass Intro to Madness
Fl Studio Tutorial:How to make a beat
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i am going to show you how to make a beat
music learn how rate subscribe comment
FL Studio Tutorial: How To Create Snare Rolls
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A tutorial on how to create snare rolls on fl studio
music learn yb tutorial (c)
viernes 29 de agosto de 2008
How to use Rop Papen Predator VST
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All sounds are made with predator except
vst predator fl studio
Making Hardstyle Kicks in Fruity Loops (Nustyle)
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See video for info!
The type of Hardstyle kick in this tutorial is Nu-Style.
VST used
Microtonic
Categoría: Instrucc. varias y estilo
Etiquetas:
FLstudio FL Studio Fruity Loops Hardstyle Headhunterz how to kick kicks make
FL Studio - How to make baselines!!
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Im showing you how to make a nice baseline in fl studio 7
Natal techno hardstyle hard core jump base line kick how to make create melody fl studio beginner basics electronic world music hip-hop
martes 26 de agosto de 2008
How to make a simple melody fl studio step by step paso a paso como se hacen las melodias
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First tutorial , ive ever made. Hope this helps someone.
Ill make more if these help people.
Dont forget to leave a comment + subscribe if you liked it.
Categoría: Instrucc. varias y estilo
Etiquetas:
music how to make simple melody fl studio techno trance happy hardcore dance in fuffka
how to make Akon music - Dangerous Basic tutorial FL
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Akon - Dangerous Basic tutorisl FL!
S U B S C R I B E IF YOU LIKE IT:)
Akon Dangerous Basic tutorisl Fl Studio fruity loops saw piano violin string r&b pop hip-hop rap classical world music
how to play piano New Piano Composition by DJ VLT virtual instruments
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Enjoy :D Sorry Yakir lol typed ur name too fast its DjYakirAmrani !! Thanx for giving ur kit! Sorry if im wrong in the name some time i type it bad :D
fl studio music symphony musical piano composition hip-hop smooth kind of r&b deem001 orchestral djyakiramnari kit
Basstrada! - Shake it (Dj Maro 33 mix) hardstyle melodies
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Basstrada! - Shake it (Dj Maro 33 mix)
fl studio fruity loops hands up hard trance hardstyle jumpstyle hardcore
how to make piano bass drum rap beat cubase sx project
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piano bass drum rap beat cubase sx project
Rock Religious Rap Pop Hip-Hop fl studio instrumental
Rihanna Unfaithful (full Instrumental në reason 4)se
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Rihanna Unfaithful (full Instrumental në reason 4) rihanna piano instrumental techno fl studio rihanna hip hop house kosova beat rap,,,,
Rihanna Unfaithful (full Instrumental në reason 4) rihanna piano instrumental techno fl studio hip hop house ko
A simple and very effective gate effect (in fl studio) fruity philter tutorial
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using the loive philter vst
you can recreate a simple and very effective gate effect
how to use gate effect
fl studio vst vsti love philter gate effect simple easy fast best
fl studio hip hop tutorial fruity loops video demostrativo
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well i decided to make a tutorial cause i was bored
enjoy
fl studio rap hip hop tuturial beats
Howie Helps Fl Studio Hip Hop/rap beats 2 (basics)
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Continuation from previous video.
This video explains the basics of effects.
Thanks for watching
Categoría: Música
Etiquetas:
FL Studio Fruity Loops Hip Hop Tutorial beat making
Howie Helps FL Studio Basic Hip Hop / rap beat
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his is not a tutorial this is to show new people to fl studio how a few simple kicks and a melody with some bass can have a great effect.
Tutorials are next
Categoría: Música
Etiquetas:
FL Studio Fruity Loops Hip Hop Tutorial beat making
domingo 24 de agosto de 2008
DJ Diemenschmaschine playing Kraftwerk - Das Modell
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DJ Diemenschmaschine (me) playing Kraftwerk - Das Modell.
Thanks to Ralf and Co for making this beautiful song!
Kraftwerk M-Audio Axiom 49 Das Modell FL Studio Ableton Live Linplug Albino
pack sytrus cello string explain samples sound
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Original beat - TearGasBaby
explain loops samples
cuales son los strings? cuales son los drums? cuales son los cellos?
explicando parte por parte los sonidos
Hot fun cool nice funny super beats fl studio rap hip hop snap clap pro tools awesome sweet dude
Dj_GeniX - Hardest heart(remix) live on an m-audio midiboard
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me playing a setup in fl stuido in a live fashion.. comments pleease;D
trance hardest heart FL studio M-audio live Genix amateur handsome remix skill homebrew music hokksund norge
How to sing like t pain effect, cambo macguyver
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Toni Chandon using a plugin called autotune to achieve the robotic t pain settings on Fruityloops. Sorry if the video is dodgy or weird. Pleasure to make you laugh, cambo mullet
pain effect autotune cambo rap khmer australia mullet fl studio brisbane
marsool alhob Aldokali مرسول الحب الدوكالي
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marsool alhob Aldokali مرسول الحب الدوكالي FL Studio 8
how to make arabian music nice
marsool alhob Aldokali مرسول الحب الدوكالي FL Studio
(*NEW*)Hip Hop beat made in Fl 8(*HOT*)
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Check it out, my new hip hop beat made in Fl studio 8 by Me.
Rate and comment.
If you like my other beats just subscribe me, and add to friends.
Peace.
--BRB--
More beats on my myspace:
http://www.myspace.com/barribalprod
hip-hop rap beat fl studio keybord music casio making creating showing nice awesome new sound producer good brb
simple sample song made in fl studio 8 how to use plugins
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I use a great free plugin called protoplasm
muzyka piosenka fl studio
fl studio- pluckin pixies! how to make a happy trance
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more recent song ive made,still learning!any advice?let me no what ye think anyway,video is a bit of a mess due to the computer being full of crap and so slow!
fl studio production dance music trance happy hardcore electronic dj
Dark-core Tutorial for Fl Studio how to make darkcore
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This is very simple but i like the kick. thx for commenting and subscribing =)
Recommended Video darkcore category video
fl studio fruity loops tutorial hardcore hardstyle darkcore basic
This Club | R&B / Hip-hop in FL Studio by Adam Day
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My new R&B / hip-hop beat i decided to called "this club", lol i don't know why. reminds me of usher mixed with lil wayne haha.
Samples used: 808 drum samples and my custom samples.
VSTS used: 3 Notivation V-station VSTs
mixland.co.nr/forum
my new beat r&b rap electronic hip-hop 808 samples usher FL studio in love club fruity loops tutorial 2008 snap music
Fl Studio: ClubWalkerz - Superstar
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videó magáért beszél
Superstar Fl FL Studio Fruity Loops Music Clubwalkerz
exercises for guitar players
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hmm cool;... link I came up with this one
I have noticed that a lot of guitar players are weak in the pinky finger, or 4th finger. So I came up with a easy little exercise that helps build your left hand strength, and right hand coordination. It is nothing more than a 1 octave B arpeggio, that is a combination of Maj3rd's, min 3rd's, Maj 7th's, and Min 7th's. Most exercises of this kind would have you pick every note. I'm gonna change that ,and have you do hammer-ons and pull-offs.
There are sideways curves ) that depict the hammer-ons and pull-offs.
If two notes are together (connected) by the curve, then it will be either a hammer-on, or a pull-off.
If three notes are together, it will be either a pick first note, then hammer-on second note, then pull-off back to the first note. Or it will be pick first note, pull-off to second note, then hammer-on back to the first note.
There is picking directions at the bottom. The squared off upside down U. It means pick downwards towards the floor(Downstroke). The V means to pick up towards your chin(Upstroke). Go slow concentrate on making it smooth and even, use a metronome, or something to keep you in time . This is designed for beginners that have been playing some. This is still a good exercise for intermediate guitar players too. Just try it and see how smooth you are and how fast you can play it smoothly.
The part that says tab is depicting the guitar neck or strings of the guitar. the top string is the 1st string or the one closest to the floor if your holding your guitar (for right handed players with standard stringing). The bottom sting is the fattest string or the 6th or Low E string. The numbers on the strings (lines) are the fret numbers. The left hand fingering is above the tab. Take it slow and if you can't figure out the tap Pm me and I will send pm you back a tab explanation sheet. Good luck and have fun.
There are sideways curves ) that depict the hammer-ons and pull-offs.
If two notes are together (connected) by the curve, then it will be either a hammer-on, or a pull-off.
If three notes are together, it will be either a pick first note, then hammer-on second note, then pull-off back to the first note. Or it will be pick first note, pull-off to second note, then hammer-on back to the first note.
There is picking directions at the bottom. The squared off upside down U. It means pick downwards towards the floor(Downstroke). The V means to pick up towards your chin(Upstroke). Go slow concentrate on making it smooth and even, use a metronome, or something to keep you in time . This is designed for beginners that have been playing some. This is still a good exercise for intermediate guitar players too. Just try it and see how smooth you are and how fast you can play it smoothly.
The part that says tab is depicting the guitar neck or strings of the guitar. the top string is the 1st string or the one closest to the floor if your holding your guitar (for right handed players with standard stringing). The bottom sting is the fattest string or the 6th or Low E string. The numbers on the strings (lines) are the fret numbers. The left hand fingering is above the tab. Take it slow and if you can't figure out the tap Pm me and I will send pm you back a tab explanation sheet. Good luck and have fun.
how to use audio clips FL Studio Special Tutorial 1: Using audio clips - PART 1
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FL Studio Special Tutorial 1: Using audio clips - PART 1
NOTE: Before continuing, if you haven't already, I highly recommend you read through my first 3 tutorials, the 'basics trilogy'. I will assume that you already know everything covered there from here on.
OK, so I've gotten several requests to go into more detail about using audio clips and recording within fl to add vocals, live instruments, etc. Now before I begin I want to state that FL Studio is mainly geared towards midi and vst's. The audio clip system is a bit rough to work with, to say the least. I, personally, use Cubase for recording, and run FL as a plugin for drums, synths, etc. With that said, I'll get into it.
First of all, you need to understand that there are 2 ways to use external audio within FL, by copying in prerecorded audio clips, and by recording directly into FL Studio itself. As you may have guessed, the latter is quite a bit more complicated, and may be impossible altogether for some of you. I'll cover the simpler former first, and come back to the latter in a bit.
So to start off, take a look at your playlist. The playlist is split up into two panes, the upper sequencing pane, where you spend the majority of your time (or all of it most likely if you're reading this tutorial). Take a look at the bottom pane, which you may have not noticed until now. If you don't have a second pane, it may be hidden. If this is the case, click on the bar at the bottom of the playlist window and drag it up.
The lower pane is where you manipulate and place your audio waveforms. The very simplest way to get started using your prerecorded audio is to bring up the folder and drag the file directly onto the playlist from windows explorer. This will immediately initiate some changes...
First of all, you'll see your audio waveform immediately pop up in the bottom pane, on the row you dragged it on to. Unless you dragged it to the exact row and measure you wanted, it's probably in the wrong place, however, so you'll need to move it around. We'll get to that a minute - first let's take a look at the step sequencer. You'll notice that all of your instruments have disapeared and a new one has appeared named after the audio file you dragged onto your playlist. This is simply an audio clip instrument (try adding an instrument and notice the one near the top named audio clip). Let's take a look at the audio clip's instrument window...
There are several useful settings here, and you may come back several times. you'll notice at the top, under the SMP and MISC tabs if your audio file. If you want to define a different file, just hit the folder. If you click the panel with the name of your audio clip, or the down arrow at the right edge, it will bring up a pop up menu with recently used files (you probably don't have any right now) as well as the option to disable the audio clip (none).
Down in the lower half you see a more detailed image of the waveform. If you click on the waveform it will play the audio clip once. As a side note, if you have a long audio file and you happen to click this by accident and really don't feel like sitting there for 5 minutes waiting on it to end, hit the panic button, ctrl + H. This is mostly used for the occasional stuck note with MIDI or to nix all the leftover audio after stopping the song due to reeverb, delay, etc, but can also help in this situation. Anyways, probably the most useful option on here is the "Normalize" switch. This will minimize the difference between the loud and soft points in your audio clip. Also if you use a lot of clips, and you turn on normalization for all of them, FL will try to bring all of them to a standard volume level. (If you need to tweak the volume manually, don't forget about the volume and pan knobs at the top of the instrument window and next to the instrument in the SS). Other useful switches are Reverse which, amazingly, reverses the clip, and swap stereo, which will, even more amazingly, swap the stereo channels (ie if something was panned to the left, it is now panned to the right)
You'll also notice the row of knobs just above the waveform. In and Out are for fade ins and fade outs. The section in the middle of the window is for time stretching, and it allows you to change the pitch of the note without changing the length of the clip (pitch knob), change the length of the clip without changing the pitch of the note (MUL knob, note there is sound quality loss here), and to simply stretch the clip, ie a longer clip with lower pitch, or shorter clip with higher pitch (time knob).
The rest of the options are best learned by experimentation. The pogo and crf knobs down by the waveform make for some interesting effects (just try them with smaller clips unless you want to site there for 2 minutes waiting on it to process).
Alright, back to the rest of the world. OK, I'm sure some of you right now want to know exactly where the heck the rest of your instruments went! Well take a close look at the step sequencer. Notice at the bottom where it says "Audio clips" click here to bring up the list of all your different groups. Click on 'All' to bring back the rest of your instruments...
If you want to make your own groups (I never found the feature particularly useful myself..) simply select each instrument you want in your group by clicking the green circle to the right of the first instrument, and shift-clicking the rest of them. After all of the instruments are selected, go to channels -> group select, or just hit Alt + G. Give FL an appropriate name for the group, and there you are! Use the same method as before to get all of your instruments back.
OK, so now we know how to get our audio clips into fl, and how to tweak them to our heart's content, let's find out how to use them! Back to the lower pane we go. You'll notice that the grid in the lower pane is similar to the familiar upper pane, and that the vertical lines all match up. This is because fl follows both panes the same way, and you can actually stick your waveforms onto the lower panes and move them around the same way as a pattern block on the upper pane! To insert your clip, first select it in the step sequencer (remember this is the 'audio clip' instrument tied to your audio file). After it is selected, simply follow your usual pattern sequencing procedure, only now in the lower pane. You can place the waveform in simply by left clicking. You can drag it around the same way, and delete it by right clicking.
Several options are available to you from the pull down menu in the upper left corner of the waveform after you insert it into the playlist (there is a small down arrow to the left of the name). Again I don't have the time to go into detail on all of these, but some of the more useful features are Edit Sample, which will bring up a basic wave editor, that allows you to clip, and otherwise modify your audio clip. A basic knowledge of wave editors in general will be useful here. Also the option "Make unique" will create a copy of your audio clip in a new instrument, which will take the same name with an amended "#2, #3", etc. Detect tempo and Fit to Tempo are used for time stretching, and shouldn't be necessary unless you are trying to bring in clips from other songs with different tempos. Preview will do the same thing as clicking the waveform within the instrument window (remember ctrl + h ), and Select Channel will show you all of your audio clips and actually allow you to change the clip you have on the playlist to something else.
You can tie your audio clip to a mixer channel and add FX the same way you can a vst from the instrument window. This is a great feature, and you'll definitely want to know how to use this once you start using vocals on your tracks (check out tutorial 3 for more detail).
OK, I'm going to wrap this tutorial up here, and I'll make this a two part. In the second part I'll discuss how to record directly into FL Studio. If you're stuck, and don't know how to record anything into the computer at all, try running sndrec32 (use winkey + r, or run from the start menu) for the incredibly basic sound recording utility included with windows. This will allow you to toy with your sound card, and if you need help on getting your mic to record through sound recorder send me a message, as it's a fairly simple process. Once you know how to record with your sound card, check out a program called GoldWave (just google it). you can download a free shareware version, which basically just pops up a stupid window whenever you start it to tell you to go buy it. If, by some miracle, you happen to exceed the number of button clicks or w/e it is (I've only done it once ever) just uninstall and reinstall the program and you've got a fully working wave editor again.
I hope this helps a lot of you guys out!
Thanks for spending the last 15 minutes of your life reading this. If you have any more questions, just send me a message!
Until next time,
-David
FL Studio Tutorial 2: Patterns text & images free fruity loops tutorials
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FL Studio Tutorial 2: Patterns...
and the Playlist ( short title)
Alright, I know my first tutorial was very basic, as it was just intended to get someone started with FL that has had NO experience with it. The second edition is going to pickup where the first left off, so if you haven't read the first I highly suggest you go back and at least skim through it first to make sure you're up to pace.
Anyways, in the last lesson you learned how to make a simple pattern using one instrument. This is a very important concept, but it only gets you so far. Before long you'll need several instruments, drum tracks, and such. And sorting through all of the sequences in the whole song can get quite messy if you're trying to squeeze it all into the same sequence. This is why FL implements a system of patterns.
Let's take a loot at the playlist:
See the left panel, with all of the patterns? The one in orange is the currently selected patern, and the corresponding row for that pattern is highlighted. Each pattern can hold it's own little sequence for any of the instruments at once. This is a rather hard concept to explain in words, so let's try it out shall we? Go up to File -> New or just launch FL fresh, and let's start a new project.
Firstly, those 4 default instruments you see all the time, Kick, clap, hi-hat, and snare - we don't need those! Try clicking on some of them, you'll notice just to the right of the name there is a small green circle that lights up. Our goal is to light all 4 of those up. Theres two ways to do this, you can either click the top one and drag down, or you can just click one that's already green, which will automatically light up all 4.
Pick your method, and after they're all lit up, hit Ctrl + Delete. Hit ok to the dialog, and there they go! You'll notice that FL doesn't like to be left empty-handed, so any time it runs out of instruments, it automatically inserts an empty placeholder, called a sampler. This instrument won't do anything uless you load your own samples and go through the process of configuring everything - but let's not worry about that right now. Remember how we added the 3x Osc last time? That time we went to insert, then the instrument, which added it to the list - but this time, we want to get rid of the sampler too. FL studio allows us to do this at the same time. Go to replace -> FPC*.
It may take a second to load, but then you will have a beautiful yellow window pop up with lots of buttons and things scattered about. This is your main window for FPC, and it wouldn't hurt to leave it open for the rest of the time if you can. Looking back at the Playlist, make sure Pattern 1 is orange and the first row is highlighted. If another pattern is oragne, just click Pattern 1 and everything will be fine.
Look in the upper right hand corner of the FPC window, just to the right of "MIXER". There's a folder icon. click on this and a window opens up with many different choices for your drum pattern.
For this example, let's go into 808 Loops, and pick 808kit_01.mid. You'll notice the name pops up in the corner, just to the right of the folder icon we clicked previously. You may also notice some data appears in the step sequencer. This shows that we now have a little sequence in this pattern. Hit space bar to listen to it. This is a good beat, and we'll use it later. But what about those fills? Drum parts get boring after a while, and it doesn't hurt to throw in a good fill here and ther. Go over to the playlist again, and click on Pattern 2. Notice that the information in the step sequencer clears. This is because this pattern can hold completely different data. If you go back to pattern 1 you'll see the drum loop reappear.
Anyways, go to Pattern 2, and go back to the FPC window. If you accidentally closed it, just click FPC in the step sequencer and it comes right back. You can close the main instrument window if you want, the FPC window will stay open. Since we're using 808 loops, it's a good idea to stay within the same style. The left and right arrows on either side of the name of the current pattern (in the upper right hand corner, remember) will allow you to move through the other loops in this same folder. Alternatively you can hit the down arrow all the way to the right and get a list of all the loops in the folder.
Since this pattern is empty, you simply need to change the loop once for FPC to fill it in. hit the right arrow to go to 808kit_02, and you'll see the data appear in the SS (step sequencer, I'll use shorthand occasionally) again. Go ahead and hit spacebar to listen to it, and continue clicking the right arrow to listen to differnet loops. You can pick whatever you like, but I decided on 808kit_07 for a fill. Remember this for later, and we'll continue moving on.
It never hurts to start off a song with a good bass line, so let's find ourself a good Bass. Go to Insert again, and click BooBass. Seems simple enough. Now I just picked this since it's quick and simple, as I'm trying to get through this tutorial in a short time. Feel free to experiment with different instruments, especially after we go over the browser a little bit later. Anyways, after selecting BooBass, the familiar instrument window will come up, with BooBass' own settings. you can tweak the simple 3 band eq if you want, but once you're done, close the window so as not to clutter your workspace.
Select Pattern 3 on the playlist first, then right click on BooBass and select Piano Roll. Look at the sequence below
Punch this into your own Piano Roll and play it. Nothing to flashy, but still almost catchy in a way. Now go over to the Playlist again. We know that pattern 1 is our main drum pattern, pattern 2 is our fill, and pattern 3 is our bassline. Rather annoying remembering all those numbers don't you think? Especially whne you've got lot s of patterns to remember. Click on pattern 1 and hit F2. Type in Drums and hit enter. Click on pattern 2, hit F2, type Fill and hit enter. Click on pattern 3, hit F2, type Bass, and hit enter. Simple enough, but now we have some clear labels. Just a word of advice, sometimes the patterns aren't as simple to name as this, as you'll see later, so you may have to be rather creative with your names so you know what the pattern holds.
Anyways, gettting on with it. You'll notice that the playlist works a lot lke the PR - you can draw on it the same way, create bars by clicking, erase by right clicking. However, you cannot change the size of the bar, only the location. We'll talk more about this later. I can't remember what the default tool is for the playlist at the moment, but put your mouse over the playlist, if it looks like a pencil or anything else, go to the tool pallette in the upper left hand corner and click the paintbrush. Now when you hover your mouse over the playlist it should turn into a paintbrush. This is a lot more useful than the pencil, which only allows you to draw one pattern at a time. The paintbrush allows you to drag and create a string of patterns as long as you want.
Let's start the song off with 2 bars of bass line, kick the drums in on measure three, then continue until measure 8 where we change to a fill. Confused? Read on. We know the bassline is going to be constant, so click in the first measure accross from Bass, and drag over to measure 8. The drums come in on measure 3, and change to a fill on 8. Click on measure 3 accross from Drums, and drag over to measure 7. Then Click on measure 8 accross from Fill. When you're finished, it should look like this...
Before we play it, take a look at the transport controls...
Notice the indicator to the left of the play button. You'll see two labels, PAT and SONG. Each has a light next to it, and the one selected is lit up orange. Until now we've been working with individual patterns, but now that we have an actual song going using multiple patterns, we want to play the whole song. you can click anywhere in this little section or you can hit L to change the play mode to SONG. Hit the spacebar and you'll notice a bar moving accross the playlist as your song begins to play. You can hear the repetitive bass and drums go until measure eight where you hear a fill and then your song immediately loops back to the beginning.
Now let's start building the song. Bring up the browser. The browser operates using a tree design - in other words, when you go inside a folder, each subsequent file and folder are indented slightly to show that they are on a lower level. Looking at the first level, find Plugin Presets, and click it to drop down the list if it's not already so. Next click on Generators, to see a list of some of the instruments you have available to you. Go to Sytrus. Sytrus is the name of a very powerful synth included with FL Studio 6. It is much more powerful than any of the synths we've used so far. It's also an all-around synth, so you can make virtually any instrument you want. You'll notice after clicking on Sytrus there are several more folders. Go to Plucked. You'll see several instruments come up. To use one, drag it onto the SS. Make sure not to drag onto another instrument (it will light up orange) as this will actually replace the instrument with the preset. Find Zen (it's the last one) and drag it over.
Go down to pattern 4, so as not to overwrite any previous material. Open up the PR for Zen and put a quarter note on G5 (ie the G above C5) on count 4, and a quarter note on C5 on count 1 of measure two.
Alright, I know my first tutorial was very basic, as it was just intended to get someone started with FL that has had NO experience with it. The second edition is going to pickup where the first left off, so if you haven't read the first I highly suggest you go back and at least skim through it first to make sure you're up to pace.
Anyways, in the last lesson you learned how to make a simple pattern using one instrument. This is a very important concept, but it only gets you so far. Before long you'll need several instruments, drum tracks, and such. And sorting through all of the sequences in the whole song can get quite messy if you're trying to squeeze it all into the same sequence. This is why FL implements a system of patterns.
Let's take a loot at the playlist:
See the left panel, with all of the patterns? The one in orange is the currently selected patern, and the corresponding row for that pattern is highlighted. Each pattern can hold it's own little sequence for any of the instruments at once. This is a rather hard concept to explain in words, so let's try it out shall we? Go up to File -> New or just launch FL fresh, and let's start a new project.
Firstly, those 4 default instruments you see all the time, Kick, clap, hi-hat, and snare - we don't need those! Try clicking on some of them, you'll notice just to the right of the name there is a small green circle that lights up. Our goal is to light all 4 of those up. Theres two ways to do this, you can either click the top one and drag down, or you can just click one that's already green, which will automatically light up all 4.
Pick your method, and after they're all lit up, hit Ctrl + Delete. Hit ok to the dialog, and there they go! You'll notice that FL doesn't like to be left empty-handed, so any time it runs out of instruments, it automatically inserts an empty placeholder, called a sampler. This instrument won't do anything uless you load your own samples and go through the process of configuring everything - but let's not worry about that right now. Remember how we added the 3x Osc last time? That time we went to insert, then the instrument, which added it to the list - but this time, we want to get rid of the sampler too. FL studio allows us to do this at the same time. Go to replace -> FPC*.
It may take a second to load, but then you will have a beautiful yellow window pop up with lots of buttons and things scattered about. This is your main window for FPC, and it wouldn't hurt to leave it open for the rest of the time if you can. Looking back at the Playlist, make sure Pattern 1 is orange and the first row is highlighted. If another pattern is oragne, just click Pattern 1 and everything will be fine.
Look in the upper right hand corner of the FPC window, just to the right of "MIXER". There's a folder icon. click on this and a window opens up with many different choices for your drum pattern.
For this example, let's go into 808 Loops, and pick 808kit_01.mid. You'll notice the name pops up in the corner, just to the right of the folder icon we clicked previously. You may also notice some data appears in the step sequencer. This shows that we now have a little sequence in this pattern. Hit space bar to listen to it. This is a good beat, and we'll use it later. But what about those fills? Drum parts get boring after a while, and it doesn't hurt to throw in a good fill here and ther. Go over to the playlist again, and click on Pattern 2. Notice that the information in the step sequencer clears. This is because this pattern can hold completely different data. If you go back to pattern 1 you'll see the drum loop reappear.
Anyways, go to Pattern 2, and go back to the FPC window. If you accidentally closed it, just click FPC in the step sequencer and it comes right back. You can close the main instrument window if you want, the FPC window will stay open. Since we're using 808 loops, it's a good idea to stay within the same style. The left and right arrows on either side of the name of the current pattern (in the upper right hand corner, remember) will allow you to move through the other loops in this same folder. Alternatively you can hit the down arrow all the way to the right and get a list of all the loops in the folder.
Since this pattern is empty, you simply need to change the loop once for FPC to fill it in. hit the right arrow to go to 808kit_02, and you'll see the data appear in the SS (step sequencer, I'll use shorthand occasionally) again. Go ahead and hit spacebar to listen to it, and continue clicking the right arrow to listen to differnet loops. You can pick whatever you like, but I decided on 808kit_07 for a fill. Remember this for later, and we'll continue moving on.
It never hurts to start off a song with a good bass line, so let's find ourself a good Bass. Go to Insert again, and click BooBass. Seems simple enough. Now I just picked this since it's quick and simple, as I'm trying to get through this tutorial in a short time. Feel free to experiment with different instruments, especially after we go over the browser a little bit later. Anyways, after selecting BooBass, the familiar instrument window will come up, with BooBass' own settings. you can tweak the simple 3 band eq if you want, but once you're done, close the window so as not to clutter your workspace.
Select Pattern 3 on the playlist first, then right click on BooBass and select Piano Roll. Look at the sequence below
Punch this into your own Piano Roll and play it. Nothing to flashy, but still almost catchy in a way. Now go over to the Playlist again. We know that pattern 1 is our main drum pattern, pattern 2 is our fill, and pattern 3 is our bassline. Rather annoying remembering all those numbers don't you think? Especially whne you've got lot s of patterns to remember. Click on pattern 1 and hit F2. Type in Drums and hit enter. Click on pattern 2, hit F2, type Fill and hit enter. Click on pattern 3, hit F2, type Bass, and hit enter. Simple enough, but now we have some clear labels. Just a word of advice, sometimes the patterns aren't as simple to name as this, as you'll see later, so you may have to be rather creative with your names so you know what the pattern holds.
Anyways, gettting on with it. You'll notice that the playlist works a lot lke the PR - you can draw on it the same way, create bars by clicking, erase by right clicking. However, you cannot change the size of the bar, only the location. We'll talk more about this later. I can't remember what the default tool is for the playlist at the moment, but put your mouse over the playlist, if it looks like a pencil or anything else, go to the tool pallette in the upper left hand corner and click the paintbrush. Now when you hover your mouse over the playlist it should turn into a paintbrush. This is a lot more useful than the pencil, which only allows you to draw one pattern at a time. The paintbrush allows you to drag and create a string of patterns as long as you want.
Let's start the song off with 2 bars of bass line, kick the drums in on measure three, then continue until measure 8 where we change to a fill. Confused? Read on. We know the bassline is going to be constant, so click in the first measure accross from Bass, and drag over to measure 8. The drums come in on measure 3, and change to a fill on 8. Click on measure 3 accross from Drums, and drag over to measure 7. Then Click on measure 8 accross from Fill. When you're finished, it should look like this...
Before we play it, take a look at the transport controls...
Notice the indicator to the left of the play button. You'll see two labels, PAT and SONG. Each has a light next to it, and the one selected is lit up orange. Until now we've been working with individual patterns, but now that we have an actual song going using multiple patterns, we want to play the whole song. you can click anywhere in this little section or you can hit L to change the play mode to SONG. Hit the spacebar and you'll notice a bar moving accross the playlist as your song begins to play. You can hear the repetitive bass and drums go until measure eight where you hear a fill and then your song immediately loops back to the beginning.
Now let's start building the song. Bring up the browser. The browser operates using a tree design - in other words, when you go inside a folder, each subsequent file and folder are indented slightly to show that they are on a lower level. Looking at the first level, find Plugin Presets, and click it to drop down the list if it's not already so. Next click on Generators, to see a list of some of the instruments you have available to you. Go to Sytrus. Sytrus is the name of a very powerful synth included with FL Studio 6. It is much more powerful than any of the synths we've used so far. It's also an all-around synth, so you can make virtually any instrument you want. You'll notice after clicking on Sytrus there are several more folders. Go to Plucked. You'll see several instruments come up. To use one, drag it onto the SS. Make sure not to drag onto another instrument (it will light up orange) as this will actually replace the instrument with the preset. Find Zen (it's the last one) and drag it over.
Go down to pattern 4, so as not to overwrite any previous material. Open up the PR for Zen and put a quarter note on G5 (ie the G above C5) on count 4, and a quarter note on C5 on count 1 of measure two.
Hit L to change back to PAT play mode and hit space to listen to it. Simple enough. Now let's get back to the song. Let's do the same pattern for bass and drums again (minus the solo bass intro). Extend the bass line over to measure 16. Extend the drums over to 15 and do a fill on measure 16. Now try putting in pattern 4 at measure 8. Hey, it looks different! You may rememeber me mentioning something about not being able to change the size of the bars within the playlist. The size of the bar is determined by the length of the pattern. If you remember when we made Pattern 4 we extended it into the second measure, making the pattern 2 measures long. for this reason when we implement it in the playlist the bar will be twice as long. Go ahead and stick pattern 4 in there until measure 16, don't worry about it hanging off at the end by a measure, we'll fix that later.
Well that pattern is nice, but gets old rather fast, so lets make another one taking off from this pattern. Go to pattern 5 and punch this in for Zen...
Now this may look like nothing but a bunch of bars to you at first, but play it (remember to put it in pattern play mode) and you can hear a simple melody (yes this is the one I used in gamey, sue me). Go ahead and extend the drums, bass, and now pat 4 another 8 measures to 23. Stick this new pattern in there from 16 to 23 as well. You'll notice the pattern is 4 measures long, so you only have to stick it in there twice!
OK, you may have noticed I didn't put a fill in this time on measure 24. That's because I want to introduce a larger part here, so rather than do another fill, I want to do a hit on 1 and then have a break. To do this, we first need to create a simple pattern for the downbeat. But, in the sake of keeping things organized, it would be better if the break were up with the percussion patterns at the top. Inserting a pattern here is simple, right click on Bass and select Insert One. Rename the new pattern to Break. Now go up to the SS and open up the PR for BooBass. Put a note on C5 on 1 (it doesn't really matter how long it is, eigth note or quarter note will do fine). Now, without changing patterns, open up the PR for FPC. Here's that different looking Piano Roll we taled about in the last lesson. Find the note that says "Kick Drum" and put a note on the downbeat of 1 as well.
EDIT: Sometimes FL doesn't like to change the piano roll like it should. If you pull up the PR for FPC and it looks like a normal one, with an unapetizing keyboard along the side, close out of the piano roll, then right click FPC and select Piano Roll again. This should fix the problem. If you really can't get it, the kick drum is on C3.
Now there's one more part to insert, a few more things to teach you, and I'll leave the rest to you. Go back to the browser, into Sytrus again (in case you forgot how to get there, it's Plugin Presets -> Generators -> Sytrus). This time go to Gutiars and pick Electric 3. Add it to the SS. Note that, like before, I looked through the instruments rather quickly for the sake of time to get this tutorials out sooner. Feel free to experiment with any of the others, and even check out other synths, like FL Slayer.
Anyways, go to Pattern 7, or whatever your first empty pattern is. Bring up the PR for electric 3 and punch this in...
By the way, did you notice something strange about that pattern? Look closely at the first and second to last C5's. They have triangles lightly engraved at the beginning of the bar. And they're also right on top of another note, with a short delay in starting time. These notes with triangle denoations are called slides, or glides. FL implements this concept rather strangely, but it's easy after you get the hang of it. Whenever a slide is placed in a sequence, any pitches that the instrument is currently playing will slide towards that note. Sometimes if you have two differnet patterns using the same instrument playing at the same time, and one has a slide, you'll hear the notes from the other pattern slide as well. So, in the example above, we establish the G for a sixteenth note then slide up to C. Note that when you use slides, most of the time you want a short period to establish the starting note, and then you want to restate the note after the slide so there is a clear start and finish. Notice how this is done in the above pattern.
To create slides is simple, there is a toggle switch in the upper left hand corner, next to the color bar. It has the same triangle symbol. Click this once to turn slides on. All notes you create after slides are turned on will have the triangle symbol and be slides. Click the button again to turn slides off. Simple enough. I do wish they'd just made it affect one note and then turn off automatically, but sadly that's not so. You'll just have to remember to do it yourself.
Anyways, with that said, you should be able to create the above pattern for Electric 3. Now to put the last pieces together. Put the previously created break pattern on measure 24 and start both zen patterns and the electric one. Continue running everything to measure 31. Then put another pattern of bass and fill on measure 32. Your playlist should now look something like this...
Go ahead and listen to your song thus far. You'll notice the break is a rather neat effect, but the mix is rather off and the guitar seems to cover up everything else. The third lesson will show you how to map channels to the mixer and use it to mix and balance your song, but for now I'll show you a few more tools in the SS to keep you goin. Look at the SS for a minute. To the left of each instrument there are 3 things: A mute switch, a pan knob, and a volume knob, in that order (left to right). The first item, the mute switch, is simply a green light. All instruments are normally on, and the green light lit. To mute an instrument to temporarily take it out of the mix, simply click the green light. The light will go dim and the instrument will no longer be heard. To unmute, just click the now dim light again. It lights back up!
Next is the pan knob. You'll notice it's normally in the exact center for each instrument. Here's a quick tip about knobs in FL, and most daws. FL Studio uses what's called linear knobs. This means you click a knob, and drag the mouse up to increase its value, and down to decrease. This can be a bit strange at first, but you'll adjust quickly. Back to the SS, the first knob, next to the mute switch, controls panning. If you begin to change it, you can see the meter come up, as you increase the knob more, the meter fills to the right, indicating a pan towards the right. If you decrease, the opposite is true. The volume knob is a little different. It has a vertical meter, that rises on increase, and falls on decrease. It is not always the best choice to use these controls to fix balance problems rather than using the mixer, but it is there when you need it. Until the next lesson, if the electric guitar sounds as horribly out of balance to you as it did to me, by all means, go to that volume knob and pull it down some. note that you can tweak these knobs in realtime, while the song is playing.
Lastly, you'll notice we never named a few of those patterns. Remember what I said a while back, about it not always being easy to name patterns? Sometimes you have to make up something stupid that reminds you what the pattern is for. Come up with your own name for the remaining 3 unnamed patterns, and be creative!
And so I leave the rest up to you, take this song wherever you like - or promptly delete this piece of crap and start your own! Until the next lesson, goodbye BandAmp!!
Footnotes:
*-Note to pre-FL 6 users, fpc was added in version 6 of FL studio, so you likely won't be able to see it. Don't worry about the specific parts applying to fpc itself, but pay attention to the rest of the lesson, as it will still apply to you.
Hey, after you're done with this tutorial, how'd you like to check out the corresponding flp? You can download it here. Read More......
FL Studio Tutorial 1: The Basics text and images tutorial free
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FL Studio Tutorial 1: The Basics
FL Studio Tutorial 1: The Basics
OK, I am going to try to start a series of FL studio tutorials for those who are struggling with the program or just want to learn it. I'm pretty much just winging it on this tutorial, so there's likely to be lots of editing things in I missed and the like.
Anyways, as any good tutorial series should, I'm starting the first lesson with the basics of fl, where hopefully someone could come in thats never even heard of fl and begin using it.
First let's go over the interface. There are 5 key windows that you should know about, the Step Sequencer, mixer, Playlist, Piano Roll, and the Browser. If you notice, there are icons for each of these at the top of the screen.
you can click any of these to toggle showing the window it corresponds to. Some of these are automatically open when you start a new song, however it all depends on the way you set up your environment. I use two monitors, so I stick the step sequencer, mixer, and playlist on my right monitor, which runs at a considerably lower resolution than the left. Here's what my layout looks like, with the windows labeled.
You can see I pretty much cram everything in there to fill up the monitor. This has really helped me out. On the off chance the theres another dual monitor user out there, you might try a setup similar to this one.
Now, just for you, I'll cram the other two windows on to the screen so you can see what they look like as well.
Note that there are 2 versions of the piano roll. The one on top is a special version that maps out the drums to specific keys. You don't need to worry about messing with this, just know that you may see this when making drum patterns. The one on the bottom is what you are going to be seeing most of the time
So while we're on the topic of the Piano Roll, why not go into to detail on it? Well first we need to create an instrument to use! Go to the trusty step sequencer and right click on any of the instrument names. For this example we'll use the 3x Osc (this instrument will be rather familiar to those that have done any amount of synth programming). after right clicking, go Insert, then 3x Osc
After this you'll see the purple instrument pop up in the step sequencer, and you'll see this window pop up...
This is the main instrument window, you can get to this window for each instrument by clicking it's name in the sequencer. This is your headquarters for the instrument. Some more advanced instruments will actually have seperate windows pop up for special control unique to that instrument. For the simple 3x Osc, all the controls fit nicely in the plugin page itself. There are also other tabs which allow an extrodinary amount of control over the sound of any given instrument. Now I could go into detail on each and every button and knob, but for one thing, there are a few things in there that I still dont have a clue what they do, and for another thing the best way to learn these things is experimentation. Write yourself a little loop, let it go, and tweak away! But - you don't know how to do that yet? Well you must be reading this for the first time! Read on...
OK. If you go back to the Step Sequencer, you should now see a new instrument named "3x osc"!! Exciting! Right click on it and select Piano Roll (the first option). There it is! This pic may look a little scary at first, but that's mostly becasue I'm not much of a graphics designer o_0. Just read along and I'll explain everything. I happen to be a very visual learner myself so I like to provide aids like this to go along.
The piano roll is something you will be seeing a lot. It is used in virtually every DAW*for midi sequencing, and no matter which program you pick or move on to in the future, it's bound to have this little feature in there somewhere. Pay attention to this next part, because this is a very important concept!
The window is laid out on a 2d plane. The x axis (horizontal) is time, while the y axis (vertical) is pitch. Most of the time there is a friendly piano along the y axis to show you what particular pitch you are using. If you don't know where the notes are on a piano, no need to fret, the letter C is marked on each octave with a number indicating it's octave (C0 being the lowest, C10 being the highest). you can see C5 right at the edge of the letter h in Pitch. In most situations, you can click on the keys to trigger them on the affected instrument. Try it out, you can hear our little organ-like instrument. This also works on the keys on the main instrument window from earlier, btw! There is also a tool pallete in the upper left hand corner. The default is the pencil tool, and you aren't going to be changing it much.
To create a note click anywhere in the grid. Notes are represented by bars of any given color (green is the default, try clicking the green box in the upper left corner to change it!). After your note appears try clicking and dragging it up and down and all around!! Wow annoying o_0. But quite fun sometimes when you're stuck and very bored. Anyways, after you finish giving yourself a headache. Try right clicking the note. Ah! where did it go?! Good job, you deleted it. Go ahead and create another by left clicking on the grid again. OK, this is getting old, I know, but bear with me. To resize the note, hover over the right edge until your cursor changes to that familiar icon for resizing windows and such. Click and drag left and right to change the length of your note. This is the equivalent of changing between an 8th note or quarter note on paper (except with a lot less erasing). The grid is divided up along the x axis to help guide you in placing your notes rhythmically. The thickest white lines mark 1 of each measure, the 3 slightly thinner lines between them mark the other beats, 2 3 and 4, and the very tiny lines in between those mark each sixteenth note.
If you try resizing the note all the way over to the left, you should end up with a small green squre, that fits perfectly into any of the small squares on the grid. This is a sixteenth note. Drag it over to two squares. This is an eigth note. Drag it to fully extend from one semi-thick line to the next, and you have a quarter note! Exciting, I know. Now all you have to do is line the note up accross from the corresponding pitch on the keyboard and place it in the right place in the measure, and you're all set! Confused? keep reading...
Look at the example in the picture (yes we are still on that same picture with too much crap written all over it) Notice how each of the notes lines up with the white notes on the keyboard, starting at C3, going up to C4, and then back down. It's the good ol' C Major scale!! ^_^ Notice that the rhythm is straight eight notes until the end where we arrive back on the original note on a quarter note. Hm, the quarter note appears to be twice as long of a bar as the eighth note - go figure! If only those darn italians could've learned to write music this way** ....
then we'd end instead of a page with a bunch of lines and random circles and flags on it to a page with a grid and a bunch of random stupid bars on it. Wonderful.
Anyways, so there we go, now hopefully you have an idea of how to write out a musical idea into this sequencer and hear it played. Note that sometimes complex rhthyms take several tries to put down, it's not always simple sometimes you may find yourself counting on your fingers to see on the upbeat of what count something happens. But here's the beauty! Go ahead and punch in the piano roll our example from the image here. Now hit the spacebar. Wow, muzak!! You'll notice that much to your annoyance it continually loops over and over until you hit the spacebar again. This looping is automatic (lucky you!) and will always play through the last measure containing notes - I know that sounds confusing, but say you through a note in there way on the right edge of the screen, in measure 6. When you hit spacebar, FL would play all the way through to that note, finish measure 6, then loop back to the beginning. Try it!
OK, I know you're ready to be done with this god-forsaken window, but there's one more thing to talk about - that pane on the bottom. yes can you believe I wrote more crap on there for that too. This is where various data for each note is shown. The data is shown in the form of a bar directly under the note to which it corresponds. The default form of data for this section is velocity, and you wont' use much else very often. If you aren't familiar with midi data, values such as velocity are always a number between 0 and 127. When you create a note by the previous methods, it automatically gives it a preset velocity, 100 I believe (not entirely positive). Its about 3/4 of the way up, so you have some headroom. you can easily change the values for any note by simply clicking over the bar at the approximate velocity you want. In other words, let's say you wanted the C in the middle to be half as loud as the rest of the notes (dunno why, but oh well, it's possible!). Notice that the note is on the upbeat of 4 in the first meausre. You can also think of it as the 8th note, or the last note before the 1 bar for measure two - whatever works for you. Anyways, find the bar in the lower pane corresponding to that note, and click on the bar, about half way up. The bar shrinks to the size. Hit spacebar again to see how it sounds. You can also move the bars by clicking the white squares at the top and dragging them up and down.
Anyways, as any good tutorial series should, I'm starting the first lesson with the basics of fl, where hopefully someone could come in thats never even heard of fl and begin using it.
First let's go over the interface. There are 5 key windows that you should know about, the Step Sequencer, mixer, Playlist, Piano Roll, and the Browser. If you notice, there are icons for each of these at the top of the screen.
you can click any of these to toggle showing the window it corresponds to. Some of these are automatically open when you start a new song, however it all depends on the way you set up your environment. I use two monitors, so I stick the step sequencer, mixer, and playlist on my right monitor, which runs at a considerably lower resolution than the left. Here's what my layout looks like, with the windows labeled.
You can see I pretty much cram everything in there to fill up the monitor. This has really helped me out. On the off chance the theres another dual monitor user out there, you might try a setup similar to this one.
Now, just for you, I'll cram the other two windows on to the screen so you can see what they look like as well.
Note that there are 2 versions of the piano roll. The one on top is a special version that maps out the drums to specific keys. You don't need to worry about messing with this, just know that you may see this when making drum patterns. The one on the bottom is what you are going to be seeing most of the time
So while we're on the topic of the Piano Roll, why not go into to detail on it? Well first we need to create an instrument to use! Go to the trusty step sequencer and right click on any of the instrument names. For this example we'll use the 3x Osc (this instrument will be rather familiar to those that have done any amount of synth programming). after right clicking, go Insert, then 3x Osc
After this you'll see the purple instrument pop up in the step sequencer, and you'll see this window pop up...
This is the main instrument window, you can get to this window for each instrument by clicking it's name in the sequencer. This is your headquarters for the instrument. Some more advanced instruments will actually have seperate windows pop up for special control unique to that instrument. For the simple 3x Osc, all the controls fit nicely in the plugin page itself. There are also other tabs which allow an extrodinary amount of control over the sound of any given instrument. Now I could go into detail on each and every button and knob, but for one thing, there are a few things in there that I still dont have a clue what they do, and for another thing the best way to learn these things is experimentation. Write yourself a little loop, let it go, and tweak away! But - you don't know how to do that yet? Well you must be reading this for the first time! Read on...
OK. If you go back to the Step Sequencer, you should now see a new instrument named "3x osc"!! Exciting! Right click on it and select Piano Roll (the first option). There it is! This pic may look a little scary at first, but that's mostly becasue I'm not much of a graphics designer o_0. Just read along and I'll explain everything. I happen to be a very visual learner myself so I like to provide aids like this to go along.
The piano roll is something you will be seeing a lot. It is used in virtually every DAW*for midi sequencing, and no matter which program you pick or move on to in the future, it's bound to have this little feature in there somewhere. Pay attention to this next part, because this is a very important concept!
The window is laid out on a 2d plane. The x axis (horizontal) is time, while the y axis (vertical) is pitch. Most of the time there is a friendly piano along the y axis to show you what particular pitch you are using. If you don't know where the notes are on a piano, no need to fret, the letter C is marked on each octave with a number indicating it's octave (C0 being the lowest, C10 being the highest). you can see C5 right at the edge of the letter h in Pitch. In most situations, you can click on the keys to trigger them on the affected instrument. Try it out, you can hear our little organ-like instrument. This also works on the keys on the main instrument window from earlier, btw! There is also a tool pallete in the upper left hand corner. The default is the pencil tool, and you aren't going to be changing it much.
To create a note click anywhere in the grid. Notes are represented by bars of any given color (green is the default, try clicking the green box in the upper left corner to change it!). After your note appears try clicking and dragging it up and down and all around!! Wow annoying o_0. But quite fun sometimes when you're stuck and very bored. Anyways, after you finish giving yourself a headache. Try right clicking the note. Ah! where did it go?! Good job, you deleted it. Go ahead and create another by left clicking on the grid again. OK, this is getting old, I know, but bear with me. To resize the note, hover over the right edge until your cursor changes to that familiar icon for resizing windows and such. Click and drag left and right to change the length of your note. This is the equivalent of changing between an 8th note or quarter note on paper (except with a lot less erasing). The grid is divided up along the x axis to help guide you in placing your notes rhythmically. The thickest white lines mark 1 of each measure, the 3 slightly thinner lines between them mark the other beats, 2 3 and 4, and the very tiny lines in between those mark each sixteenth note.
If you try resizing the note all the way over to the left, you should end up with a small green squre, that fits perfectly into any of the small squares on the grid. This is a sixteenth note. Drag it over to two squares. This is an eigth note. Drag it to fully extend from one semi-thick line to the next, and you have a quarter note! Exciting, I know. Now all you have to do is line the note up accross from the corresponding pitch on the keyboard and place it in the right place in the measure, and you're all set! Confused? keep reading...
Look at the example in the picture (yes we are still on that same picture with too much crap written all over it) Notice how each of the notes lines up with the white notes on the keyboard, starting at C3, going up to C4, and then back down. It's the good ol' C Major scale!! ^_^ Notice that the rhythm is straight eight notes until the end where we arrive back on the original note on a quarter note. Hm, the quarter note appears to be twice as long of a bar as the eighth note - go figure! If only those darn italians could've learned to write music this way** ....
then we'd end instead of a page with a bunch of lines and random circles and flags on it to a page with a grid and a bunch of random stupid bars on it. Wonderful.
Anyways, so there we go, now hopefully you have an idea of how to write out a musical idea into this sequencer and hear it played. Note that sometimes complex rhthyms take several tries to put down, it's not always simple sometimes you may find yourself counting on your fingers to see on the upbeat of what count something happens. But here's the beauty! Go ahead and punch in the piano roll our example from the image here. Now hit the spacebar. Wow, muzak!! You'll notice that much to your annoyance it continually loops over and over until you hit the spacebar again. This looping is automatic (lucky you!) and will always play through the last measure containing notes - I know that sounds confusing, but say you through a note in there way on the right edge of the screen, in measure 6. When you hit spacebar, FL would play all the way through to that note, finish measure 6, then loop back to the beginning. Try it!
OK, I know you're ready to be done with this god-forsaken window, but there's one more thing to talk about - that pane on the bottom. yes can you believe I wrote more crap on there for that too. This is where various data for each note is shown. The data is shown in the form of a bar directly under the note to which it corresponds. The default form of data for this section is velocity, and you wont' use much else very often. If you aren't familiar with midi data, values such as velocity are always a number between 0 and 127. When you create a note by the previous methods, it automatically gives it a preset velocity, 100 I believe (not entirely positive). Its about 3/4 of the way up, so you have some headroom. you can easily change the values for any note by simply clicking over the bar at the approximate velocity you want. In other words, let's say you wanted the C in the middle to be half as loud as the rest of the notes (dunno why, but oh well, it's possible!). Notice that the note is on the upbeat of 4 in the first meausre. You can also think of it as the 8th note, or the last note before the 1 bar for measure two - whatever works for you. Anyways, find the bar in the lower pane corresponding to that note, and click on the bar, about half way up. The bar shrinks to the size. Hit spacebar again to see how it sounds. You can also move the bars by clicking the white squares at the top and dragging them up and down.
Allright, wow look at how much we've learned!! Okay, maybe you haven't learned anything. But this tutorial was for the basics, and I've covered some. I'll try to keep this series up and post more in the near future - enough to cover the rest of the basic concepts in FL so that you can take off making your own music.
In the meantime, why don't you go back to what I mentioned earlier: Make yourself a short loop and tweak those knobs on the main instrument window!!
Footnotes:
*fl studio is a DAW. Other programs include ableton live 5, propellerhead reason 3, cubase, pro tools le, etc. It stand for Digital Audio Workstation
**DISCLAIMER: I am not a music scholar, I have no clue who invented the traditional music writing system, but there's always stupid words in italian we have to learn, so I figured they're prolly a better bet than anyone Read More......
viernes 22 de agosto de 2008
New Hot Rap Orchester Beat FL 7
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***Soon a collab with AwesomeSRS!!!***
[I will not do any more collabs, please do not ask!]
Recommended relax music video by http://usefruityloops.blogspot.com/
I made this beat after i downloaded some new sounds, and when i heard the sounds i got inspired to make a beat.
So this is the resault.
Enjoy!!! Comment,Rate,Subscribe.
http://www.myspace.com/YakirAmraniMusic
Guitar rnb beats nice perfect melodys rap orchester beat fl studio
Chris brown - With you Remake on FL tutorials project
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SUBSCRIBE IF YOU LIKE IT! :)
chris brown with you remake in fl studio fruity loops string piano guitar claps usher souljaboy
how to use samples acapellas to produce trance vocals music dj scottish - if i could be you (fruityloops)
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this is my 9th song in fl studio 7
please leave a comment and rating :D
thanks for watching :D
If I could be you
I would take the world and hold it in one hand
If I could be you
I would bring the sunshine after rainy day
If I could be you
I would paint the letters on that empty page
If I could be you
I would take my heart and stay right to the end
Categoría: Música
Etiquetas:
fl studio kate lesing fruityloops trance dance hands up! z3ta+ venguard if could be you
FL studio Reggaeton Beat (not finished or mastered)
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reggaeton beat took a long time to get where im at ill finish it later...
Reggaeton Hip Hop Latino AV FL studio Fruity Loops Wisin Yandel Zion arcangel rakim ken-y beats hip-hop
how to make trance tiesto music Alexis - Voyage(Tiesto Remix FL)
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DJ Tiesto's Voyage(song from Yahel)made in FL Studio 7
FL Studio DJ Tiesto Yahel Voyage Alexis Argote Aura Vanguard Glitch Albino Discovery Trance Torreon
Fl studio hip hop gangsta by tiestitech
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This is my newest song i made it 2 days ago i really like it i dance when i listen it i will give you the link in 1000 watchers !!
electronic world music unsigned
How to make Dream Trance Fl Studio tutorials plugins
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My favourite! :P
deep trance ,uk trance ,europopdance , Fruity Loops Studio techno,daddy dj, anywhere,fm, last fm, fans,music studio.europopdance ,Fruity Loops Studio techno,daddy dj, eggs,basshunter melody,tiesto,estonia, trance anthem, industrial techno, tallinn, great atb, dj, undergroundmix remix,vocal,anthem,
germany, euro techno, dj seidy, club underground, russia, rave music, industrial techno, great techno ever, hit techno, top 100 techno, fantastico, tiesto, alibi, atb, best dance music ever , loco, india, california club, new york house music, florida techno, miami techno, greatest house song ever, new house song, best of house, best of techno, tekno, beat, fantastic,trance, oriental trance,nights, greece,bursa, trance beat,rave, club, disco, estonia, nostalgic trance , trance vst, old school trance, new trance , girls, fantastic techno, mtv, atb,estonian music producers,flanger effects,audio edit, music edit, dj tiesto traffic,vocal, meitis, airless, insomnia, future trance, club quake, housemusic,streets,instrumental,outro,ta llinn, intro, forever today, trance angel, angel, tears, remix,666, music automation,eesti, reason 2.0, propellerhead reason, techno, vicious cycle, vicious circle, turntable, vinyl, drum, bass, nycomed, fantasy,hardcore, hardstyle,guitar, revulotion of dance trance, hot music, hot club music,sexy drums, revulotion of trance, crosfade,love, satanic techno,peerupea, party, rome, paris, athena, clubland, frankurt ,dance music,opera , tiesto, bursa underground, techno club,city,armin van buuren, fener ,valge,lammas,opera, state of trance, world, brookers, dj crazy trance hits , best song ever, the best techno ever, best dance song ever, meitis, intro party, lammas, 1, sex intro video, trance party, dj intro music, music station, radio trance, best music ever, pretty, turkish music djs, usa,valgelammas1, U.S , brooke, greatest trance hits, top 100 alibi, german , italian,bass, timbaland, nelly , spanish djs,paris, little,refill, refx, drum loops, sexy bass line, bass line, buuren, arp squench, goa trance, cascada, india trance,music trance, music trance, superstar, streets at nights,clubs techno, anti crazy blead to suffer a lot , eastclubbers, rebirth, music sampler rebirth reason fl studio cool edit pro turnable pro dj , mtv , cbs , pretty trance trance ,unknown,eurovision, dj, realization,music coposer, music producer, rome, athena, france, paris, india, japan techno music, tiesto like techno, popular,electronic, fl studio,alarm, club bass, house bass, best trance, xxl, emp,alibi , paul van dyk, nexus, cakewalk ,violin, piano ,synth, vst, vanguard, hardstyle, hip-hop, beat, valgelammas1,nexus, jumpstyle, lasmmas,streets at night, frozen desert
Categoría: Música
Etiquetas:
dream trance fl studio beat hardstyle electronic world music
FL Studio Tutorial 3: Mixer & FX (text & images tutorial)
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FL Studio Tutorial 3: Mixer & FX
should've been 'Using the Mixer and FX', stupid short names. Grr.
Alright, here we are, in the last leg!! For anyone that is reading this for the first time, this is the 3rd tutorial in my 'basics trilogy', a 3-part series designed to cover the basic concepts and uses of FL Studio. If you have not read the first two tutorials, I HIGHLY reccomend you go back and at least skim through them. From this point forward, I will assume you know everything previously covered.
Alright, first things first. Let's take a close look at this thing we call the mixer. This is one of the more complicated windows you will deal with in FL Studio, but it is important that you learn how to use it. A note to pre-FL 6 users: The Mixer in FL 6 was given a lot of new feautures, more than I can list off the top of my head. The things you do still need to pay attention to are how to assign an instrument to a mixer channel, and how to use the faders, pan knobs, mute switches, VU Meters, and how to use effects (FX).
OK, if you're keen, you'll know this is the cue for an overly detailed screenshot...
Ha, I didn't realize it until I started to label this screen, but there is a lot of stuff crammed into that mixer window!! I guess I'm just used to it all now, but hey, you will be too before long! For now we'll just focus on the channel strips. Also note that I'm not going to cover absolutely everything in the mixer window, as there are some more advanced features. I will likely be coming back to the mixer for an in-depth tutorial, focused specifically on this particular window.
Anyways, looking back at the screen, let's start from the bottom up. At the very bottom there is a button with a floppy disk icon on it. This is a more advanced feature, which is mostly for rendering and exporting tracks for portability. I'm not going to go into how to use this function for this tutorial, but if I come back for a more in-depth mixer tutorial, I'll cover it (but y'all have to request it!)
Continuing, you can see another button with "FX" written on it. Whenever a channel has effects added to it, this switch becomes active and lights up (we'll learn about this later). You can then use this to bypass all effects if you wish to listen to a raw track. It functions a simple toggle switch (click on, click off), and is active whenever it is lit up.
Next is a slightly more complicated feature, which is rather unique to FL Studio 6 from the previous versions. In the past to use sends it has been necessary to add an effect called "Fruity Send". With FL Studio 6, there are now switches on every channel for sends. To use this feature, first select the channel you wish to use by simply clicking anywhere in the channel strip. In this example, channel 1 is selected, for this reason the name has been highlighted. You can see the send icon for it changes to show that it is selected. This icon signifies the signal coming out of the fader and traveling in both directions. By default each channel sends to the master and all 4 send channels at the end of the mixer. You can see that the icon on the Master channel shows the signal coming in and going into the master. It is also lit up orange to signify that it is active. You can actually disable this send if you wish, but you aren't likely to ever need to do this. You'll also notice that after a send is activated a knob appears above the icon. This indicates the level of the send, ie how loud the instrument is when sent into the target channel. An alternate way of turning the channel up would be increasing the send level to the master (but that's not real practical). This new send system is very powerful (much more useful than the old way) and can allow virtually any network of sends and returns. You likely won't need to use this system for quite a while, but it's good to know how to use it, in case you ever happen to find a good use for it
.
Anyways, moving on, Now we get into the useful section. The level faders are probably going to be what you are tweaking more than anything else. In tradition with 'real' mixers, the faders start at the 3/4 up position (this would be '0' on a real mixer). I don't think a lot of explanation is needed for this part, click and drag on the fader to move it. Drag up to increase volume, down to decrease volume. Above the fader is the pan knob. Remeber this? We saw this at the end of lesson two. Click and drag up to pan right, and down to pan left. You'll see the meter pop up as you begin dragging. Next is the mute switch, hey we've seen this before! This works exactly like the ones on the SS.
The next item up is the VU Meters. These are very important to monitor. You never want your channel to light up the red segments at the top of this meter. When this happens, iti s called clipping. If your channel clips, it will begin to disort and peak. The higher it goes past this point the worse it sounds, it can destroy your entire mix! Before doing a final render, make sure that at the very loudest part of the song this channel never goes past the yellow area. If you are having a lot of problems with this, and either can't get an extremely loud sample to not clip, or have too many dynamics in your song, causing the softer parts to be covered up when the fader is at a controllable level, you can use a special effect called a compressor. We'll talk about this more later.
Continuing to move up, next we see the track name and optionally the track icon. For the example I renamed track 1 to "roxorz!" In the same way we renamed our patterns in lesson 2. To give the channel and image or icon, right click on the track and pick "set icon". Simple enough. AT the top is a scroll bar, which allows you to scroll through the 64 available tracks in the mixer. I have no earthly idea why there are 64 tracks, you'd be lucky to get to 16 (even the demo song didn't come close) - but, nevertheless, there are 64 channels there for the taking.
OK, now I'm sure you are wondering just how the heck to use these tracks now that you know so much about them! Well it's rather simple really. you can assign as many instruments as you want to one channel in fact. Bring up the familiar main instrument window. Just in case you've forgotten how to do this, create yourself an instrument in the step sequencer or use one that's already there, and simply click on the instrument to bring up the main window (or retract it if it's already open). For this example, I'll just use the familiar "Kick" that's always sitting there on a new project.
Now take a look in the upper right hand corner. You'll notice a box with "--" in it, and labeled "FX". Eureka!! To assign the instrument to a track in the mixer, simply change the value of the "--" to whatever track you would like to use. This box works just like the knobs from before, click and drag up or down to increase or decrease the value. Watch the mixer as you do this, you'll notice the tracks become selected as you change this box as well. Generally, drums all go on track 1. This is simple with FPC as it's all compacted into 1 instrument, but in the days before FPC when we had tons of instruments with each sample in order to use drums, you would have to go through each piece of the kit and assign it to track 1. This way you could level the drums as a whole and apply effects and such uniformly as well.
So, speaking of effecs, why not finally learn how to use them?? Well it's rather simple really. Let's say you get yourself a sick guitar part, and you stick it on Track 2. You can select track 2 and rename it to "sick guitar!", give it neat guitar icon, and throw some distortion in there to make it even sicker!! You already know how to do the first two, but let's focus on that third. Now that you've got your guitar on track 2, select that track, again by clicking anywhere on the channel strip. Now look over to the right half of the mixer..
Oh dear, I know - another scary picture. This section of the mixer has a lot of more complicated stuff, so I used some different colors. For now don't worry about the stuff with blue names, just the red names.
First of all, you'll notice a big version of the VU meters we talked about earlier. This is an enlarged (amplified) version of whatever channel is selected. Just a nice little visual aid. Now in the upper section we have our 'rack' of sorts. We have 8 spots for any effects we chose. I put some fast distortion for our guitar in slot 1. To stick an effect in there, simply click the down arrow to the left of any slot - the FX selector, and go to Select. This will give you a drop down menu of many common effects built into FL. Hooray! Pick any of these and it will be loaded into the corresponding slot in the mixer, and the window for this effect will pop up, with all the settings and such for it. If you'll notice, our distortion pops up with a window like this one..
Pretty simple, just a few knobs and a little graph, but it gives us full control over the effect. To toggle this window on and off, click on the effect's name in it's little rack space over in the mixer. Before long your workspace may become highly cluttered with these windows, so close them after you finish tweaking unless you need to monitor them or have plenty of screen real estate to spare. Just like I said a while back with the knobs in the main 3x osc window, the best way to learn how to use the controls for an effect is to let the instrument go on a loop or something, and tweak away! Just make sure to save your file before you start tweaking!
Alright, here we are, in the last leg!! For anyone that is reading this for the first time, this is the 3rd tutorial in my 'basics trilogy', a 3-part series designed to cover the basic concepts and uses of FL Studio. If you have not read the first two tutorials, I HIGHLY reccomend you go back and at least skim through them. From this point forward, I will assume you know everything previously covered.
Alright, first things first. Let's take a close look at this thing we call the mixer. This is one of the more complicated windows you will deal with in FL Studio, but it is important that you learn how to use it. A note to pre-FL 6 users: The Mixer in FL 6 was given a lot of new feautures, more than I can list off the top of my head. The things you do still need to pay attention to are how to assign an instrument to a mixer channel, and how to use the faders, pan knobs, mute switches, VU Meters, and how to use effects (FX).
OK, if you're keen, you'll know this is the cue for an overly detailed screenshot...
Ha, I didn't realize it until I started to label this screen, but there is a lot of stuff crammed into that mixer window!! I guess I'm just used to it all now, but hey, you will be too before long! For now we'll just focus on the channel strips. Also note that I'm not going to cover absolutely everything in the mixer window, as there are some more advanced features. I will likely be coming back to the mixer for an in-depth tutorial, focused specifically on this particular window.
Anyways, looking back at the screen, let's start from the bottom up. At the very bottom there is a button with a floppy disk icon on it. This is a more advanced feature, which is mostly for rendering and exporting tracks for portability. I'm not going to go into how to use this function for this tutorial, but if I come back for a more in-depth mixer tutorial, I'll cover it (but y'all have to request it!)
Continuing, you can see another button with "FX" written on it. Whenever a channel has effects added to it, this switch becomes active and lights up (we'll learn about this later). You can then use this to bypass all effects if you wish to listen to a raw track. It functions a simple toggle switch (click on, click off), and is active whenever it is lit up.
Next is a slightly more complicated feature, which is rather unique to FL Studio 6 from the previous versions. In the past to use sends it has been necessary to add an effect called "Fruity Send". With FL Studio 6, there are now switches on every channel for sends. To use this feature, first select the channel you wish to use by simply clicking anywhere in the channel strip. In this example, channel 1 is selected, for this reason the name has been highlighted. You can see the send icon for it changes to show that it is selected. This icon signifies the signal coming out of the fader and traveling in both directions. By default each channel sends to the master and all 4 send channels at the end of the mixer. You can see that the icon on the Master channel shows the signal coming in and going into the master. It is also lit up orange to signify that it is active. You can actually disable this send if you wish, but you aren't likely to ever need to do this. You'll also notice that after a send is activated a knob appears above the icon. This indicates the level of the send, ie how loud the instrument is when sent into the target channel. An alternate way of turning the channel up would be increasing the send level to the master (but that's not real practical). This new send system is very powerful (much more useful than the old way) and can allow virtually any network of sends and returns. You likely won't need to use this system for quite a while, but it's good to know how to use it, in case you ever happen to find a good use for it
.Anyways, moving on, Now we get into the useful section. The level faders are probably going to be what you are tweaking more than anything else. In tradition with 'real' mixers, the faders start at the 3/4 up position (this would be '0' on a real mixer). I don't think a lot of explanation is needed for this part, click and drag on the fader to move it. Drag up to increase volume, down to decrease volume. Above the fader is the pan knob. Remeber this? We saw this at the end of lesson two. Click and drag up to pan right, and down to pan left. You'll see the meter pop up as you begin dragging. Next is the mute switch, hey we've seen this before! This works exactly like the ones on the SS.
The next item up is the VU Meters. These are very important to monitor. You never want your channel to light up the red segments at the top of this meter. When this happens, iti s called clipping. If your channel clips, it will begin to disort and peak. The higher it goes past this point the worse it sounds, it can destroy your entire mix! Before doing a final render, make sure that at the very loudest part of the song this channel never goes past the yellow area. If you are having a lot of problems with this, and either can't get an extremely loud sample to not clip, or have too many dynamics in your song, causing the softer parts to be covered up when the fader is at a controllable level, you can use a special effect called a compressor. We'll talk about this more later.
Continuing to move up, next we see the track name and optionally the track icon. For the example I renamed track 1 to "roxorz!" In the same way we renamed our patterns in lesson 2. To give the channel and image or icon, right click on the track and pick "set icon". Simple enough. AT the top is a scroll bar, which allows you to scroll through the 64 available tracks in the mixer. I have no earthly idea why there are 64 tracks, you'd be lucky to get to 16 (even the demo song didn't come close) - but, nevertheless, there are 64 channels there for the taking.
OK, now I'm sure you are wondering just how the heck to use these tracks now that you know so much about them! Well it's rather simple really. you can assign as many instruments as you want to one channel in fact. Bring up the familiar main instrument window. Just in case you've forgotten how to do this, create yourself an instrument in the step sequencer or use one that's already there, and simply click on the instrument to bring up the main window (or retract it if it's already open). For this example, I'll just use the familiar "Kick" that's always sitting there on a new project.
Now take a look in the upper right hand corner. You'll notice a box with "--" in it, and labeled "FX". Eureka!! To assign the instrument to a track in the mixer, simply change the value of the "--" to whatever track you would like to use. This box works just like the knobs from before, click and drag up or down to increase or decrease the value. Watch the mixer as you do this, you'll notice the tracks become selected as you change this box as well. Generally, drums all go on track 1. This is simple with FPC as it's all compacted into 1 instrument, but in the days before FPC when we had tons of instruments with each sample in order to use drums, you would have to go through each piece of the kit and assign it to track 1. This way you could level the drums as a whole and apply effects and such uniformly as well.
So, speaking of effecs, why not finally learn how to use them?? Well it's rather simple really. Let's say you get yourself a sick guitar part, and you stick it on Track 2. You can select track 2 and rename it to "sick guitar!", give it neat guitar icon, and throw some distortion in there to make it even sicker!! You already know how to do the first two, but let's focus on that third. Now that you've got your guitar on track 2, select that track, again by clicking anywhere on the channel strip. Now look over to the right half of the mixer..
Oh dear, I know - another scary picture. This section of the mixer has a lot of more complicated stuff, so I used some different colors. For now don't worry about the stuff with blue names, just the red names.
First of all, you'll notice a big version of the VU meters we talked about earlier. This is an enlarged (amplified) version of whatever channel is selected. Just a nice little visual aid. Now in the upper section we have our 'rack' of sorts. We have 8 spots for any effects we chose. I put some fast distortion for our guitar in slot 1. To stick an effect in there, simply click the down arrow to the left of any slot - the FX selector, and go to Select. This will give you a drop down menu of many common effects built into FL. Hooray! Pick any of these and it will be loaded into the corresponding slot in the mixer, and the window for this effect will pop up, with all the settings and such for it. If you'll notice, our distortion pops up with a window like this one..
Pretty simple, just a few knobs and a little graph, but it gives us full control over the effect. To toggle this window on and off, click on the effect's name in it's little rack space over in the mixer. Before long your workspace may become highly cluttered with these windows, so close them after you finish tweaking unless you need to monitor them or have plenty of screen real estate to spare. Just like I said a while back with the knobs in the main 3x osc window, the best way to learn how to use the controls for an effect is to let the instrument go on a loop or something, and tweak away! Just make sure to save your file before you start tweaking!
There are actually more effects than you get in the initial drop down menu after clicking the FX selector. Hit the first option 'More..." to get a full list of all effects. Notice that sometimes FL will pick up various plugins on your computer that are NOT effects. Be careful here, trying to open something clearly not meant to be used as an effect will bring up an error most of the time, but the results can be catastrophic to your file on rare occastions!! This is what my extended list looks like...
Pretty obvious what to use and what not to use! The first time you bring up this window it wouldn't hurt to hit the Refresh button down in the lower right corner. Just be careful, as this brings up a couple options. Most of the time I would pick Fast Scan. Scan & Verify can cause some ugly things to happen o_0.
And hey, guess what - go back to the SS and go to your insert or replace menu again. What's the first option? You can use the same method here for additionall or outside instruments. Most of the time these two occurences of the "More..." menu are to use outside vst's or plugins, but occasionally you'll find something built in to FL that you never noticed before!
Alright, well I think that about sums up our final lesson here!! I hope you've learned a lot from this series, I can't wait to hear some kick-in-the-rear music coming out of you guys!!
As with the other tutorials, if you have any problems, or any suggestions for me to change or revise something, please send me a pm!!
Now it's time for you guys to decide where I should go from here. There are several topics I could cover in depth for some later tutorials. I could easily go into the piano roll advanced functions, or even to the complex parts of the mixer I blazed over here for the sake of simplicity. If enough people want me to write a tutorial over one particular topic, I will do my best to explain it!
Anyways, thanks for sacrificing god knows how much time for these tutorials, I hope you have really benefited from them!!
Peace all,
David
Pretty obvious what to use and what not to use! The first time you bring up this window it wouldn't hurt to hit the Refresh button down in the lower right corner. Just be careful, as this brings up a couple options. Most of the time I would pick Fast Scan. Scan & Verify can cause some ugly things to happen o_0.
And hey, guess what - go back to the SS and go to your insert or replace menu again. What's the first option? You can use the same method here for additionall or outside instruments. Most of the time these two occurences of the "More..." menu are to use outside vst's or plugins, but occasionally you'll find something built in to FL that you never noticed before!
Alright, well I think that about sums up our final lesson here!! I hope you've learned a lot from this series, I can't wait to hear some kick-in-the-rear music coming out of you guys!!
As with the other tutorials, if you have any problems, or any suggestions for me to change or revise something, please send me a pm!!
Now it's time for you guys to decide where I should go from here. There are several topics I could cover in depth for some later tutorials. I could easily go into the piano roll advanced functions, or even to the complex parts of the mixer I blazed over here for the sake of simplicity. If enough people want me to write a tutorial over one particular topic, I will do my best to explain it!
Anyways, thanks for sacrificing god knows how much time for these tutorials, I hope you have really benefited from them!!
Peace all,
David
jueves 21 de agosto de 2008
playing Kraftwerk - Das Modell how to make Kraftwerk techno german music
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me playing Kraftwerk - Das Modell on my m-audio axiom 49 now I've only been playing for 3 weeks so there are a few mistakes but overall I'm happy with my progress.
I used FL Studio as the host sequencer with the Linplug Rob Papen Albino 3 software Synth rewired to Ableton live for Recording. The cam used for the video was just a Canon Powershot A550 nothing special. Soundtrack was later added to the video with the audio the Camera recorded cut off.
Tools: M-Audio Axiom 49, FL Studio, Ableton Live, Linplug Albino 3.
Kraftwerk M-Audio Axiom 49 Das Modell FL Studio Ableton Live Linplug Albino
How to make House Music IN Fl Studio. tutorial project
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Some house Music i got here.
Not nything super fancy but i think it is listenable.
Roflmao i didnt normalize the audio signal so you may have to volume upthe thing.
Enjoy!
trance House techno spiritual house dance mad tiesto atb Fl Studio fruityloops Synth Electronic how to learn
FL Studio Hardstyle Melody WITHOUT Plugins! Tutorial.
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DJ Zenzey Made This .
I MAde all the music self but only song 3-4 i can't Remember is : Showtek - Colors Of The Harder Style'
Enjoy!
And comment please!
FL studio DJ Zenzey john vandersee hardstyle plugins plugin Melody Enjoy it! Techno Dance Trance Music fun funny Hardcor
martes 19 de agosto de 2008
how to use fruity filter Pedro_mix - tuto - fl studio - fruity filter
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utilisation du plugin Fruity filter
pedro mix jumpstyle capt'ain hardstyle remix fl studio tryo babylone guitare cover realguitar plugin
Loose Ends hangin on a String Fruity Loops Remake
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http://www.beatclass.com Come see what we have to offer and learn what you can do with Fruity Loops
Loose ends fruity loops fl studio beats sowngwriting teacher king david beatclass.com
Making Hardcore kicks in Fruity Loops com hacer musica electronica pesada kicks pesados
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Instructions given in the Video
For questions please comment and i will reply.
como distorsionar el kick como hardcore samples drums
video recomendado desmotrativo :D por http://usefruityloops.blogspot.com/
Fruity Loops How to Make Hardcore Kick FL Studio Mixer Distortion Help
How to do Basshunter - wacco will kick your ass in FL STUDI
·
I show you the melodi and more,
Don´t complain about my voice,
I was tired and my throat was f*cked up! HAHA
FL Studio Fruityloops fruity loops basshunter wacco will kick your ass tutorial techno hardstyle music nice
Scooter Mohaned Eljali : 02 - Free World - Weekend-remix
·
* Mohaned Abdul Wahed Eljali *
* FL Studio Music Composing *
como hacer musica hardcore un remix de scooter en fl studio vocals acappellas
fruity loops FL studio FLS music Composing
FL Studio 8 - Lies Big Bang Korean Hip Hop song
·
Originally by Big Bang
It's not finish yet
By: CPS and his Sister in FL Studio 8
kpop pop jpop kidd hip hop hip-hop jazz indian korean music DSC Delia School Canada dunno anything makemebad buck
lunes 18 de agosto de 2008
666 - Supadupafly (Bass Rockaz Radio Remix) fl studio turorial hardstyle harbass hardcore
·
Hard Dance
Produced & Mixed On: FL Studio 8
Uploaded To: http://myspace.com/bassrockaz
rave hardstyle eurodance euro dance techno house trance electronica club edit mix bass rockaz
Heart is Hard by Macer [Hardstyle] ableton tutorials free sequencers
·
Heart is Hard by Macer
Genre: Hardstyle
sry for the bad quality ;)
At the beginning there is a short introduction with all the audio lines...
I used FL Studio 7 for some Synths, the rest with ableton ;)
hardstyle techno music dj macer club realmacer electro hard heart ableton live fl sudio fruity loops
TSx Productions! Short Song Clip made by me
·
a small 1min song clip i made in a day. its not a song yet, its just the beginning sorta.
www.myspace.com/tsxp3
FL Studio TSx Productions WoW lol Funny Fruity Loops Awesome
Fruity Loops Teacher King David Aprende a tocar un instrumento a synth keyboard
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http://www.beatclass.com The Best Fruity Loops Teacher in the world available 24 hr a day for you
fruity loops fl studio beats sowngwriting teacher king david beatclass.com
Making an Epic in 15 Minutes Tutorial 1 free fruity loops 8 tutorials aprende a hacer musica epica
·
Setting up soundfont instruments to be Classical Epic based. Layering VST's to a single MIDI channel.
FL Studio Epic Tutorial MaestroRage Draqo
How to Make R&B Heat Using Fruity Loops 8 tutorials
·
http://www.beatclass.com This is a preview of a new R&B tutorial By King David teaching FL STudio Techniques (Beginner's to Advanced) Fruity Loops. This is a must get!!
R&B MUSIC FRUITY LOOPS fruity loops fl studio beats music compose write king david
New Gansta FL Studio Reggeaton Beat Como es que se hace reggaeton en la computadora?
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gangsta ass reggaeton beat I made Rate nd Comment....oh nd i might put a link up for diz 1 if yall want it comment me
Como se hace musica en la Pc con programas fl studio :D
gansta reggaeton hip hop beat nice cool fl studio dat flg productionz more views please comment nd rate yeaaaa alternative world music unsigned
Sick *Harry Potter* Beat(Revised) in Fl studio 8 tutorials
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ap hip-hop pop r&b unsigned fl studio beats yamaha mo8 mo6 fruityloops 6 7 8 motif tascam keyboard mpc 2500 3000 1500 1000 2000 familyguy
how to make gothic voice chorus synth
r&b pop rap rock unsigned hip-hop indie alternative classical
howto make a simple Trance song made in FL Studio!
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I have been working on this for 2/3 hours, let me know what you think about it ;)
trance song FL Studio fruity loops dobdiesel
11th FL Studio Hip Hop Beat "Fuck the Reality"
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Beat made by FL Studio 7 XXL.
Hope you enjoy it and:
Sorry for the extremely bad video-quality!
Hip Hop Rap FL Studio XXL Fruity Loops String Violin Drum Snare Beat Instrumental Synth Piano Dance Party
fl studio (fruity loops) Bright Light (Trance song) FL STUDIO TUTORIALS
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more trance melodys from fl
HOW TO MAKE A BASIC ESSENTIAL TRANCE MELODY & TRANCE BEAT
fl fruity loops trance dance xxl nexus vst 2008 music bazzoid vanguard melody pad strings
FL Studio 7,8 XXL - Kicks like headhunterz, speakafreak etc
·
een video met headhunterz en speakafreak kicks voor FL studio, diegene die ze wil gewoon ff pm sturen.
Im sorry for my bad english
Made by; Melvinw10
:
headhunterz flstudio tutorail speakafreak kicks hardstyle hardcore tekken jumpen
FL Studio 7,8 XXL - Kicks like headhunterz, speakafreak etc
·
een video met headhunterz en speakafreak kicks voor FL studio, diegene die ze wil gewoon ff pm sturen.
Im sorry for my bad english
Made by; Melvinw10
:
headhunterz flstudio tutorail speakafreak kicks hardstyle hardcore tekken jumpen
COMO HACER MANBO_MERENGUE DE CALLE EL EL FL STUDIO_HECHO POR K-MONBIT
·
ESTE ES UN BIT O BEAT MIO EN EL FL STUDIO PA QUE BEAN QUE NO ES NADA MAS REGUETON Y RAP QUE SE HACE EN EL FL STUDIO
MERENGUE MANBO
FL Studio-"Compromised Edition"
·
Screen lags of course, But I tried to mix a rock and hip hop feel, This was made with FL Studio v.7
Glass Breakers Fl studio tutorial beats music GBinstrumentals hip hop rap song Compromised edition rock
sábado 16 de agosto de 2008
Hip hop melodic beat ! Piano, Violins & Brass
·
Como se hacen las melodias profesionales en fl studio? how to make a professional melody & hip hop beat
Recommended song and video by usefruityloops.blogspot.com (hip hop category)
enjoy
Hip hop melodic beat Piano Violins Brass fl studio rap
Hot Rap Beat - Let's Go Now tribal jungles samples tutorials fruity loops
·
A beat made in Flstudio and Reason. The vocals are just some samples, as for the lyrics, well, i have no lyrics yet. :D It is still a work in progress so there's more to be done.
rap beat r&b music reason fl studio fruity loops vocal sample
How we do në Reason 4 tutorials reason 4 tutorials free
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How we do në Reason 4 ,hip hop ,techno ,oriental, arbic music ,piano ,fl studio,
How we do në Reason hip hop techno oriental arbic music piano fl studio
Best electro house (Fl Studio) how to make electro bass benny benassi bass tutorial
·
Einfach rhytmisch und geillll
Recommended electro bass by http://usefruityloops.blogspot.com/
r&b rap pop hip-hop rock electronic
Soft Pop /Alternative Rock Beat in FL Studio tutorials hwo to make rock pop
·
Well I tried. so hopefully it doesn't bust nobodies eardrums out. but i did take time, alot of time do this unfished beat. next up a techno beat, which i feel i'm a little bit better at. rap and hip hop is my major when it comes to this beat business. you should also check out ronald jenkees that dude goes off somethin vicious on his keyboard. i'm tryna get to that status
note: this video does NOT contain ass pussy ass shaking kissing chick chicks booty coochie titties expressions family guy impressions stick figures stickfigures funny humerious content. sorry needed to put that, I want more views
pop r&b rap rock hip-hop indie alternative
Hip Hop Tutorial FL Studio Basico [Dj_Drack] tutorial fl studio paso a paso como hacer un beat de hip hop facil...
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Mi 2º tutorial esta vez de hip hop step by step
tutorial fl studio paso a paso como hacer un beat de hip hop facil...
Hip Hop Tutorial FL Studio Basico [Dj_Drack] reggaeton aprender deejay photoshop
viernes 15 de agosto de 2008
Snoop doog - hope ya'll like my remix to drop it like it's hot. Please leave comments and rate my video.
·
using some tribal drum sound samplee vanguard synth
hope ya'll like my remix to drop it like it's hot. Please leave comments and rate my video.
cadillac180
hip-hop rap soul fl studio Fruity Loops snoop dogg pharrell williams akai mpd 24 cadillac180
How to make "Real Gangsta" hip hop dark music fruity loops dark tutorials piano & melody
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Melodic dark Hip Hop beat, Using.........Fruity loops
Glass Breakers Fl studio tutorial beats music GBinstrumentals hip hop rap real gangsta
Wet-Texx - Go! (Dan Shine Remix) game techno dnb music melodic
·
Did a short remix of "Disktrasan's" Go! in Fruity Loops, took me like an hour to make it, shall i do a longer one? :)
Fruity Loops Trance Techno Hands Up FL Studio Wet-Texx Go! Disktrasa Remix Production How To Sweden Västerås Gurka
HOW TO OPEN AND PLAY MIDI FILES IN FL FAST AND EASY
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easiest way to open and play midi files
Midi Files Fl Studio fruity loops beats misda fl xxl yahoo google open midi files FAST AND EASY soundfonts
Fl Studio - How To Make A HardStyle Kick fruity loops 8 tutorial
·
FL Studio - How To Make A Hardstyle Kick
Settings
Preamp - 35 Too 40
Post Gain - 0
Post Filter - 50
x 100 - ON
PreBand - 0
Color - 50
Categoría: Instrucc. varias y estilo
Etiquetas:
Fl Studio How To Make HardStyle Kick techno tutorial how to flstudio fruity loops hardstyle kick bass trance
FL Studio-"Paralyzed" making some dark hip hop beat nice bass
·
Made In fruity loops using a variety of strings and brass's
Glass Breakers Fl studio tutorial beats music GBinstrumentals hip hop rap paralyzed
Tutorial Basico Reggaeton en FL Studio 8 [Dj_Drack]
·
Tutorial Basico del Reggaeton en FL Studio
Como hacer reggaeton ritmos drums base como hacer musica reggaeton paso a paso agregando sonidos desde cero :D
Tutorial Basico del Reggaeton en FL Studio aprender dj como hacer
miércoles 13 de agosto de 2008
Basic Tutorial On Sampling with Adobe Audition and FL Pt. 1
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Basic Tutorial On Sampling with Adobe Audition and FL by InTACT
This might be a bit boring? It's my first video basically. This was originally for my homie..........so that's why it seems as if i'm personally talking to somebody. Subscribe if you want to see about other helpful things I upload or message me for ANY questions about FruityLoops.
www.myspace.com/intactproduction
Categoría: Música
Etiquetas:
basic tutorial sampling sample adobe audition cool edit help fruity loops intact
Reverse reverb effect in Adobe Audition 1.5
·
How to do the cool ghostly echo effect on a voice sample using Adobe Audition 1.5.
(Sorry the audio goes out of sync after a while... you can still get the hang of it though.)
Categoría: Instrucc. varias y estilo
Etiquetas:
Adobe Audition howto DIY guide reverse reverb echo delay silence tutorial
Hip Hop beat in Fl 8 nice beat hip hop darky song and pizzicato string fl studio
·
And there is, my new beat made in fl studio 8. It's a little crunk in this beat. Listen to this, rate and comment.
Peace.
More beats on my myspace:
http://www.myspace.com/barribalprod
Hip-Hop Rap beat fl studio keybord music CTK 700 drums piano crunk club crank nice good melody producer
Massive 4x4 Bassline Tutorial fre vsti tutorials plugins fl studio native instrument
·
Massive 4x4 Bassline Tutorial
OK So i know it's not exactly the best, but this is just to give you a basic idea of how to achieve it. I'm using the massive VST plugin with FL studio here.
Download the patch created HERE:
http://ninteh.com/download.php?view.59
I made this tut pretty fast. apologies if it goes a bit fast, but that's what the pause button is for :D enjoy.
Categoría: Música
Etiquetas:
Massive 4x4 Bassline Tutorial FL Studio Fruity Loops Native Instruments Garage wobble Womp
Dj Dario - Party Song 2008r melodias complejas en fruity loops fl studio video
·
Kawałek robiony w Fl Studio Prosze o głosiki i komentarze pozdro:) z FaRtEm xD
Melodias mas elaboradas melodias complejas
Dj Dario Party Song 2008 fl studio
Hilary Duff - Come Clean (New-Style Remix)
·
3rd remix made with FL Studio second single in 2004 "Come Clean" from the album "Metamorphosis" By Hilary Duff. I got the Acapella of it from Youtube & made the instrumental.
Sorry about the poor quality
,if you really like the song you can download & listen to the full quality version here for free.
http://www.zshare.net/audio/16961637a...
Hilary Duff Electonic techno music Hardstyle happy hardcore house Metamorphosis Come Clean yfc Melody Melbourne Shuffle Jumpstyle muic DJ New-Style Niko NikoCee Fl studio Fruitty loops Sydney Plumpton youth for christ
Hilary Duff - Come Clean (New-Style Remix)
·
3rd remix made with FL Studio second single in 2004 "Come Clean" from the album "Metamorphosis" By Hilary Duff. I got the Acapella of it from Youtube & made the instrumental.
Sorry about the poor quality
,if you really like the song you can download & listen to the full quality version here for free.
http://www.zshare.net/audio/16961637a...
Hilary Duff Electonic techno music Hardstyle happy hardcore house Metamorphosis Come Clean yfc Melody Melbourne Shuffle Jumpstyle muic DJ New-Style Niko NikoCee Fl studio Fruitty loops Sydney Plumpton youth for christ
Making a Sampled Chopped Beat on Fruity Loops - New Beat Como hacer musica del pasado musica vieja en fruity loops
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Sampled chopped beat on FL Studio. I use my MPC 95% of the time, but when I get lazy I use FL Studio.
Recommended song Blues category nice song amazing retrospective 70's, 80'
Como hacer musica vieja de las decadas pasadas un viaje hacia los años pasados muy buena cancion recomendada por http://usefruityloops.blogspot.com/
To download my music go to:
http://thisisnorthcounty.com/media/
fl studio how to make beats fruity loops akai mpc producer chopped jazzy sample
digitalism echoes made in fl studio minimal song tutorial free project flp nice techno electro minimal song fl studio
·
ant compare it to the original but its a good try
How to make electro minimal techno song.... nice :D:D song
Recommended song electro minimal song category by http://usefruityloops.blogspot.com/
improv computer science communications performing arts art experimental tutorial crafts dance music electronic indie public service announcements personals wisdom electronics adventure fl studio digitalism echoes
lunes 11 de agosto de 2008
vi sitter i venten och spelar dota
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vi sitter i venten och spelar dota melody;) jkpgproject
basshunter vi sitter venten och spelar dota jkpgproject how to fl studio
Lil Saint Making a MIDI OUT Tutorial fruity loops 8 tutorial en español
·
MIDI OUT TUTORIAL IN FL STUDIO 8 ;)...
lil saint lilsaint protonx proton reggaeton making beat hip hop hiphop
New Hot Collab With DjYakirAmrani fl studio 8 tutorials flp project
·
nooww its finished!
My first Collab With DJYAKIRAMRANI
HOPE u like it =)
leave comments =)
PEeace
DjYakirAmrani collab streetworkmusic fl studio producer scott storch string club hot hiphop
Donkey Kong Country 1 - Fear Factory ( Awesome Remix )
·
How to make a game music song...
Another Remix I did
I like the sound, and DKC is a very good game to the SNES!
Donkey Kong Country Fear Factor Awesome Remix DKC SNES NES music gamemusic bgm game fl studio
Mohaned Eljali : 01 - Free World - When the moon sing a song
·
Profesiona producers fruity loops tutorials...
Mohaned Abdul Wahed Eljali *
* FL Studio Music Composing *
Video recommended by http://usefruityloops.blogspot.com/
fruity loops FL studio FLS music Composing
How to make a hardstyle melody with some bass patrik och lillen - vifta med händ
·
atrik och lillen - vifta med händerna melody;) jkpgproject
Como hacer una melodia de hardstyle con algo de bass distorsionado
patrik och lillen vifta med händerna how to make techno song songs fl studio basshunter fruity loops
Fl Studio 8.0 xxl The New Stuff Song
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This is a little show off of the FL Studio 8.0 XXL Version..So I''ll upload my other created stuff to the youtube soon..So bve patience ..Hear this amazing attractive music and help to rate my friends..Thanks =)
fl studio music compose cool stuff tutorial sound best
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tekno, beat, fantastic, arabesque trance, oriental trance, turk, turkish nights, greece,bursa, ankara, istanbul, izmir,antalya, rave, club, disco, nostalgic trance , old school trance, new trance , girls, fantastic techno, atb, benni blflanger effects, audio edit, music edit, dj tiesto traffic, maelstrom, vocal, airless, insomnia, future trance, club quake, house music, instrumental, intro, forever today, trance angel, angel, no omre tears, remix, music automation, reason 2.0, propellerhead reason, turkish arabic techno, vicious cycle, vicious circle, turntable, vinyl, drum, bass, fantasia, guitar, revulotion of dance trance, hot music, hot club music, sexy drums, revulotion of trance, crosfade, ercik, dj 666, satanic techno, party, rome, paris, athena, frankurt , mad dance music , opera , bursa underground, bursa techno club, bursa city, fener opera, state of trance, world, brookers, dj crazy trance hits , best song ever, the best techno ever, best dance song ever, intro party, intro video, trance party, dj intro music, music station, radio trance, best music ever, pretty, turkish music, turk djs, turks, ottoman, usa, U.S , brooke, greatest trance hits, alibi, german , italian, spanish djs, refill, rex, drum loops, sexy bass kine, bass line, arp squench, goa trance, india trance,musica, musica trança, musica trance, hiperstar, bursa nights, clubs techno, anti crazy blead to suffer a lot , anti köksal, türk tekno, türk trance, trance türkiye,daddy dj, dj shadow, resurrection, rebirth, music sampler rebirth reason fl studio cool edit pro turnable pro dj pretty trance trance is life unknown source realization,music coposer, music producer, rome, athena, france, paris, india, japan techno music, asia techno, popular,electronica, alarma, club bass, house bass
fl studio fruity loops song track caribbean panflute flute techno dance electronic hardstyle nexus vanguard automation
domingo 10 de agosto de 2008
FL Studio Drum Solo part1 how to make rock drums
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Using a drums synth
FL STudio drum programming sequencing
sábado 9 de agosto de 2008
How to make Nu NRG - butterfly (Paul Hided RMX)
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Made in FL Studio8. Awesome original track!
Recommended song nice song trance category by http://usefruityloops.blogspot.com/
Nu NRG butterfly FL Studio Paul Hided trance high energy fl studio tutorial fruity loops
FL STUDIO MARCO POLO REMAKE fl studio fruity loops sounds
·
usin hypersonic & pizzicato sounds :D
MA REMAKE OF MARCO POLO. JUST WANTED 2 SHOW HOW EASY DIS WAS 2 MAKE. BUT SRRY BOUT THE BAD QUALITY OF DA VIDEO. IF ANYBODY GOT TIPS ON BETTER SCREEN RECORDERS HOLLA
Categoría: Música
Etiquetas:
HIP HOP
SICK beat - CLUB BANGER with Fl Studio - Dejvie Jones
·
Dejvie Jones
A new beat i've made this week, with some crunk and club feelings!
http://www.myspace.com/dejvbeats
-----------------
Mr. Carter Feat. Jay-Z
A Milli
Got Money Feat. T-Pain
Comfortable Feat. Babyface
Dr. Carter
Phone Home
Tie My Hands Feat. Robin Thicke
Mrs. Officer Feat. Bobby Valentino
Let The Beat Build
Shoot Me Down Feat. D. Smith
Lollipop Feat. Static Major
La La Feat. Brisco & Busta Rhymes
Playing With Fire Feat. Betty Wrigh
You Ain't Got Nuthin Feat. Juelz Santana & Fabolous
Dontgetit 2pac tupac shakur 50 cent biggi diddy dmx mike tyson wwe Timbaland xzibit nelly eminem slim shady akon mario kanye west Lil Mama featuring Chris Brown T-Pain;Lil T-Pain Shawty Get Loose Rap Music Video Lil Mama g-slide gslide tour bus Lip Gloss hip
machinima animation game movies news comedy gta grand theft auto videos funny hop dance rap soulja boy crank that huey kanye ciara 50cent rihanna
Lil Mama Lip Gloss hiphop hip hop dance krump rap soulja boy crank that huey kanye fergie ciara 50cent rihanna beyonce Urban Music News Pop Rihanna Lil Mama Jay-Z Ne-Yo Good Girl Gone Bad l mama chris brown tpain t-pain shawty shorty get loose low flo rida with you kiss bet dance michael jackson Ludacris ft Young Jeezy - Grew Up A Screw Up Ludacris ft Young Jeezy - Grew Up A Screw Up (Chopped and Screwed)
ludacris young jeezy grew screw sinxation chellorose Ludacris Feat Young Jeezy Ludacris Ft. Young Jeezy - Grew Up A Screw Up. Uncensored.a music video remastered by me grew up a screw up hope you enjoy
ludacris youngjeezy grewupascarewup grew young jeezy luda
chris brown shawty get loose t-pain lil' mama
lil mama chris brown tpain t-pain shawty shorty get loose low flo rida with you kiss bet dance michael jackson Lil Mama featuring Chris Brown & T-Pain;Lil Mama featuring T-Pain & Chris Brown Shawty Get Loose
(C) 2008 Zomba Recording, LLC
Lil Mama featuring Chris Brown T-Pain;Lil T-Pain Shawty Get Loose Rap Music Video rick ross slip slide def jam boss tpain trilla march 11thRick Ross The Boss Hip Hop
IDJ/Slip Slide Jonathan "JR" Rotem [Producer] Diane Martel [Video Director] Coleen
Haynes Producer] Shelli Jury Music video by Rick Ross performing The Boss
with Jonathan "JR" Rotem [Producer], Diane Martel [Video Director], Coleen Haynes [Video Producer],
Shelli Jury [Video Producer]
2008 The Island Def Jam Music Group
rick ross everyday i'm hustlin Music video by 2 Pistols performing She Got It: Original Version with J. Saunders, K.
Crowe, E. Ortiz, T-Pain, A. Smith
(C) 2008 Universal Republic Records, a division of UMG Recordings, Inc.Pistols She Got It Hip Hop Universal Motown
Records Group J. Saunders K. Crowe E. Ortiz T-Pain A. Smith Music video by Rick Ross performing Push It: .
with Benny Boom, Gina Leonard
(C) 2006 The Island Def Jam Music Group Rick Ross Push It Hip Hop Slip 'N Slide Def Jam Benny Boom Gina Leonard
Yes-R's verhaal over zijn stukgelopen relatie. De track is afkomstig van zijn album Zakenman II. Tegenspeelster in de clip is
Emmy Award winnares Maryam Hassouni. FunX was Jay-Z - Blow The Whistle (EXCLUSIVE) !!!NEW!!! Hip-Hop Rap Jay-Z Blow The Whistle DeShawn Stevenson Diss Roc Boys Blue Magic American Gangster
Kingdom Come 99 Problems Big pimpin Encore Remix The Blueprint Rocafella New Jay-Z diss to Deshawn Stevenson, aka "LeBron is Overrated" lebron
james The Game Speaks On 50Cent/G-Unit, Best & Worst MCs & Movies Hip-Hop Rap The Game Speaks On 50Cent G-Unit, Best Worst MCs Interview Westcoast
L.A.X Gangsta Rap G-Unot Big Dreams BWS Doctor's Advocate The Documentary Makaveli 2Pac Tupac The outlaws Ice Cube Snoop Dogg NWA Eazy E Tha Dogg
Pound Dr.dre G-Unit 50 Cent Eminem How We Do Hate It or Love It Put You in the Game Dreams Stop Snitchin, Stop Lyin' Westside Story Let's Ride Wouldn't
Get Far It's Okay One Blood Remix DISS TRACKS 2PAC HIT'Em UP hip-hop r&b rap Three 6 Mafia DJ UNK I'd Rather Official Video Most Known Unknown Last 2
Walk Stay Fly Side 2 Side Crunk Music Dirty South Lil Jon Lil Flip Young Buck Slim Thug, Trick Daddy, & Project Pat Mike Jones & Paul Wall 8 Ball & MJG
Project Pat, Lil Wyte, Akon, Good Charlotte, DJ Unk, Lyfe Jennings, UGK, Eightball & MJG, Al Kapone, DJ Spanish Fly, Frayser Boy, Chrome,
Yung D, Superpower, and more DJ Paul and Juicy J G-Unit - Like A Dog (Official Video) !!NEW!! G-Unit - Hollow Thru Him (Fat Joe Diss) Elephant
In The Sand G-Unit - Aim (Fat Joe Diss) [NEW TRACK] G-UNIT GUNIT G UNIT UNIT UNOT ROTTEN APPLE BUCK THE WORLD
SOUTHSIDE NIGGA IM LEAVIN' LEAVING FAT JOE PUSSY BOY NEW SUNROOF SUN ROOF OPEN THE MECHANIC BE GOOD TO ME 50
CENT TONY YAYO LLOYD BANKS YOUNG BUCK G-UNIT GUNIT THISIS50.COM GUNIWORLD.COM G-UNITMEDIA.AT.GG CENTS UNOT G-
OT GAME NAS JA RULE FAT JOE LIL WAYNE FAKE ASS
Britain's Got Talent Britain Britains Signature Thriller Michael Jackson Suleman Mirza Madhu Singh Impersonation ITV T.I. T.I whatever you like
Categoría: Música
Etiquetas:
hip-hop sample pop r&b rap fruity loops fl studio beatmaking beatmaker awesomesrs mjdbeats crunk beat
TRANCE FL STUDIO PSY BY ZOLIX86 fruity loops 8 tutorials loops & samples
·
TRANCE FL STUDIO PSY BY ZOLIX86 bases ritmicas basicas essenciales
aqui se muestra un proyecto de trance en fruity loops
ZOLIX86 psicodelictrance psycho FL STUDIO
nice wallpapers dj music audio abstract 3d selections nice wallpapers for free
·
sexy wallapper (beautifull girls) category...
nice gallery more girls and amazing wallpapers collections
http://terawallpapers.com
viernes 8 de agosto de 2008
MGS4 Sunny's Song Remix by DJ O usinf fl studio sytrus synths game music
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This is the song Sunny always sings when she is making her eggs. I did a remix of it in FL Studio
how to make a happy sonf with fl studio & some plugins (sytrus)
MGS4 Sunny Sunny's Song FL Studio Techno Electronica Dance electronic
jueves 7 de agosto de 2008
Jibb's Anthem (Hardstyle Melody Mix) in Fruity Loops 8
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This is a purely melodical hardstyle mix made with Fruity Loops Studio 8. Comment as to whether you like it or not.
Hardstyle Melody Techno Fruity Loops Jibba James
Burn it up (Remix) - Wisin y Yandel - Made on FL studio
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remix to R. Kelly wisin y yandel song
Wisin Yandel Hip Hop Reggaeton FL studio Fruity Loops reggaeton burn it up R. Kelly beat AV remix
como secuenciar tenicas secretas y estilos del fl studio fruity loops 8 tutoriales en español gratis
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SECUENCIADO GENERAL. TECNICAS Y ESTILOS.
Bien, hasta ahora hemos aprendido como cargar nuestros samples y como trabajar con los distintas intensidades a la hora de hacer redobles o simplemente al montar un ritmo cualquiera.
A partir de ahora, vamos a usar un lenguaje abreviado que usaremos a la hora de explicar como secuenciar un redoble, ya que esta siempre es la parte que mas guerra da a la hora de secuenciar, y en muchos casos no se pueden mostrar todos los sonidos.
El juego de ritmos/redobles es practicamente ilimitado, y podeis crear cualquier cosa que se os antoje, aqui lo que haré será mostrar algunas de las mas frecuentes, con audio, imagen, y transcrita.
Tambien voy a tratar algunos temas delicados a la hora de secuenciar, como pueden ser el doble bombo, o los ritmos aceleradisimos tipicos del Death/Black.
Aqui os muestro la leyenda que usaremos:
Para diferenciar la intensidad del sonido que tenemos que usar, usaremos NEGRITA para golpes fuertes, MAYUSCULAS para los golpes intermedios, y minusculas para los golpes suaves.
Las partes de la bateria serán:
B=Bombo
S=Caja (Snare) Irá acompañado de una H para golpes fuertes normales, y de L o R para el brazo izquierdo o derecho respectivamente.
T=Timbal (Cualquiera)
T1, T2, T3, T4, y T5= Varia en funcion del timbal mas agudo (T1), hasta el mas grave, y mas conocido como Floor Tom (T5)
H=Charles/Hit-Hat
C=Plato Crash
R=Plato Ride
SH=Plato Spash
Por ejemplo, si os pongo: SR-SL-sr-sl, quiere decir que pondremos un golpe fuerte de caja con mano derecha, uno intermedio con mano izquierda, uno suave con mano derecha, y uno suave con mano izquierda.
El hecho de que se pida un golpe intermedio no quiere decir que tengais que usar siempre el mismo, eso ya os dije, y siempre lo diré que hay que intentar siempre no repetir sonidos.
Empezamos?
*Nota: Los ficheros de audio están alojados en un servidor de descargas, que borra los ficheros a los 30 dias en caso de ausencia de tráfico. Por si las moscas, yo guardaria los que me interesaran, y si alguien sabe empastarlos en un PDF, bienvenido sea.
REDOBLES DE CAJA:
Redoble básico con tónica en primer golpe:
Secuencia:
SR-SL-SR-SL (Repetir las veces deseadas)
Audio:
http://z13.zupload.com/download.php?fil ... path=21093
Redoble básico invertido con tónica en el ultimo golpe:
Secuencia:
sr-SL-SR-SL (Repetir las veces deseadas)
Audio:
http://z13.zupload.com/download.php?fil ... path=21103
Redoble básico con dos tónicas:
Veis la "V" que se ha formado? Esta "V" es una forma de utilizar todos los golpes fuertes, los de tipo H, de forma realista. Os será util, sobre todo para esta tecnica, ya que podemos hacer la V en los botones 1 y 3 de cada bloque, dejando los 2 y 4 para los golpes intermedios.
Secuencia:
SH, SR, SH, SL (repetir las veces deseadas)
http://z13.zupload.com/download.php?fil ... path=21128
Redoble ascendente + variación:
Este no os digo la secuencia porque está bien clara. Con solo ver la imagen.
Audio:
http://z13.zupload.com/download.php?fil ... path=21117
Termina con redobles descendentes de 4 timbales (del 1 al 4), estilo "Redoble Básico con dos tónicas", mas un bombo con crash. Dependiendo del sentimiento que se quiera dar a la parte en concreto, podemos empezar desde los golpes mas suaves, o mas intermedios, y terminar en la seccion que queramos...todo un mundo para investigar.
Todas estas tecnicas se pueden aplicar tanto en la caja como en los timbales...ahora un consejo:
La naturalidad es parte fundamental en la creación de ritmos...el hecho de que hagamos un redoble masivo que nos ocupe varios patrones no significa que tengamos que estudiar cada golpe al milimetro....ten naturalidad, aunque seas un bateria "virtual"
Seguid estos pasos:
1.- Imaginad el redoble
2.- Imaginad como lo toca el bateria.
3.- Colocad los golpes sin repetir mucho los sonidos, y variando entre golpes mas suaves y mas fuertes....
4.- Escuchaló, y si suena bien, no toques nada mas! Simplemente retoca las notas en caso de que quede poco natural, si no, no toques nada mas!.
Ejemplo de varios patrones constantes con redobles variados (solo los vistos hasta ahora:
http://z10.zupload.com/download.php?fil ... epath=6549
REDOBLES MIXTOS
Redoble mixto caja + timbal:
Secuencia:
Es el resultado de la combinación de 4 golpes de caja y 4 de timbal, escritos con la forma "Redoble básico con dos tónicas"
Audio:
http://z13.zupload.com/download.php?fil ... path=21592
Redoble a dos golpes mixto caja + timbal:
Secuencia:
SR - SL - T - t
Audio:
http://z13.zupload.com/download.php?fil ... path=21597
Tambien podemos hacerlo INVERTIDO:
Secuencia:
T - t - SR - SL
Audio:
http://z13.zupload.com/download.php?fil ... path=21598
DOBLE BOMBO + TIMBAL, O PARADIDDLE DE PIE Y BRAZO
Secuencia:
T2 - T3 - B - B (Repetir las veces deseadas)
Audio (con una caja al inicio)
http://z13.zupload.com/download.php?fil ... path=21607
ALGUNOS RITMOS PROBLEMATICOS:
Bien, hemos visto una extensa seleccion de redobles basicos para casi cualquier estilo.
Estos, unidos a los redobles que vamos escuchando en discos, o los de nuestra propia cosecha, nos dará una rica variedad en nuestras creaciones, la unica limitación es tu imaginación.
Vamos a ver ahora algunos tipos de ritmos que nos pueden dar problemas a la hora de secuenciar, y formas para solucionarlos:
1.- Ritmo con charles cerrado y silenciar.
Hay muchos estilos musicales en los que el bateria toca patrones con el charles cerrado, lo abre para marcar un cambio, y luego vuelve a cerrarlo. Si nosotros intentamos hacer esto, nos daremos cuenta que el plato abierto que colocamos, no se silencia al usar de nuevo un golpe de charles cerrado.
La forma de solucionar esto es la siguiente:
Nos vamos al primer charles cerrado que tengamos, y en la pestaña "Misc", nos fijamos en las opciones "Cut", y "Cut By":
Estos datos significan lo siguiente: "Cut", es el "cortante", el numero que se asigna al sample para cortar el sonido, y "cut By" se refiere a "cortado por", o el numero de sample cortante que corta este sonido.
Deberiamos tener un número ya asignado, si no lo tenemos, se lo colocamos. Pongamos como ejemplo el número 12.
Ahora lo que tenemos que hacer, es ir al sonido mas fuerte que tengamos para charles abierto, y en la misma ventana, poner el 12 en la pestaña "Cut By".
Con esto lo que hacemos es, que cuando suene este charles abierto, en el momento en que suene el cerrado (el nº 12), el sonido anterior se cortará:
Muestra de audio aplicada a un ritmo:
http://z13.zupload.com/download.php?fil ... path=21626
2.- Doble bombo
Sin problema. No pongais un mismo sample hasta el infinito. Para eso tienes mil sonidos distintos...
Usa esta secuencia para los bombos:
Audio:
http://z13.zupload.com/download.php?fil ... path=21631
3.- Ritmos rapidos Death/Black:
El problema que tienen estos ritmos suele ser que al usar de forma tan rapida la caja, suele notarse demasiado que estamos usando una bateria de broma.
Esto lo solucionamos usando la caja de esta forma:
En los huecos que quedan vacios, usamos el bombo (lo de siempre, no hay que poner siempre el mismo), y acompañamos con charles.
Ejemplo:
http://z13.zupload.com/download.php?fil ... path=21639
FIN DE LA SEGUNDA PARTE
Ya hemos finiquitado esta segunda parte. Para la tercera, veremos el estilo de algunos baterias famosos, y consecuentemente, la forma de ecualizar directamente partes de la bateria, y como hacer otro tipo de redoble llamado "Triplets", ademas de como usar los sonidos que trae Fruity Loops para hacer ritmos "Tribales", y simular cajas y timbales que nada tienen que ver con un kit de bateria.
Hasta entonces, disfrutad con esta segunda parte.
extraido de hispasonicos.com
Ritmos de batería en FLStudio (tutorial) [1ª parte]
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Muy buenas a todos.
Al fin comienzo este tutorial de creación de ritmos, el cual creo que será muy util a muchos hispasonicos.
Muchos me habeis preguntado como consigo crear de forma tan realista las baterias, y eso es lo que quiero tratar principalmente, teniendo como secuenciador el Fruity Loops Studio 6.0.
El tutorial está pensado principalmente para el Rock, Hard Rock, Metal en todas sus variantes, etc, pero una vez tenemos las bases y los conocimientos, no es dificil crear baterias para cualquier estilo (Pop, Blues, Jazz...), aunque quizá los samples que voy a tratar no sean los mas adecuados.
Estas librerias de samples se llaman DRUMKIT FROM HELL, y son una potentisima herramienta de cara a crear baterias dinámicas, energicas, y adecuadas para el estilo que queremos.
Dumkit From Hell viene en formato *.WAV, es una colección de infinidad de samples para cada uno de los componentes de una bateria, grabados como golpes simples, con varios grados de intensidad y en función del brazo o pie que toca la pieza.
Estas son las partes en las que se compondrá el tutorial:
1.- DRUMKIT FROM HELL Y LA CARGA DE SAMPLES
2.- SECUENCIADO GENERAL. TECNICAS Y ESTILOS
3.- IMITANDO A LOS GRANDES.
a) Joey Jordison de Slipknot
b) Igor Cavalera de Sepultura
c) Lars Ulrich de Metallica
Empezamos...
1.- DRUMKIT FROM HELL Y LA CARGA DE SAMPLES
Lo primero que debemos hacer, es saber lo que tenemos en la carpeta del programa, y cargar los samples de forma adecuada en Fruity Loops.
Os habreis fijado en que este programa no tiene programa de instalación, y se basa en varias carpetas que se encuentran dentro del directorio donde hayamos descomprimido el programa.
Nos encontraremos lo siguiente (trataré solo lo que necesitamos, ya que los formatos de los bancos de samples no son compatibles con Fruity Loops):
a) cDrumkit From Hell: En esta carpeta tenemos todos los samples de Fruity Loops, con sonido "Close", es decir, un sonido cercano y calido de la bateria, y es en el que se basa el tutorial.
b) DFH Banks
c) DFH Drummaps
d) Manual
e) rDrumkit From Hell:Estos son exactamente los mismos samples que los de la carpeta "cDrumkit From Hell", pero con sonido "Room", o "sala". Son sonidos sin procesar, y si sois unos magos de la ecualización, debeis usar estos samples para añadir posteriormente vuestro procesado.
Estas carpetas contienen los distintos componentes de la bateria. Tenemos 4 tipos diferentes de bombo, todos de Sonor, al igual que los timbales.
Para las cajas hay bastante mas variedad, hay 14 tipos distintos de dos marcas diferentes, Pearl, y Sonor.
Para los platos y hit-hats la cosa es mas reducida, ya que solo disponemos de equipo Sabian, cosa que por otra parte, no creo que disguste a nadie.
Dicho esto, vamos a proceder a cargar los samples. Aunque cargar tantos samples parezca en un principio una tarea larga y pesada, no nos llevará mas de 15 minutos colocarlos todos.
PASO A PASO
a) Si queremos hacer la tarea mas facil, vamos a la carpeta donde tengamos instalado el DKFH, seleccionamos la carpeta "cDrumkit From Hell" y "rDrumkit From Hell", pulsamos el botón derecho y picamos despues en "cortar"
b) Ahora nos vamos al directorio donde tengamos instalado el Fruity Loops. Esta carpeta puede variar en función de la version de Fruity que tengamos. Abrimos la carpeta "Data", "Patches", y por ultimo, "Packs". Por ultimo pulsamos el boton derecho en un area vacia y seleccionamos "Pegar".
Una vez hecho esto, abrimos el Fruity Loops. Si no nos ha salido por defecto un panel vacío, pulsamos en "File"--->"Templates"---->"Empty"
c) Una vez dentro, pulsamos en "Options", y luego en "Project General Settings"
En la primera barra veremos que nos aparece "Time Signature". Cambiamos el valor "Bar", a 64. Con esto aumentamos el número de barras que tenemos en el panel principal, lo que nos da mayor comodidad a la hora de componer los patrones. "Beat", se refiere al nº de botones de cada color que encontraremos en la barra. Esto sirve de guia en caso de que queramos variar el ritmo (3x4, 4x4, etc), pero debemos dejarlo como está para este tutorial. Mas adelante podemos variar estos datos a nuestro gusto y en funcion de nuestro estilo.
d) Cerramos la ventana y nos vamos de nuevo a la pantalla principal. Ahora pulsamos F8, o bien pulsamos en el comando "View", y luego en "Browser"
En el buscador que acaba de abrirse, pulsamos sobre "Packs", y veremos que están las carpetas de sonidos de Fruity Loops, + Las que acabamos de pegar:
Bien, ahora que tenemos el directorio a mano, vamos a proceder a cargar los samples, por orden.
Mi forma de colocarlos es: Bombo, charles, caja, timbales, platos y percusiones accesorias. Si os gusta mas otro tipo de disposición, no hay problema, podeis ponerlo a vuestro gusto, pero la forma en que os voy a explicar va ordenada como dije antes.
VAMOS A CARGAR SONIDOS, DIFERENCIANDOLOS POR PIEZA E INTENSIDAD:
Si ya habeis abierto la carpeta de samples dentro de Fruity, os habreis dado cuenta que han salido infinidad de sonidos en el browser:
Pulsad sobre los sonidos sin miedo, no muerden...vereis que hay de todo...platos, cajas, bombos, etc.
Los que ahora nos interesa son la base de nuestros ritmos: El bombo.
Desplazaos hacia abajo y buscad los samples "cSonor Kick". Estan por orden alfabético, asi que no habrá problema.
Fijaos en que hay varios grupos de "Sonor Kick", el número inmediatamente posterior a la palabra "Kick", es el nº de bombo, y el nº siguiente "RX o LX" (donde la x se sustituye por un nº), indica el pie con el que se golpea y la intensidad, siendo 1 el mas debil, y el numero mayor el mas fuerte.
A cargar se ha dicho...
Yo voy a usar el nº 3, pero podeis usar el que mas os guste. Ahora teneis que pulsar el botón derecho sobre el sample "cSonor Kick3 R06", y sobre el menú desplegable, pulsad sobre "Open In New Channel".
Ya tenemos el primer sample cargado. Ahora hacemos lo mismo con el "R05" (ya que esta intensidad no la tenemos para el pie izquierdo).
Despues, cargamos el L05, R04, L04...vamos cargando todas las intensidades del bombo nº 3, por orden descendente, y alternando izquierda y derecha. Parece una tonteria, pero nos será muy util de cara a programar las baterias.
Una vez terminemos nos tiene que quedar como en la foto. Probad a encender las mismas casillas que yo, pulsad en play, para que os vayais familiarizando con las intensidades:
Bien, pues ahora hay que subir hacia arriba en el browser, y buscar "c14 Rckhts C1 05", y cargadlos todos hasta el 01.
Estos son sonidos de charles cerrado, son pocos, pero nos podemos apañar muy bien con ellos. Probad ahora este patrón:
Fijaos como estamos ya jugando con las intensidades, hemos usado 5 sonidos distintos de bombo, y 4 de charles, e incluso así, no queda irreal.
Un truco muy util es no volver a usar un mismo sonido hasta haber usado 3 distintos. Pero de eso hablaremos mas adelante.
Vamos a cargar el resto de samples, para ponernos manos a la obra lo mas rapido posible.
Volvemos al explorador de sonidos, el browser.
Buscad los samples "cRckhts OX", y a cargar. Este es el mismo charles, abierto. Un poco mas abajo teneis unos cuantos con la coletilla "Pdl". Cargad un par de ellos porque tambien serán utiles.
Buscad el sample "cAyotte", que es una caja. Desde aquí hasta "cSonor DS", son todos sonidos de caja, asi que nos vamos al que mas nos guste. Yo voy a usar la Sensitone de Pearl(cSensitone).
Para las cajas, tenemos varios tipos de sonido, en el caso de las Pearl Sensitone, las coletillas son: H para sonidos fuertes de caja, pero variables en sonido y forma. Estos los usaremos para los ritmos comunes principales. R y L son samples tocados con la mano derecha e izquierda respectivamente, ordenados por intensidad. M, son sonidos que emulan un golpe incorrecto del bateria, tambien muy utiles, y Rl se refiere a "Roll", o la vibracion que se produce al colocar suavemente la baqueta sobre la caja. Tambien muy util.
Cargamos todos los samples de H, los R y L de la forma que dije antes, los M, y los Rl.
Una vez hecho esto buscamos los "cSonor Tom", siendo 1 el mas agudo, y 5 el mas grave. Volvemos a hacer lo mismo, cargamos todos empezando por el nº 1, ordenados de forma descendiente en intensidad, y variando derechos e izquierdos.
Animo, ya falta poco...solo los platos.
Cargamos los "c19 Cshrd", y los "c20 Cshrd" (platos de 19 y 22), ahora los "c15 AAExtreme" y los "c15 18 Spock".
El mejor consejo aquí es que cada uno cargue los que mas le gusten. Fijaos tambien que teneis un plato ride y una campana para acompañar. Cargadlos tambien si quereis, los trataremos igual que los charles, ya que su funcion principalmente es acompañar
Al fin terminamos de cargar!! Podeis cerrar ya el browser.
A estas alturas, teneis un chorreón de samples dispersos por el programa. Para no perderos, tened siempre activado el piano por teclado:
Con esta utilidad, podemos usar el teclado del PC de la forma en que suena un piano. La tecla "Q", es "DO", el sonido sin alterar. Cuando señalemos un sample, pusando la tecla "Q" escucharemos que sonido es, algo que nos será muy util para no perdernos en esta maraña de sonidos e intensidades.
Ha sido cansino y agotador, verdad? Solo una cosa mas. Vamos a bajar un poco el volumen de los platos y el charles, ya que estos suenan un poco alto respecto a como deberian sonar. Debeis bajar el volumen de todos los platos y charles para que queden tal como en la foto:
Tambien podeis tocar los volumenes a vuestro gusto.
Hasta aqui la carga de samples. Para no perder todo este trabajo, guardad el proyecto para poder cargarlo cuando os apetezca. Siempre que hagais un nuevo proyecto, empezad cargando este, pero nunca lo sobreescribais. Esta debe ser la base sobre la que empezar todo proyecto.
UN POCO DE SECUENCIADO Y FIN DE LA PRIMERA PARTE
Bien, ya hemos terminado de cargar y preparar todos los samples.
Ahora van unos cuantos consejos de cara a la futura secuenciación:
Ante todo, hay que evitar repetir demasiado un mismo sample, ya que para ello acabamos de cargar multitud de samples distintos...
Si en un redoble metemos muy seguidos dos sonidos exactamente iguales, perderemos naturalidad, y obtendremos ese sonido "maquinal" que tan poco nos gusta.
El oido no puede distinguir dos sonidos iguales de bateria si están separados en el tiempo, mientras que son totalmente perceptibles si están colocados de forma muy seguida.
Si quieres usar un tempo concreto, multiplica el valor por 2. ESE es el valor que tienes que poner en tu regulador de tempo en Fruity Loops. ¿Por que? Muy sencillo. Aunque usemos un ritmo lento, siempre habrá algun momento en que nos apetecerá incluir un redoble muy rapido, y esto nos será imposible a un tempo muy bajo, a no ser que usemos el Piano Roll, el cual nos dará mas de un quebradero de cabeza.
Mi recomendación es que mantengais siempre un valor entre 160-240, valido para practicamente cualquier canción.
Poned siempre mucho mimo hasta en el ultimo detalle, por absurdo que parezca. Es la clave para distinguir entre una bateria maquinal y una que parece casi real.
Antes de terminar esta parte, vamos a crear un creible redoble de bateria, el cual nos abrirá bastante la mente al objetivo final. Probad siempre vuestras propias combinaciones, ya que incluso un bateria virtual tiene su propio estilo.
Vamos a crear un ritmo acabado en redoble, seguido por una variación del mismo ritmo, y otro redoble totalmente distinto.
Empezamos con un primer ejercicio:
1.- Con Fruity abierto y nuestros samples totalmente cargados, nos vamos al selector de tempo y lo ponemos a 220:
2.- Nos vamos a los sonidos de charles abiertos (rckhts O), y colocamos un sonido fuerte por cada ocho botones de activacion (uno en cada agrupación de color azul). Yo he usado solo 2 sonidos fuertes, pero nunca suenan seguidos.
Despues, ponemos un sonido mas debil al comienzo de cada agrupación marrón.
Al principio del todo vamos a meter también un crash de plato, ya que es el inicio de un fraseo. Ahora bien, esto es MUY importante.
El bateria real no tiene tres brazos, por lo tanto, debemos borrar el primer sonido de charles que habiamos puesto. El bateria no puede estar golpeando un plato y el charles a la misma vez. Tambien podemos colocar otro plato en la penultima caja para dar mas enfasis al resultado final.
Debe quedarnos algo como esto (el plato no aparece al estar muy separado respecto a los sonidos del charles):
3.- Ahora vamos a colocar la caja (cSensitone) en su lugar correspondiente. Aqui tenemos que usar los sonidos "H", que son la caja tocada con golpe fuerte, pero variante en cuanto a sonido. Lo colocamos de esta forma. No se como explicar su colocación exacta en palabras, y puede resultar algo lioso. Si veis la imagen, y con un poco de oido, no tiene ningún misterio.
4.- Colocamos el bombo a nuestro gusto, poniendo el golpe mas fuerte cada 4 sonidos de charles, lo que pondrá el enfasis necesario en el ritmo. Podeis probar con este:
5.- Tenemos el ritmo principal montado y solo queda el redoble, del cual empezamos montando la caja sobre el ultimo golpe de caja que habiamos colocado.
Vereis que este ultimo golpe está sobre un bloque azul. Dejamos un botón en blanco y ponemos otro golpe de la misma serie (H), en el tercer botón del bloque. En el 2º y 4º botón vamos a colocar dos golpes intermedios tocados con brazo izquierdo (L), ya que por logica, y si imitamos el ritmo que hemos creado con nuestros brazos, vereis que esos golpes corresponden al brazo izquierdo. Esto no es una norma fija, pero de momento lo haremos así. Mirad el ejemplo si estais algo perdidos:
6.- En el siguiente bloque, de color marrón, montaremos el timbal mas agudo. Repetiremos el mismo patron: Golpes fuertes para el primer y tercer botón, y golpes mas moderados para el 2º y cuarto botón. Para los golpes fuertes, NO useis los golpes a tope de intensidad, ya que, volviendo a la piel del bateria, este no toca a tanta intensidad y hariamos el ya citado efecto maquina. Os recomiendo los golpes de intensidad 3 y 2 para esta tarea.
7.- Ahora hacemos lo mismo con el timbal nº 2 y el nº 3, para los dos ultimos bloques.
El resultado es brutal, verdad?
Vamos a variar un poco el ritmo:
8.- Fijaos que a la derecha del cuadro que contiene el nombre del sample, el que está con los ajustes de volumen y pan, tiene una luz verde, que indica que sample tenemos seleccionado. Hacemos click sobre el botón que tengamos encendido, y vereis que acabamos de seleccionar todos los samples. Bien, ahora pulsamos "Crtl + C" (copiar).
Al lado del selector de tempo, está el selector de patrón, o "pattern". Pasamos al patrón nº 2. Ahora pulsando "Crtl + V" (pegar), acabamos de copiar en este 2º patron el ritmo que habiamos hecho.
9.- Ahora podemos variar un poco los bombos. Si colocamos dos golpes de bombo justo antes de la caja, dará un "efecto doble bombo" muy bueno, y muy usado en el Rock/Metal. El mio queda tal que así:
Ahora borramos los dos ultimos bloques correspondientes al redoble del timbal nº 2 y el nº 3, para usar otra técnica.
Lo que haremos ahora es colocar 2 golpes suaves/intermedios de caja X 2 de timbal, en lugar de los 4 de timbal que teniamos antes, usando esta vez en los huecos de timbal el nº 3 y el nº 4
El redoble final seria:
4 golpes de caja + 4 golpes de timbal agudo + 2 golpes de caja y 2 de timbal nº 3 + 2 golpes de caja y 2 de timbal nº4.
Si descomponemos por golpes queda lo siguiente:
4 golpes de caja (1 golpe fuerte, 1 intermedio, 1 fuerte, 1 intermedio) + 4 golpes de timbal (1 interm, 1 suave, 1 interm, 1 suave) + 2 golpes de caja y 2 de timbal nº 3 (1 interm, 1 suave, 1 interm, 1 suave) + 2 golpes de caja y 2 de timbal nº 4 (1 interm, 1 suave, 1 interm, 1 suave).
Una vez hecho esto, solo falta enlazar el patrón uno con el dos, marcar la casilla "song", y pulsar en play. Podeis ponerlo 2 veces para alargar un poco el ritmo. El editor de patrones se abre con la tecla F5, y hay que ser muy cuidadoso colocando los bloques para no perder la continuidad:
Debe quedaros algo muy parecido a la muestra de audio adjunta en el mensaje.
Esto es todo por hoy. La siguiente parte irá dedicada al secuenciado general, y a un repaso por algunas tecnicas de bateria y como crear ritmos para distintos estilos metálicos (Heavy, Power, Numetal, Death, Black, etc.), y un poco de EQ.
En el siguiente os voy a enseñar a utilizar los distintos sonidos de DKFH para crear otras percusiones, tales como las percusiones adicionales de Slipknot, o los sonidos tribales de Igor Cavalera.
Espero que os sirva de ayuda este tutorial. Para los mas avanzados quizá esta primera parte os haya servido de muy poco, pero prefiero tratar el tema desde el principio antes de entrar totalmente en harina.
Espero que os guste, y ante todo, que os ayude.
Saludos!
extraido de hispasonic.com
RAP INSTRUMENTAL, SLOW BEAT, WITH TUPAC CHORUS
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A hip hop beat i produced using cubase sx3 and a midi keyboard with acapella vocals from tupacs song when we ride on our enemies..hope you like..
tHE AUDIO QUALITY IS NT GREAT SO U CAN LISTEN TO IT HERE U CAN ALSO DOWNLOAD THE MP3 FROM HERE ALSO http://www.soundlantern.com/UpdatedSo...
Thanks for all the comments and subs so far keep them comming there what inspire me along with pacs amazing vocals...
if u think the tracks hot spread it to your friend's on u tube thanks again..
rap instrumental tupac slow hip hop beat rock hip-hop pop r&b..instrumental fl studio
Stevie Mycs - Hey Onkel DJ (Original) Fruityloops / House
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Das ist meine erste Single. Zieht euch das Ding rein. Hört euch auch den englische Crazy Mycs Mix an und besucht meine Homepage
www.stevie-mycs.de
"Recommended song category electro house by http://usefruityloops.blogspot.com/"
e
Stevie Mycs Hey Uncle DJ MrMycs expression house electro minimal beat fruityloops fl fruity loops studio sound side
FLStudio House - Love the Music - Jordan Mencel
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hey! I'm Jordan Mencel.
This is a collaberation between Nick Sinckler (vocals) and Me (Producer). If I had to choose a genre I would say House but only vaguely.
I'm 15 years old at the moment, next year will be studying music tech full time at college.
If you're on facebook, become a fan of this page for free mp3s and updates!:
http://www.facebook.com/pages/Jordan-...
house pop trance fl studio fruity loops sex porn xxx synth unsigned cubase dance
Making a hardstyle song hardbass music Fruity Loops dark vocals
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Here's my try of DJtsar404's tutorial :)
Music Fruity Loops FL Studio Hardstyle Nu-style Trance Techno Tutorial Remix Kick Bass Crap no Porn
FLStudio Trance - Neverland - Jordan Mencel and Kate Lesing
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Hey! I'm Jordan Mencel.
If you're on facebook, become a fan of me and recieve updates and songs:
http://www.facebook.com/pages/Jordan-...
This is a collaberation between me and singer Kate Lesing. It's a cheesy trance track, took a good 10 hours to mix and turned out pretty well!
I'm 15 years old at the moment, next year will be studying music tech full time at college.
house hardcore kate lesing trance fl studio vst dub funk bass fruity loops sex porn xxx synth unsigned cubase dance
OLLy F - Dirt Off Your Symphony making a remix a remake
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New DnB/Breakz tune made with FL Studio 8. It samples Bittersweet Symphony by The Verve & Dirt Off Your Shoulders by Jay-Z. Remixed into a kinda DJ Fresh/Subfocus/Pendulum style.
Drum Bass FL Studio DnB Breakbeat Jay-Z The Verve
Bass Rockaz - Infinity (Original Radio Mix) game musica made in fl studio
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Hands Up! / Dance & Techno
Produced & Mixed On: FL Studio 8
Third song on FL Studio.
I remade parts of a song... Unknown artist (will notify when I get a name).
hands up eurodance euro dance italodance techno house trance electronica rave club edit mix bass rockaz infinity
FL STUDIO 8 TUTORIAL - How to make a Dubstep/Grime track
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I show you my methods of producing by using standard FL Studio Sounds.
step by step
MySpace.Com/DJChapter
BTW this my method, I'm not saying it's right or wrong but it is what I believe to be effctive.
Music FL Studio Tutorial How to make Dubstep Grime Production Tips Techniques Coki Mala Benga Skream Bass Wobble LFO Cut
FL Studio Hip Hop Beat ambient sound effects ambulances, shoots..
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Gangsta ass beat meh nd ma 10yr old bro made he did most of it...i just made into a song. ma bro got skillz giv em madd propz
ambient sound effects ambulances, shoots..
hip hop thug fl studio beat guitar gangsta
Crank That On Fl Studio 7 MPC-100 TUTORIALS FREE fruity loops aprender a usarlo
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A way to make the beat
Crank That
How to transform FL Studio 8 in a Midi-Sequenzer!
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Quick Tutorial!
FL Studio fruityloops fruity loops midi Ringtone Ringtonez Ringtones Host Image-line
FL STUDIO TUTORIAL DISTORTED AUDIO PROBLEMS,AND LATENCY FRUITY LOOPS PROBLEMS
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http://www.myspace.com/djks...
FL STUDIO AUDIO QUALITY DISTORTED PROBLEMS AND LATENCY TUTORIAL
FL Studio Hot Sampled Beat!!! "The Life"
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his my first video, I might post more, I'm just waiting for the response i'm gonna get on this one.
Email: mgj_911@hotmail.com
soundclick (where most of my music is): http://www.soundclick.com/bands/defau...
MySpace will be up soon...
leave some comments if y'all want too.
hip-hop 9th wonder dj premier fruity loops fl studio akai mpc 1000 2000 xl 3000 mpd 24 mpd24 32 mpd32 sampled beat
How to do Basshunter - wacco will kick your ass in FL STUDIO
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How to do Basshunter - wacco will kick your ass in FL STUDIO
I show you the melodi and more, Don´t complain about my voice, I was tired and my throat was f*cked up! HAHA
FL Studio Fruityloops fruity loops basshunter wacco will kick your ass tutorial techno hardstyle music nice
How to use an FPC like an MPC in FL Studio tutorials free videos
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this is for the people who are tired of clicking their mouse over and over, may not feel like an MPC but its FUN and thats all that matters when you make your music!!!
here is the link to the original song
http://www.youtube.com/watch?v=HEhF8V...
FL Studio alchemist sampled beat FPC MPC 1000 hip hop
how to make a hardstyle melody with (fl studio) fruity loops tutorial step by step
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how to make a hardstyle melody with (fl studio)
its a basic hardstyle melody.
Download link of song(mp3):
http://www6.zippyshare.com/v/94872205...
how to make hardstyle melody with fl studio headhunterz kick nexus z3ta upcoming
Making a Sampled Beat in FL Studio fruity loops hip hop tutorials gratis
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Here I go showing how I made a sampled beat in FL Studio. Lemme know if you got any questions or anything.
MPC Skin: http://www.sqeetz.com/
Classic Plug ins Classic Compressor: http://www.kjaerhusaudio.com/classic-...
fl studio beat making hip hop sampling classic compressor trigger finger jayg rap
URL:
Expert Sleepers - Minky Starshine is an additive/subtractive hybrid syn free download
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Minky Starshine is an additive/subtractive hybrid synth.
A waveform is created by summing 16 independently controllable 'partials'. By setting the relative levels of the partials appropriately you can create familiar waveforms such as sawtooth and square wave, but you can also create an infinite range of timbres in between.
As well as simply setting the levels of the partials, you can flexibly assign them to three 'groups'. Each group has a very flexible envelope generator and an LFO, so you can change the balance of the partials (and therefore the timbre of the sound) over time.
The LFOs have a wide frequency range and can also be used as ring modulators.
The waveform as a whole can have its pulse width controlled. An envelope and LFO is provided, as well as control by note velocity.
A resonant filter is available, capable of lowpass, bandpass and highpass and a continuous range in between. Again, control by envelope, LFO and note velocity are possible.
A flexible modulation section is provided, capable of chorus, flange and delay effects.
The factory presets showcase some of the range of sounds that can be produced.
Read More......
A waveform is created by summing 16 independently controllable 'partials'. By setting the relative levels of the partials appropriately you can create familiar waveforms such as sawtooth and square wave, but you can also create an infinite range of timbres in between.
As well as simply setting the levels of the partials, you can flexibly assign them to three 'groups'. Each group has a very flexible envelope generator and an LFO, so you can change the balance of the partials (and therefore the timbre of the sound) over time.
The LFOs have a wide frequency range and can also be used as ring modulators.
The waveform as a whole can have its pulse width controlled. An envelope and LFO is provided, as well as control by note velocity.
A resonant filter is available, capable of lowpass, bandpass and highpass and a continuous range in between. Again, control by envelope, LFO and note velocity are possible.
A flexible modulation section is provided, capable of chorus, flange and delay effects.
The factory presets showcase some of the range of sounds that can be produced.
Expert Sleepers - Crossfade Loop Synth
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Crossfade Loop Synth is actually two plug-ins: Crossfade Loop Synth and Crossfade Loop Synth Effect. The effect version takes the power of Crossfade Loop Synth and turns it into a live sampler, a looper and a very unusual and powerful delay effect.
Crossfade Loop Synth
Crossfade Loop Synth is, at heart, a simple sample playback synth plug-in. It plays samples in the classic sampler manner - by simply altering the playback speed according to the desired note. No fancy timestretching or pitchshifting is applied.
You can control how the sample is looped as it is played. An adjustable amount of crossfade can be applied to the loop endpoints to smooth the transitions. This makes it extremely easy to produce glitch-free pad sounds. The loops can also be played backwards and alternately forwards and backwards (pendulum-style).
Further sound processing can be applied in the form of overdrive/saturation, filtering, envelopes (for amplitude and filter), pulse-width modulation, oscillator sync and LFOs (one each for filter, pitch, PWM and sync).
The synth is 32 note polyphonic, and all parameters can be controlled by MIDI controllers.
Crossfade Loop Synth Effect
Crossfade Loop Synth Effect is the same as Crossfade Loop Synth except you can record live audio to use as the sample, rather than just loading it from disk.
You can record continuously, even while playing back. This allows you to use the plugin as an extremely unusual and creative delay effect. For example you can have the delays played back at double the pitch/speed you played them. Or at double the pitch and backwards. Or as a chord. Or repeat the first beat of every bar... the possibilities are legion.
You can save the recorded sample to disk as an AIFF file for later use.
Expert Sleepers - Augustus Loop free download
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Augustus Loop is an emulation of a tape-based delay effect, with some extra features to facilitate its use as a looping device.
The key features of Augustus Loop that make it more than just a big delay effect are:
- Really long maximum delay (3600 seconds - that's one hour).
- Tap length/tap record. You can set the loop delay time while recording your first phrase.
- Virtual tape. The delay simulates an old-style tape delay, meaning you can:
- Change the tape speed (i.e. pitch up and down)
- Reverse the tape direction
- Stop the tape
- Smoothly change the delay time (as if you were changing the head gap on a tape delay).
- Multimode filter and saturation in the feedback loop.
- Four feedback taps (left to left, left to right, right to left and right to right) with independent delay time and feedback settings, for ping-pong effects, stereo delays, etc.
- Pitch and filter LFOs.
- Loop length can be set in terms of the host's tempo setting.
- The plug-in can output MIDI clock messages to synchronise other applications to its loop.
- Automatic fades up and down to allow smooth transitions in your playing. It can even automatically clear the loop for you once it's faded out.
- Host transport-sync'd punch in and out when recording.
- 'Inertia free' mode suppresses the tape-like behaviour when changing delay times to allow seamless transitions between loop lengths (This is also the route to the popular 'multiply' and 'divide' features found on some popular looping devices).
ExperimentFour - esef is a VERY simple soundfont player
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esef is a VERY simple soundfont player ... just the thing for when all you want to do is hear the sample play [and not be confused by all the parameters on your bells and whistles sampler while you watch your cpu consumption go through the roof].
- SoundFont bank and patch management.
- State-variable filter [lowpass / highpass / bandpass / notch] with bypass mode and adjustable ADSR envelope.
- VCA section with adjustable ADSR envelope.
- Monophonic and polyphonic modes.
ExperimentalScene - SpatialVerb free download
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SpatialVerb VST is a room modeling reverb effect unit. It models the early impulse response by simulating the response of a room using raytracing. The late impulse response is provided by a feedback delay network (FDN) which prevents ringing. The user has control over the location of two source and two destination points, room width, room height, wall absorb, cutoff, and gain.
ExperimentalScene - DarkWave Studio is a modular virtual studio for the creation of electronic music
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DarkWave Studio is a modular virtual studio for the creation of electronic music. With DarkWave Studio you can easily use the included audio machines and third party VST effects and instruments to create music. DarkWave Studio allows the connection of machines in an ad-hoc cabling fashion. DarkWave Studio comes with both native versions for 32-bit and 64-bit editions of Windows, although you may use the 32-bit version on all editions of Windows for backwards compatibility with 32-bit VST plug ins.
DarkWave consists of the following main parts:
- Studio (Work With Machines).
- Pattern Editor (Create Pieces Of Music).
- Sequencer (Arrange Patterns Into A Song).
- Multi-track Hard Disk Recorder (Master Your Music).
The following plugins are included with DarkWave:
- MIDI Input (Use MIDI Keyboards With DarkWave Instruments).
- ES AntiAlias (32x Digital Oversampling).
- ES SpatialVerb (Room Modelling Reverb Unit).
- ES Kick (Rave Kick Generator).
- ES BrainSynth (Subtractive Virtual Analog Synthesizer).
- ES DGenR8 (Virtual Analog Drum Machine).
ExperimentalScene - AntiAlias
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AntiAlias filters out frequencies above the Nyquist frequency by oversampling then shelf filtering with a FIR filter.
Features:
- Stereo Input and Output.
- 32 Bit Floating Point Audio Engine.
ExpDigital - GFlux is a multi-filter plug-in with extensive modulation capabilities.
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GFlux is a multi-filter plug-in with extensive modulation capabilities.
The core of GFlux is the concept of the 'flow'. Each flow represents a different filter layout, controlling which filters feed to others. The flows range from simple 8 pole filters right through to complex serial / parallel networks. These flows cover almost all the possibilities for routing and combined with the separate level control for each filter state you can create very complex filter responses.
Features:
- 4 Filters.
- 5 Simultaneous Filter Types.
- 6 Modulators.
- 5 Modulation Types.
- 18 Filter routing configurations.
- 11 Distortions.
- Full MIDI Control.
EvoBeats - Sequential Vibes free download
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- Pattern orientated audio sequencer.
- VST Instrument and Effect Support
- DirectX Audio Effect Support
- MIDI Sync.
- Automation for Instruments and Effects.
- 44,1 Khz, 16 Bit, Stereo.
- Internal Sampler with 256 Voices (Interpolated, Smooth Filter).
- Compact File Format (save all settings and samples into one file).
- Import/Export of Microsoft WAV Files.
EVM Synths - Syncoder 32 free vocoder download
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Syncoder 32 is a 32-Band Frequency Synthesizer and Vocoder VSTi plug-in for Windows.
Features:
- Multi-Band Frequency Synthesizer and Vocoder Engine.
- 32 Frequency rich carrier waveforms.
- 32 Filter program settings.
- 32 Band Maximum Vocoder Engine.
- 32 Band Compressors with frequency tracking.
- 32 Patch Memory.
- Import Standard Wav Files for Custom Modulator Control.
EVM Synths - ProtoWave free download
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Features:
- 1 Oscillator.
- 80 Phase variable Waveforms (...and can produce extra sub waves if pushed to the limit).
- 1 Note Monophonic.
- 1 Multi-pass Filter (12/24db).
- 2 LFOs to Multiple Destinations.
- Envelope modulation (including Wave cycling).
- Portamento.
- Stereo Digital effects (3 Digital delays, 1 Digital Reverb, and 2 Ring Modulators).
EVM Synths - Neutron Bass Synth Bass Synthesizer free download
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Neutron Bass Synthesizer can produce some deep and cutting edge bass sounds. Two main oscillators and 1 Sub oscillator combine to cut right through the mix. The sub frequency driver enhances the lower octave (watch your speakers). Low CPU in Mono mode.
Read More......
EVM Synths - Maelstrom is a simple Polysynth with 2 oscillators, filter, ADSR env, modulation, etc.
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Maelstrom is a simple Polysynth with 2 oscillators, filter, ADSR env, modulation, etc.
Read More......
EVM Synths - Isotope Isotope is a Performance Synthesizer / Groove sequencer / Multi-FX.
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Isotope is a Performance Synthesizer / Groove sequencer / Multi-FX.
Features:
- 4 Oscillator Unison mode.
- 2 Sub oscillators in split transposition mode.
- EVM Multiwave technology for a wide stereo spread.
- Waves: new(ish) waveform modules that can get almost 100 waves. (Still in development).
- Individual filter for each Osc with Phase variable contour frequency response.
- 4 Stage ADSR with Filter, contour and Osc pitch response.
- Built in Digital Delay line.
- Complex modulation with 2 LFOs and multiple destinations.
- 16 Patch memory programs.
- MIDI channel 1-16 or All.
- Selectable pitch bend range for realtime pitch wheel control.
- 8 Channel Groove Sequencer Filter,Waves and Oscillator Cross-Mod.
- Pitch bend and Modulation wheels.
EVM Synths - Gnome free download
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Feature summary:
- 2 Oscillators with 71 waveforms in total.
- 2 State Variable filters.
- 5 Envelope generators.
- 4 LFOs.
- 2 Digital delays.
- 1 Stereo reverb simulator.
- BPM gated arpeggiator.
- XY Mouse Pad controller.
- A complex modulation matrix.
2 Oscillators with multiple waveforms:
- Osc 1 variable grade factor synchronized to Osc 1 or Osc 2.
- Osc 2 Additional subwaves.
- Osc sync mode.
- Variable glide.
- Transpose +/- 2 octaves.
- Tune +/- 1 semitone.
- Monophonic / Polyphonic or Multiphonic (unison) modes with Multi Detune.
2 State Variable Filters:
- Individual Level, Frequency, Resonance (Q), State Ratio and Stereo Pan controls.
5 Envelope Generators:
- 1 Dedicated Amplifier Envelope Generator.
- 4 Variable Destination Envelope Generators with 10 Destinations each.
- Normal or inverted operation.
4 LFOs:
- 2 Custom waveform LFOs (sine, saw, ramp, 100% pulse, 50% pulse, 25% pulse, fast random, slow random).
- 2 Standard waveform LFOs (sine, saw, ramp, triangle, pulse, white noise, pink noise).
LCD Modulation Matrix:
- 8 Internal Modulation choices with 12 Sources + 4 External MIDI controllers
(LFO1, LFO2, LFO3, LFO4, All LFOs, Mouse Pad X, Mouse Pad Y, Pitch Bender, MIDI CTRL1, MIDI CTRL2, MIDI CTRL3, MIDI CTRL4). - Each MIDI CONTROLLER has 128 sources giving a total of 1120 combinations.
- 32 Modulation Destinations.
2D Vector Mouse Pad:
- Mouse Pad is full assignable to the Modulation Matrix for both input and output.
Stereo Effects:
- 2 BPM synced delays for echo, chorus and flanging modes.
- Stereo Reverb model.
Arpeggiator:
- EVM Freeform arpeggiator with 4 modes. (up, down, random1, random2).
- Integrated note timing gate to manipulate arpeggiator BPM timings.
- Arp BPM time division.
EVM Synths - DvX Vega free download
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Features:
- MSI Oscillator with 32 Waveforms.
- Multi-Function Event Programmer.
- Two Phase Inversion Filters.
- Self Modifying NTP Arpeggiator.
- Mega Voice Unison mode.
- Analog Wave Stability Emulation.
- Arpeggiator Linked Note Gate.
- Separate Amplifier, Filter and Modulation Envelopes.
- Two LFOs.
- Stereo Chorus, Ensemble and Flanger.
- Stereo BPM Synced delays.
EVM Synths - Bassline free download
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EVM Bassline is a "WaveSample Bass Player".
Features:
Features:
- Multi-mode filter with resonance.
- Envelope trigger/gating.
- Monophonic/Duophonic mode.
- Adjustable glide.
EricSound Plugins - FreeeQ free equalizers vst download
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FreeeQ is a high-quality 3-band 'instant results' EQ which is highly optimized for CPU usage.
Features / specifications:
- Stereo/mono, 3-band, fixed curve EQ.
- Low-shelf, mid-bell, high-shelf.
- +/- up to 15dB per band.
- Classic hardware emulation.
- 64-bit double precision internal processing.
- Economical CPU usage for high track counts.
- Sample rate fixed at 44.1kHz.
- THD(k) <>
Eric Wollo - Wollo FMERA free download
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Wollo FMERA combines FM style sounds with a Wave player. It includes one dedicated single stereo female voice sample, which is triggered together with the FM sound.
Features:
- 32 voice polyphony.
- 2 oscillators (carrier and modulator) in each voice.
- Wave player with dedicated stereo voice wave sample.
- Modulation filter, depth and keyboard.
- Separate envelopes for Osc1, Osc2 and wave sample.
- 2 mono flangers.
- 2 mono delays.
- Animated keyboard for easy playing the synth with the mouse.
Eric Wollo - Wollo Spacer
Wollo Spacer combines two delays, a phaser, and two parallel reverbs.
Features:
- Two delays.
- Stereo phaser.
- 2 reverbs, parallel.
- Direct signal gain control.
- On/off buttons and send volume.
Eric Wollo - Wollo Drone is a virtual analog synthesizer which combines analog style sounds with onboard effect processors.
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Wollo Drone is a virtual analog synthesizer which combines analog style sounds with onboard effect processors.
Features:
- 32 voice polyphony.
- 2 oscillators in each voice.
- 5 different oscillator waveforms with pulse-width and sync.
- 4 different resonant filters.
- LFOs with 8 different waveforms.
- Envelopes for Osc1 & Osc2.
- Portamento.
- Mono Mode.
- Flanger with build in moog filter.
- 2 mono delays.
- Stereo Reverb.
- Animated keyboard for easy playing the synth with your mouse.
Eric Wollo - Wollo Beat drummers free download
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Wollo Beat is a virtual drum and percussion machine which combines old Roland style sounds with acoustic sampled sounds.
Features:
- 2 drum machines in one unit, each with 15 velocity-sensitive sounds. With separate MIDI channels and outputs.
- Volume, pan, filters and pitch for each sound.
- Delay and Reverb internal effects.
- Trigger pads for playing the sounds with the mouse.
EMS - Synthi Avs Synthi A Virtual Synthesizer) is a software emulation of EMS' hardware
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Synthi Avs (Synthi A Virtual Synthesizer) is a software emulation of EMS' hardware, "briefcase" synth, Synthi A, featuring its 256 modulation matrix and its unique EMS-Filter.
Additional features of the VSTi are:
- Full MIDI-implementation such as loading and saving sounds with all parameters.
- Automation of all knobs, pins and the joystick via MIDI-Sysex-data in realtime, patching the full range of MIDI-controllers to the modulation-matrix to play your Synthi Avs via MIDI-keyboard or MIDI-Sequencer.
You can use the Synthi Avs as a VST Instrument and as a VST insert effect, so you can trigger the Synthi Avs by external audio and modulate any external audio by the Synthi Avs.
Read More......Elogoxa - The Devil Inside Elogoxa - X-cita free vst plugins
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Distortion + Feedback Synth VSTi
Elogoxa - X-cita
Analog style exciter for mastering purposes, inspired on the BBE Maximizer models.
- Warm sound and very simple to use, this exciter can be very useful to add some subtle brightness in the high frequencies, and make the lows more dense. It has been conceived to be used mainly on the mastering stage, but it's also useful for individual tracks.
- Independent controls for Low and High frequencies, bypass and global Volume Out.
- Completely automatable via MIDI CC (Controls 20,21,22,23,24).
- Moderate CPU use (-8% Athlon XP 2400+).
- Includes 6 presets.
Elogoxa - JG-3 free download Elogoxa - Sun Ra free
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| Version | Download | Avail? | |
 | 1.6 | Download |  |
Elogoxa - Sun Ra
- Dual synthesis architecture. The sound is generated by the conjunction of 1 subtractive oscillator (7 waveforms) and 2 WAV files with samples from real solar sounds.
- Wave loading option. The users can substitute the 2 internal waves (SOLAR MODES) their favourite .WAV files.
- Randomization capabilities. The sampled waves (SOLAR MODES) pass through three consecutive note-sequencers (MUSIK, GROOVE and VARIATIONS), which reproduce MIDI patterns that can be combined in several ways. The subtractive oscillator (HELIOS HEARTBEAT) features also its own 3 self-generative modes of randomization, called QUANTA, VOICES and MULTIPLIER.
- Built in effects. The synth has a bank of selectable send effects, which includes chorus, delay, random and filter, and another 4-Mode filter (Lo Pass, High Pass, Band Pass, Band Reject) completes the signal path after the master out.
- 3 note polyphonic.
- Completely automatable via MIDI CC.
- Includes 24 Factory Presets to give and idea of the potential of the synth.
- Moderate CPU use (+-20% Athlon 1200).
Elogoxa - Elottronix XL free download
·
Emulation of Robert Fripp's tape delay effect "Frippertronics": two Revox B-77 in continuous loop. This XL version supposes a complete rewrite of the old Elottronix, and adds a ton of new possibilities:
- Two independent routable delay lines, with a maximum delay time of 80 seconds. Tempo can be synced to host BPM.
- LFO controlled Pan per delay line, with definable Bar Divisions, Pitch and Waveform.
- Two global Pan modes: normal and inverted.
- Rehearsal option: when switched ON, the incoming signal doesn't pass through the delay lines, so you can try different things before inserting them into the loop.
- Biquad-X multimode filter per delay line. This advanced filter has 9 different modes: Low Pass, High Pass, Low Shelf, High Shelf, All Pass, Band Reject, Band Pass CSG, Band PassC0PK and Peak. Optional parameters to control are Gain, Cutoff and Q.
- Tape machine: this module generates tape hiss, which can be pitched up and down.
- Completely automatable via MIDI CC.
- Moderate CPU use (-8% Athlon XP 2400+).
- Includes 8 Presets to give an idea of the effect (4 for sends, 4 for inserts). But what Elottronix XL does can't be covered with presets as you'll discover.
Elogoxa - Elottronix free vst plugins download VST processor which emulates the famous Robert Fripp effect called "Fripptronix":
·
VST processor which emulates the famous Robert Fripp effect called "Fripptronix":
Two Revox B-77 making a continuous loop (2-8 seconds delay). Read More......
Two Revox B-77 making a continuous loop (2-8 seconds delay). Read More......
Elogoxa - Baxxpander & Elogoxa - Cosmo Girl II free download
·
A vintage style saturation/bass expander unit.
New version of the old Cosmodelia's synth of the same name. With a fresh GUI, 64 presets, automation of all parameters and also denormalization filter.
Elogoxa - Cosmo Girl II
New version of the old Cosmodelia's synth of the same name. With a fresh GUI, 64 presets, automation of all parameters and also denormalization filter.
- 3 Voices Polyphony.
- 1 Standard Oscillator plus 1 LFO, each one with 7 selectable waveforms, and both controlled by a single VCA.
- Several filtering options, with control over pitch, modulation and resonance.
- Crusher and Echo units built in.
- Includes 64 Factory Presets.
- Fully automatable via MIDI Standard Controls.
Elevayta - Wider Boy Pro free download
·
Features:
- Full parameter automation capabilities within compliant host applications.
- 32-Bit processing throughout.
- "MIDI Sync" option enables "Note-On" control of High and Bass pan.
- "Bounce Mode" provides 4 different "Midi Sync" modes for "Stereo-Basis" panning:
- Bounce High Only.
- Bounce Bass Only.
- Bass and High in-phase.
- Bass and High anti-phase.
- "Bounce Slope" for complete control of Midi transitions in "Bounce Mode" (prevents audio clicks).
- Auto-detect host sample rate.
- Panning functionality for High frequencies independent of Bass.
- Humidity control:- A Dry to Wet slider. 100% Wet is the processed signal only.
- Mode: Provides 5 output modes:
- Classic - The original "Wide Boy" sound.
- Toast - Even warmer and richer (my favorite).
- Boost C - "Wide Boy" with boosted high frequency.
- Desert - A flatter restrained mix.
- Thru Pan - Passes the input to output via the High Pan slider.
- "Spectral Pivot" frequency extended to a maximum of 2 kHz.
- "High" button: switch everything above the spectral pivot frequency on/off.
- "Bass" button: switch everything below the spectral pivot frequency on/off.
- "Boost Wide": provides further widening of the soundstage under any mode.
- "Mono Bass": enables to collapse everything below the pivot frequency to mono.
- "Pivot Mode": determines the transition width between Bass and High frequencies.